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    Wyświetlanie 1-2 z 2
    Tytuł:
    On the Complexity of Creole Languages: The Fractal Approach
    Autorzy:
    Pietraszewska, Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/504770.pdf
    Data publikacji:
    2016
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    fractal dimension
    language complexity
    creole languages
    time series
    Opis:
    The current paper aims to compare the complexity of texts translated into English-based creole languages and English. The main motivation for the choice of topic was the growing body of evidence that languages and language phenomena, such as texts, may be regarded as complex adaptable systems of signs. These systems may display some fractal properties, such as self-similarity at different scales. In consequence, texts may be analysed in the same manner as other fractal objects. It is possible, for instance, to estimate their fractal dimensions which, to some extent, reflect the degree of their structural complexity. Such an assumption enables one to calculate and compare fractal dimensions of parallel translations of texts to various languages in order to compare their complexity levels. Methods which enable comparisons of complexity of texts in different languages are particularly important with regard to creole languages, since the complexity of contact languages is still the subject of debate. In the following study, ten parallel translations of passages from the New Testament were mapped onto time series plots based on the length and the frequency rank of words. The values of Hurst exponent as well as fractal dimension were estimated and it was found that the studied time series did not differ significantly between English and English-based creoles with respect to their fractal dimensions. The results lend support to the idea that creole languages are simply new languages which are merely different from their superstrate language rather than being less complex, at least with regard to their lexical patterns.
    Źródło:
    Academic Journal of Modern Philology; 2015, 4; 73-80
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Shakespeare in Hawai‘i: Puritans, Missionaries, and Language Trouble in James Grant Benton’s "Twelf Nite O Wateva!", a Hawaiian Pidgin Translation of "Twelfth Night"
    Autorzy:
    Hokama, Rhema
    Powiązania:
    https://bibliotekanauki.pl/articles/648285.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Twelfth Night
    Reformation studies
    puritanism
    pidgin and creole languages
    Opis:
    In 1974, the Honolulu-based director James Grant Benton wrote and staged Twelf Nite O Wateva!, a Hawaiian pidgin translation of Shakespeare’s Twelfth Night. In Benton’s translation, Malolio (Malvolio) strives to overcome his reliance on pidgin English in his efforts to ascend the Islands’ class hierarchy. In doing so, Malolio alters his native pidgin in order to sound more haole (white). Using historical models of Protestant identity and Shakespeare’s original text, Benton explores the relationship between pidgin language and social privilege in contemporary Hawai‘i. In the first part of this essay, I argue that Benton characterizes Malolio’s social aspirations against two historical moments of religious conflict and struggle: post-Reformation England and post-contact Hawai‘i. In particular, I show that Benton aligns historical caricatures of early modern puritans with cultural views of Protestant missionaries from New England who arrived in Hawai‘i beginning in the 1820s. In the essay’s second part, I demonstrate that Benton crafts Malolio’s pretentious pidgin by modeling it on Shakespeare’s own language. During his most ostentatious outbursts, Malolio’s lines consist of phrases extracted nearly verbatim from Shakespeare’s original play. In Twelf Nite, Shakespeare’s language becomes a model for speech that is inauthentic, affected, and above all, haole.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2018, 18, 33; 57-77
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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