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Wyszukujesz frazę "decalogue" wg kryterium: Temat


Wyświetlanie 1-6 z 6
Tytuł:
The Identity of Fate and the Identity of Choice: Between the Routine of Continuation and the Ordinariness of Rejection
Autorzy:
Świątkiewicz, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/29750655.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
the Decalogue
identity
the issue of culture
religiousness
secularization
laicization
the inverse Decalogue
Opis:
Culture and religion still interrelate with one another. The presence of religious values in social life depends, above all, on the processes of constructing cultural identities in the course of socialization and education, which warrant the experience of the ontological realness of the social world. In the encyclical Veritatis splendor, John Paul II highlights the issue of culture, whose essence is “the moral sense, and which is in turn rooted and fulfilled in the religious sense.”[1] However, in the contemporary culture, there are strong tendencies to separate truth from freedom and faith from morality. As a result, “the moral sense” becomes dissociated from “the religious sense.” In this article, I introduce the category of fate which emphasizes reproducibility, the inter-generational reproduction of patterns of religious stances and practices, confessional affiliations on the level of obviousness of the profiles of social personality, and the natural character of the structures of the social world in which Christianity is “like the air” we breathe, indispensable to preserve our existence. In opposition to the culture of fate there is the culture of choice, described with the category of prefiguration which sets our imagination free from the obligatory character of the cultural and religious model of the past. The problem hinted at in the title of this article, is illustrated by the results of sociological research, which demonstrates attitudes of selective acceptance/rejection of the Decalogue and which becomes “the inverse Decalogue”,as such fitting into the liquid reality. Its sign is the imperative of choice which contributes to the deconstruction of the axiological invariants which are the basis of Christian civilization.
Źródło:
The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II; 2023, 13, 2; 185-198
2391-6559
2083-8018
Pojawia się w:
The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kieślowski, the mysteries of screens and God
Autorzy:
Lis, Marek
Powiązania:
https://bibliotekanauki.pl/articles/923221.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Kieślowski
Decalogue
Dekalog
computer
God
Opis:
The computer seems like a privileged personage in Decalogue 1 (Dekalog, jeden, 1987/88, prem. 1989, dir. K. Kieślowski): it is used by Paweł and his father to solve mathematical questions about Miss Piggy, to calculate the durability of the ice on the pond, to know what Mum is doing, and to control domestic devices. For Kieślowski the computer is not just a gadget: Krzysztof ’s lecture describes its potential and its possible autonomy. Independent from man (the computer switches itself on), it becomes his rival: Kieślowski proposes a critical interpretation of the computer as a new idol, promising unlimited memory and knowledge. A similar preoccupation can be found in the Black Mirror series, where new technologies, existing or as yet still fantastic, are becoming more and more intrusive in the lives of their human protagonists. The computer seems also to be a rival of God, present in symbols in Decalogue 1: a sign of him is not only the metaphysical man played by Artur Barciś, but also the biblical symbol of fire and the Madonna’s tears.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 9-18
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Crime and Punishment: The Selected Tenets of the Decalogue in the Polish Television Series Ojciec Mateusz [Fr. Matthew]
Autorzy:
Kisielewska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/2149981.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Decalogue
television series
moral theology
Opis:
This article considers whether the popular Polish drama-crime television series Ojciec Mateusz [Father Matthew], which is directed by Maciej Dejczer and has been broadcast on TVP1 since 2008, prompts viewers to reflect on Christian moral norms. This research includes the fields of cultural studies and moral theology. From the point of view of moral theology, the theme of Ojciec Mateusz is the battle between good and evil, the basis of which is the tenets of the Decalogue. This study attempts to answer the questions: Is the religiosity hidden in this series, which does not assume the religiosity of the series’ viewers, evoke religious sentiments among those who believe? And, does the series affect the moral formation of those who do not believe?
Źródło:
Rocznik Teologii Katolickiej; 2021, 20; 213-224
1644-8855
Pojawia się w:
Rocznik Teologii Katolickiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inflancka Travelogue: 10 Short Essays on “Decalogue”
Autorzy:
Kickasola, Joseph G.
Powiązania:
https://bibliotekanauki.pl/articles/923220.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Krzysztof Kieślowski
Decalogue
motor intentionality
spatial dynamics
phenomenology
embodiment
Opis:
Kieślowski scholar Joseph G. Kickasola documents his efforts to find and explore the Warsaw apartment complex where Krzysztof Kieślowski filmed his Decalogue series. His startling, unexpectedly emotional experience at such an ordinary place becomes an opportunity to reflect on the films, theorize on the function of place in them, and consider the way that human life and cinema feed into each other. Fictional stories and their cinematic constructions can deepen our experience, and make the world feel more lived in, more true. Nothing magical happened, but everything ordinary happened in all its fullness, like a kind of prophecy, fulfilled.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 19-38
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kieślowski in Spain: History, Reception and Inspiration
Autorzy:
Bardzińska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/923209.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Krzysztof Kieślowski
Spain
San Sebastián
Valladolid
festival
DVD
Blu-ray
Three Colours
Decalogue
Opis:
The films of Krzysztof Kieślowski arrived in Spain comparatively late, and when they did so this was mainly due to the Film Festivals at San Sebastián and Valladolid, as well the efforts of independent producers like the brothers José María and Miguel Morales of Wanda Films. In 1988, A Short Film About Love was presented at the San Sebastián Festival, where it won the Special Prize and the FIPRESCI Prize, and caught the attention of Spanish critics. To this day, Kieślowski remains the Polish director best-known to the Spanish – as was made clear in 2016, by the numerous events and screenings marking the 20th anniversary of his death. There can be no doubt that, in the homeland of Buñuel, no other Polish director evokes as much enthusiasm. Considering the Spanish reaction to the maker of the Three Colours, this article focuses on the distribution of Kieślowski’s works in Spain, as well as the director’s presence at the Spanish Festivals. Further subjects of analysis are reviews by Spanish critics and the state of research into Kieslowski’s creative output in the Spanish language, as well as the release of his films on DVD and Blu-Ray. The above focus on festivals, the attitudes of critics, and the popularity among the Spanish viewing public is supplemented by a study of the impact of Kieślowski’s output on the work of Spanish directors, as well as efforts to discern the direct influence of the former’s films in offering the latter inspiration.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 117-127
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Premarital Pastoral Care in Lithuania and Its Challenges: The Problematic Areas of Understanding the Decalogue
Duszpasterstwo przedmałżeńskie na Litwie i jego wyzwania: obszary problematyczne w rozumieniu dekalogu
Autorzy:
Juškienė, Vaineta
Powiązania:
https://bibliotekanauki.pl/articles/31343195.pdf
Data publikacji:
2022
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
duszpasterstwo przedmałżeńskie na Litwie
małżeństwo katolickie
Dekalog
premarital pastoral care in Lithuania
Catholic marriage
Decalogue
Opis:
Premarital pastoral care occupies an important place in the ministry of the Church and is relevant in every time period. The purpose of this article is to present the format of premarital pastoral care in Lithuania and its problematics in terms of the perception of the Decalogue. In Lithuania, the preparation for matrimony is regulated by the documents of the Universal Church and the Lithuanian Bishops’ Conference. It is carried out in the format of a programme coordinated by the Family Centre. The programme includes essential elements of Catholic family life and faith, as the Sacrament of Marriage presupposes and requires faith. An integral part of the programme of preparing for marriage is the presentation and analysis of the Decalogue in harmony with family life. An empirical study indicates that the engaged couples question some aspects of the concept of the Decalogue in the areas of Sunday celebration, the value of the truth and respect for parents. These areas generate conflicting assumptions for the engaged and are the most difficult to perceive and accept. This reveals the need for constant renewal of the premarital pastoral care and deepening of its content in search of new relevant forms.
Duszpasterstwo przedmałżeńskie zajmuje ważne miejsce w posłudze Kościoła i jest aktualne w każdym czasie. Celem niniejszego artykułu jest przedstawienie formatu duszpasterstwa przedmałżeńskiego na Litwie oraz jego problematyki w kontekście postrzegania Dekalogu. Na Litwie przygotowanie do zawarcia małżeństwa regulują dokumenty Kościoła powszechnego i Konferencji Episkopatu Litwy. Realizowane jest ono w formie programu koordynowanego przez Centrum Rodziny. Program zawiera istotne elementy katolickiego życia rodzinnego i wiary, co jest związane z wymową sakramentu małżeństwa. Integralną częścią programu przygotowania do małżeństwa jest prezentacja i analiza Dekalogu w harmonii z życiem rodzinnym. Badanie empiryczne wykazuje, że zaręczeni kwestionują niektóre aspekty koncepcji Dekalogu zwłaszcza w obszarach świętowania niedzieli, wartości prawdy i szacunku dla rodziców. Obszary te generują dla zaręczonych sprzeczne założenia i są najtrudniejsze w odbiorze i akceptacji. Ujawnia to potrzebę ciągłej odnowy duszpasterstwa przedmałżeńskiego i pogłębiania jego treści w poszukiwaniu nowych, bardziej adekwatnych jego form.
Źródło:
Roczniki Teologiczne; 2022, 69, 10; 47-62
2353-7272
Pojawia się w:
Roczniki Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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