Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "comparative stylistics" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Comparing theoretical approaches towards style
Autorzy:
Křistek, Michal
Powiązania:
https://bibliotekanauki.pl/articles/615241.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Opolski
Tematy:
comparative stylistics
cultural contexts
5wh-sequence
style
extralinguistic factors
Opis:
The main aim of this contribution is to propose a general scheme that provides the possibility of comparing theoretical approaches to style, including approaches rooted in various cultural contexts. This kind of general scheme from the area of comparative stylistics offers the possibility to compare works on style written in various periods and various areas. The proposed scheme describing theoretical concepts of style, moving from linguistic to extralinguistic factors, is a sequence of five simple what-questions (in English, for the sake of the scheme could be simplicity referred to, e.g. as a “5 wh-sequence”): 1) WHAT definition of style is used? 2) WHAT kind of text is dealt with? 3) WHAT varieties of the particular language are taken into consideration? 4) WHAT is the purpose of work with texts? 5) WHAT other extralinguistic factors are taken into consideration? Since each proposed scheme must be tested in practice, two works are chosen for a brief test – namely, two works dealing with Slovak stylistics, published over nine decades apart, which in this particular case means each of them operated in a considerably different cultural context. The main differences between the compared works are 1) the aim – prescription vs. description, and 2) the supposed reader – secondary school students vs. university students (the academic community in general, re- spectively). Other differences are caused mainly by the different stages of the language as well as metalanguage development, and with the development of the language community in general.
Źródło:
Stylistyka; 2015, 24; 381-387
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Poetic and Narrative Shape of the Hebrew Bible and Literary Forms of Antithesis
Autorzy:
Krašovec, Jože
Powiązania:
https://bibliotekanauki.pl/articles/440989.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
narrative theology
the Hebrew Bible
the concept of word
wisdom
stylistics
antithesis
merism
translation and comparative research
Opis:
Linguistic and stylistic properties of various literatures can only be assessed when evaluated on the basis of the specific way of thinking, of the philosophy of life in general and of the religion in particular, as related to their specific concerns and answers. While dealing with the Hebrew Bible it becomes evident, that the most characteristic unifying force is the following fundamental antithesis: the verticality and radicality of God, evident in his promises, his deeds, and by the attitude of those who follow him versus the horizontality of idols and of human disobedience and its consequences. In spite of thematic and formal variety, the same vertical-horizontal dimension is conspicuous everywhere. The fundamentally inadequate relationship between transcendental realities and our available expressive categories is the main reason for using poetic and narrative means of expression. Literary forms of antithesis are used to express theological-moral motivations by conjoining terms, sentences and larger units and by disjoining sense regarding the nature, quality, or action of persons or things. The concept of antithesis appears to have multiple meanings, and it is therefore necessary to state at the outset that in this paper on the concept of antithesis is treated primarily in the rhetorical-stylistic sense. As regards the Hebrew Bible, the theological principles are always of prime significance. Most antitheses in the Hebrew Bible are constructed in the form of antithetic parallelism; nevertheless most antithetic units are original in terms of theme as well as the form.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 1(1); 23-39
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies