Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "experimental literature" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-7 z 7
    Tytuł:
    Piecing Together J. G. Ballard’s "The Atrocity Exhibition"
    Autorzy:
    Tereszewski, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1366476.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Ballard
    Debord
    spectacle
    experimental literature
    Opis:
    J.G. Ballard’s The Atrocity Exhibition can easily be classified as his most experimental novel, one that, more than any other of his works, succeeds in presenting, or perhaps representing, the fragmented condition of a media-saturated Western culture. On the surface, it does appear to be a postmodern and seemingly chaotic bricolage of pop iconography, landscapes, and medical references arranged non-linearly and without plot, and yet there is a unifying principle at work, anchoring the texts in a specific ideological context of 1960s Western culture. The main argument of this paper expands on Debord’s study of spectacle and regards The Atrocity Exhibition as a work that not only attempts to frustrate reading expectations, but also addresses the cultural shift towards spectacular society.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2020, 44, 2; 75-82
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Joe Brainard’s "I Remember", Fragmentary Life Writing and the Resistance to Narrative and Identity
    Autorzy:
    Drąg, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/641437.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    fragmentation
    life writing
    experimental literature
    narrative identity
    Opis:
    Paul Ricoeur declares that “being-entangled in stories” is an inherent property of the human condition. He introduces the notion of narrative identity-a form of identity constructed on the basis of a self-constructed life-narrative, which becomes a source of meaning and self-understanding. This article wishes to present chosen instances of life writing whose subjects resist yielding a life-story and reject the notions of narrative and identity. In line with Adam Phillips’s remarks regarding Roland Barthes by Roland Barthes (1975), such works-which I refer to as fragmentary life writing-emerge out of a profound scepticism about any form of “fixing” oneself and confining the variety and randomness of experience to one of the available autobiographical plots. The primary example of the genre is Joe Brainard’s I Remember (1975)-an inventory of approximately 1,500 memories conveyed in the form of radically short passages beginning with the words “I remember.” Despite the qualified degree of unity provided by the fact that all the recollections come from the consciousness of a single person, the book does not arrange its content in any discernible order-chronological or thematic; instead, the reader is confronted with a life-in-fragments. Although individual passages could be part of a coming-of-age, a coming-out or a portrait-of-the-artist-as-a-young-man narrative, Brainard is careful not to let any of them consolidate. An attempt at defining the characteristics of the proposed genre will be followed by an indication of more recent examples of fragmentary life writing and a reflection on its prospects for development
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2019, 9; 223-236
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Norwegian Experimental Literature in Dag Solstad’s "Svingstol" and Jan Erik Vold’s "BusteR brenneR"
    Autorzy:
    Duinea, Raluca-Daniela
    Powiązania:
    https://bibliotekanauki.pl/articles/22591650.pdf
    Data publikacji:
    2021-12-22
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Norwegian experimental literature
    Profil
    Jan Erik Vold
    nyenkle (new simple) prose poems
    nyenkle (new simple) short stories
    Dag Solstad
    Opis:
    This paper aims to present Norwegian experimental literature in the 1960s with respect to the profilister’s literary orientation and to the concept of nyenkelhet (new simplicity). It begins with a presentation of the Norwegian literary context, the accent being placed on Profil and the new generation of young Norwegian writers who formed both the Literary Circle Profil and founded the literary magazine of the same name. The first section of the paper entitled “Norwegian Literature in the 1960s and the ‘Profilister’ Vold and Solstad” is an introduction to a newly formed literary sphere which includes not only experimental poems and fiction but also critical essays and book reviews. To present the new ideas of these young writers, we have used appropriate theoretical articles selected from Profil regarding Norwegian fiction, the role of the writer in society, and Norwegian Modernism of the 1960s. A new type of Norwegian literature is also characterized by the concept of nyenkelhet (new simplicity) introduced to Norway by Jan Erik Vold’s experimental poems. The two following sections approach the concept of nyenkelhet (new simplicity) from two different literary perspectives: as they are reflected in Dag Solstad’s collection of short stories entitled Svingstol (Swivel Chair; 1967) and Jan Erik Vold’s volume of prose poems BusteR brenneR (1976). In addition, the article outlines the concept of nyenkelhet (new simplicity) as it is presented by the Norwegian writer Dag Solstad in the article “Tingene og verden” (Things and the World), published in Profil in 1967.
    Źródło:
    Studia Scandinavica; 2021, 5, 25; 74-92
    1230-6053
    2657-6740
    Pojawia się w:
    Studia Scandinavica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Modeling of a Bingham model of a magnetorheological damper considering stochastic uncertainties in their geometric variables
    Autorzy:
    Chen, Ke
    Yu, Xiaopeng
    Wang, Haishuo
    Zheng, Hongmei
    Zhang, Guojun
    Wu, Rui
    Powiązania:
    https://bibliotekanauki.pl/articles/1839695.pdf
    Data publikacji:
    2021
    Wydawca:
    Polskie Towarzystwo Mechaniki Teoretycznej i Stosowanej
    Tematy:
    Bingham model
    literature model
    stochastic uncertainty theory
    experimental verification
    Opis:
    Stochastic uncertainty theory is used to develop a new Bingham model of magnetorheological dampers superior to the existing model. Some input variables are defined as stochastic variables by the stochastic factor method, and the stochastic Bingham model is developed by the algebraic synthesis method. Curves of the damping force obtained by the stochastic Bingham model and the Bingham model in the literature are compared with experimental results, revealing that the curves obtained by the stochastic Bingham model are much closer to the experimental curves. Therefore, we confirm that the stochastic Bingham model is superior to the model from the literature.
    Źródło:
    Journal of Theoretical and Applied Mechanics; 2021, 59, 1; 53-65
    1429-2955
    Pojawia się w:
    Journal of Theoretical and Applied Mechanics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "A galaxy of signifiers”: David Clark’s "88 Constellations" for Wittgenstein as a Paradigm of the Barthesian Writerly/Plural Text
    Autorzy:
    Drąg, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/1366513.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    electronic literature
    digital biography
    writerly text
    hybridity
    experimental life-writing
    Opis:
    This article argues that David Clark’s digital biography 88 Constellations for Wittgenstein (to be played with the Left Hand) (2008) meets all the criteria of a writerly/plural text as defined by Roland Barthes in S/Z (1970). The discussion focuses on the interactive and reversible structure of Clark’s work, as well as on the plurality and hybridity of its components. The experimental form of Wittgenstein’s biography is examined as an attempt to capture the elusiveness and the contradictions of its subject.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2020, 44, 2; 113-122
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mapping Multiple Voices in B. S. Johnson’s House Mother Normal
    Autorzy:
    Malicka, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/888793.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    B. S. Johnson
    literature
    experimental novel
    Mikhail Bakhtin
    polyphony
    dialogism
    Opis:
    The present article is an attempt to analyse House Mother Normal – a littleresearched novel by the British experimental novelist B. S. Johnson. Starting with a general discussion of the author’s literary tenets, the analysis then focuses on the novel at hand, special emphasis being given to the ways in which it maintains continuity with Johnson’s previous works, as well as to the areas in which divergence from the author’s oeuvre is visible. Following these remarks, a question is posed concerning the somewhat complex relationship between the characters and the narrator in the novel, the main problem in this respect being the extent to which the narrator, if indeed present at all, is visible in the text. Finally, the focus of the article shifts to the novel’s multivoicedness, which is then discussed in terms of Bakhtinian notions of polyphony and dialogism. The subsequent analysis of selected excerpts from the novel demonstrates that House Mother Normal for the most part eludes any easy classification and thus subsuming it under Bakhtin’s categories is as seemingly easy as it is problematic and disputable.
    Źródło:
    Anglica. An International Journal of English Studies; 2012, 21/1; 41-60
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Super size me: Experiments with the shape and size of contemporary sonnets in English
    Eksperymenty z kształtem i rozmiarem współczesnego sonetu w angielskim
    Autorzy:
    Wącior, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/1878728.pdf
    Data publikacji:
    2016
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    poetyka
    poezja angielska
    sonet
    poezja eksperymentalna
    przestrzeń w literaturze
    poetics
    English literature
    sonnet
    experimental verse
    space
    Opis:
    Artykuł podejmuje złożoną tematykę rozwoju gatunkowego współczesnego sonetu angielskiego ze szczególnym uwzględnieniem problematyki formalnego ukształtowania tego typu wierszy, przede wszystkim jego rozmiarów oraz interakcji, w jakie wchodzi z innymi formami sztuki. Najbardziej charakterystyczną tendencją, z jaką mamy obecnie do czynienia, jest między innymi wydłużanie struktury sonetu poprzez podwajanie liczby linijek, redefiniowanie pojęcia wersu ze struktury zbudowanej z pojedynczej linijki do blokowego układu nawet kilku zdań, często pozbawionego cech poetyckiego wyrażania, czy wreszcie zanurzenie sonetu w słownej substancji innego tekstu nierzadko stworzonego z dowolnie dobranych sekwencji słów bądź fragmentów prozy. Drugą istotną cechą jest łączenie sonetu jako utworu literackiego ze sztukami wizualnymi i wyzyskiwanie potencjału intertekstualnego wynikającego z takiej amalgamacji odległych sobie tekstów artystycznych.
    The paper discusses theoretical issues of the development of contemporary sonnets in English with special attention devoted to the size and shape of the poems. The sonnet’s verbal space of fourteen decasyllabic lines arranged in quatrains and tercets undergoes a drastic re-arrangement in the texts of modern sonneteers. The most characteristic experiments with the form of the sonnet concern, among other things, expanding its structure by means of doubling the poem’s length, redefining the concept of the line of verse and substituting a decasyllabic iambic pentameter line with a block of lines stripped off any metrical beat and often prosaic in rhythm or immuring the sonnet within other texts and thus multiplying its meanings. The other tendency operating in contemporary sonnets is hybridization of the form by means of amalgamating the verbal with the visual, a process which expands the sonnet generically and makes of it an inter-art form.
    Źródło:
    Roczniki Humanistyczne; 2016, 64, 11; 213-224
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies