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    Wyświetlanie 1-8 z 8
    Tytuł:
    Polish-Italian Design Dualism. Artistic Projects by Dorota Koziara
    Autorzy:
    Wiśnicka, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/28409302.pdf
    Data publikacji:
    2017
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Italian design
    Polish design
    Design history
    Contemporary art
    Milan
    Opis:
    Polish-born, Milan-based designer, Dorota Koziara has been active on the international design scene for two decades. Her artistic career has swung between her national roots and the well-established traditions of Italian design. Working alongside the iconic Alessandro Mendini, Koziara gained a brand-new way of self-expression, smoothly intermingling between the two cultures. Her activity covers an outstanding range of projects, she is also the winner of the Third Millennium International Sculpture Competition held in Italy. Her achievements on both Polish and Italian design scenes are a unique example of how fluid contemporary trends based on national heritage can be. In this border-free society, the influences and relations between Polish and Italian design seem to be highly important. After centuries of inspiration and domination by Italian art, today’s scene shows a different approach to multicultural dialogue, the results of which are apparent in Koziara’s works. The article focuses on her achievements in the light of reciprocal Polish-Italian influences.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 160-175
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Moret-Sur-Loing - cultural heritage, its value and protection
    Autorzy:
    Kuśnierz-Krupa, D.
    Powiązania:
    https://bibliotekanauki.pl/articles/105230.pdf
    Data publikacji:
    2018
    Wydawca:
    Politechnika Rzeszowska im. Ignacego Łukasiewicza. Oficyna Wydawnicza
    Tematy:
    France
    town
    history
    cultural heritage
    architecture
    urban design
    Opis:
    This article concerns the historic town of Moret-Sur-Loing in the context of preservation and revalorisation, which are connected to its sustainable development. It is one of many examples, besides e.g. Heppenheim, Lorsch, Weinheim and Provins, of small European historic towns which can suitably use their cultural potential for their multidirectional development. The town of Moret-Sur-Loing is located to the south of Paris, in the Île-de-France region, in the department of Seine and Marne. The cultural landscape of Moret comprises mainly historic buildings with the magnificent Notre Dame church and numerous small-town houses, defensive walls with gates and a donjon, as well as the urban layout. Bridges are also important elements of the cultural landscape, particularly Le pont et I’Eglise which, together with the medieval defensive ramparts, creates a unique panorama. Although the historic heritage of the town is related to its past, it also has a great impact on the urban development. Protecting their culture, tradition, historic architecture and urban design, the inhabitants and the authorities in Moret-Sur-Loing spare no effort to maintain the former climate of a medieval town. They are aware that for the sustainable development of the town to progress properly, they ought to preserve their heritage, revalorise it and allow it to survive for next generations. The article contains the characteristics of the cultural landscape of the town of Moret in the context of its protection and preservation for future generations, which constitutes an important factor of sustainable development. The town will certainly set a valuable example for other, also Polish, small historic towns.
    Źródło:
    Czasopismo Inżynierii Lądowej, Środowiska i Architektury; 2018, 65, 1; 63-71
    2300-5130
    2300-8903
    Pojawia się w:
    Czasopismo Inżynierii Lądowej, Środowiska i Architektury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    LEARNING DESIGN AND INQUIRY IN AUSTRALIAN HISTORY CLASSROOMS
    Autorzy:
    Carroll, Kay
    Powiązania:
    https://bibliotekanauki.pl/articles/941244.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej w Lublinie. IATEFL Poland Computer Special Interest Group
    Tematy:
    ICT
    IT
    pedagogy
    history
    inquiry
    teaching and learning design
    Opis:
    Global and digital connectivity transform Australian classrooms by creating rich environments for inquiry learning. Developing inquiry learning in this Information Communication Technology (ICT) context is an Australian educational goal. Recently the Australian Curriculum reform and the Digital Education Revolution has become a catalyst for teachers to overcome the ubiquitous disconnect between traditional and digital pedagogies and reconceptualise practice and curricula. The National vision for ICT in School Education (2008) creates opportunities and imperatives for transformative pedagogies to sync with key learning areas and raises questions about how ICT pedagogical disconnect may be overcome. This paper reports findings from multi-site case studies which focus on the bridging the pedagogical disconnect by investigating the ICT experiences and pedagogy of History teachers in K-12 Catholic schools.
    Źródło:
    Teaching English with Technology; 2012, 12, 2; 36-50
    1642-1027
    Pojawia się w:
    Teaching English with Technology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Cultural History of the Greek Digital Games Origins: From Clones to Originality
    Autorzy:
    Theodoropoulos, Maximos S.
    Powiązania:
    https://bibliotekanauki.pl/articles/41317288.pdf
    Data publikacji:
    2024
    Wydawca:
    Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
    Tematy:
    cultural industries
    digital games
    digital games history
    game design
    Greece
    Opis:
    Literature on the digital games industry and gaming history has for the most part focused on the global production centres of North America, Western Europe, Japan, and, lately, China. However, in recent years, a call to research the diverse and less dominant national contexts within which digital games are produced has been addressed. In this article, we shed light on early digital game development in Greece, covering the years between 1982 and 2002. This particular region has been highly neglected by both domestic and international researchers. We approach Greek digital game development from both historical and cultural perspectives, through an investigation of how local game developers interact with a wide range of contextual facets in a complex interrelation between global and national conditions. This article argues that, in order to highlight the characteristics of early national game production cultures and digital games design, one must examine them as well under the broader cultural production ecosystem, along with the economic and institutional contexts and transformations within which digital game production takes shape.
    Źródło:
    Acta Ludologica; 2024, 7, 1; 86-106
    2585-8599
    Pojawia się w:
    Acta Ludologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Scenography studies – on the margin of art history and theater studies
    Badanie scenografii – margines historii sztuki i teatrologii
    Autorzy:
    Łarionow, Dominika
    Powiązania:
    https://bibliotekanauki.pl/articles/593859.pdf
    Data publikacji:
    2014
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    set design
    scenography
    history of theater
    theater
    scenografia
    historia teatru
    teatr
    Opis:
    Scenography as a domain of artistic activity has always been a liminal art, placed between the visual arts and theater, with the latter being treated as a chiefly literary domain. The history of scenography to date has recorded two moments when it rose to prominence, becoming the “queen” of the spectacle: the Renaissance and modern times. The article will briefly discuss its history, to show the main reasons for the exclusion of scenography from the domain of academic research. The author will survey some recent publications on set design written by practitioners and academics.
    Scenografia jako sfera działań artystycznych była i jest sztuką pogranicza. Sytuowano ją zawsze pomiędzy sztukami plastycznymi, a teatrem, traktowanym jako obszar głównie zajmowany przez literaturę. W dotychczasowej historii scenografii widoczne są dwa momenty, kiedy za-władnęła ona widowiskiem, stając się „królową” przedstawienia: renesans i czasy współczes-ne. Artykuł poprzez skrótowe omówienie jej dziejów chce wykazać głównie przyczyny margi-nalizacji czy wręcz wyrzucenia scenografii ze sfery badań naukowych. Autorka odwołuje się do publikacji autorstwa zarówno praktyków, jak i naukowców, jakie ukazały się w ostatnim czasie na temat scenografii.
    Źródło:
    Art Inquiry. Recherches sur les arts; 2014, 16; 115-126
    1641-9278
    Pojawia się w:
    Art Inquiry. Recherches sur les arts
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Anti-seismic device design for container crane and its elastic-plastic time history analysis
    Autorzy:
    Dong, D.
    Li, J.
    Teng, Y.
    Powiązania:
    https://bibliotekanauki.pl/articles/963365.pdf
    Data publikacji:
    2015
    Wydawca:
    Politechnika Gdańska. Wydział Inżynierii Mechanicznej i Okrętownictwa
    Tematy:
    quayside container crane
    time history analysis
    energy design method
    anti-seismic device
    Opis:
    Quayside container crane is a kind of large dimension steel structure, which is the major equipment used for lifting container at modern ports. With the aim to ensure the safety and reliability of the crane under seismic loads, an anti-seismic device is designed. To validate the efficiency and reliability of the anti-seismic device, elastic-plastic time history analysis under rare seismic intensity is carried out. And the results of elastic-plastic time history analysis when the crane installed anti-seismic device and uninstalled the device are compared.
    Źródło:
    Polish Maritime Research; 2015, S 1; 30-34
    1233-2585
    Pojawia się w:
    Polish Maritime Research
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Historiography of the development of the automotive industry dedicated to drivers with disabilities
    Autorzy:
    Stasiak-Cieślak, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/2200795.pdf
    Data publikacji:
    2022
    Wydawca:
    Sieć Badawcza Łukasiewicz. Przemysłowy Instytut Motoryzacji
    Tematy:
    drivers with disabilities
    car design
    people with disabilities
    history
    automotive industry
    adaptation devices
    Opis:
    The article presents retrospections of technological solutions for the construction of vehicles and adaptive devices used by drivers with disabilities. The author explored the subject using the method of historiographic analysis to collect and report the research material indicated in this study, taking into account the perspective of the development of science in this field. The study contains a dozen or so examples of vehicles that were constructed in the years 1945–2000, adaptive devices, microcars and autonomous vehicles dedicated to people with disabilities. The main purpose of the work was to draw attention to the trend in the development of simple technical solutions based on motorcycle mechanics to more complex autonomous vehicles. The direction in which the development of the automotive industry is heading is optimistic, although it still requires attention to be payed to certain aspects that will affect the use of the technological potential hidden in its capabilities. The study does not describe adaptive devices on the scale that is used, but rather shows that these measures were not perfect and were not based on relevant mobility needs.
    Źródło:
    Archiwum Motoryzacji; 2022, 98, 4; 5--24
    1234-754X
    2084-476X
    Pojawia się w:
    Archiwum Motoryzacji
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
    Autorzy:
    Doroszuk, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1788561.pdf
    Data publikacji:
    2020-09-13
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Exhibition of Modern Art
    Recovered Territories Exhibition
    history of exhibitions
    curatorial strategies
    surrealism
    surrealist exhibitions
    environmental design
    postwar art
    propaganda exhibitions
    Polish exhibitions
    Opis:
    The Exhibition of Modern Art (Wystawa Sztuki Nowoczesnej) organized in 1948 in the Palace of Art (Pałac Sztuki) in Cracow was one of the most prominent art events in Poland during the last century. It is considered one of the unprecedented moments in shaping the modernity. The exhibition was thought to be designed as a whole venture, integrating the modern art demonstration with the will to make it accessible to all the social groups. The desire of the authors was to endear the authorities, since the Stalinist repressions were approaching, and present the modern art as accessible to the society and needed in the “new socialist order”. Simultaneously, the primal context for the exhibition, underlined by its authors as well as the critics in subsequent years, were the surrealist exhibitions in Paris. This new avant-garde mode of displaying, so attractive for the Polish artists, put in the foreground not the traditional reception of art, implied by the traditional museology, but mostly focused on the spectator’s experience and used all possible kinds of tools to enhance it. These two approaches were usually presented as antagonistic and impossible to reconcile. The article attempts to analyze the tools which the display’s authors used to merge the avant-garde display with didacticism. While looking at the Recovered Territories Exhibition which took place a couple of months earlier, one might notice that the Exhibition of Modern Art was not the first display that accommodated the avant-garde solutions to the didactic and propagandistic venture.
    Źródło:
    Ikonotheka; 2019, 29; 229-248
    0860-5769
    Pojawia się w:
    Ikonotheka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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