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    Wyświetlanie 1-6 z 6
    Tytuł:
    In Search of Tools for the Valorization of Children’s Artistic Creation in the Field of Imaging and the Results of the Creative Process - A Theoretical and Model Approach
    Autorzy:
    Mazepa-Domagała, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/1963498.pdf
    Data publikacji:
    2020-03-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    creativity
    artistic creativity
    artistic creation
    evaluation
    valorization
    child at a younger school age
    Opis:
    The presented text is the result of reflection on the issue of children’s artwork and the procedure of valuing the work of children at a younger school age in the process of art education. The article outlines considerations on creativity and children’s art creation in the context/conceptual context and attempts to present a procedure for the evaluation of children’s art creations in terms of the ways of imaging in the conceptual context. The study is addressed to researchers and teachers of early childhood education, it is also a voice in the discussion on evaluating student achievements and - according to the author - a stimulus for reflective educational activities.
    Źródło:
    The New Educational Review; 2020, 59; 175-189
    1732-6729
    Pojawia się w:
    The New Educational Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The intricacies of Being Israeli and Yemenite. An Ethnographic Study of Yemenite “Ethnic” Dance Companies in Israel
    Autorzy:
    Gibert, Marie-Pierre
    Powiązania:
    https://bibliotekanauki.pl/articles/2138418.pdf
    Data publikacji:
    2007-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Asymmetric ethnicity
    Artistic creation
    Cultural representation
    Dance Company
    Dance
    Politics
    Ethnography
    Opis:
    Focusing on the work of Yemenite “ethnic” dance companies in Israel, this article aims to understand how issues such as a shift in collective representations come to be invested into dance practices. In other words, it discusses how artistic creation and identity reconfigurations happen to associate in a dance form, and how an ethnographic study of dance practices and their contexts of performance may be a valuable way of accessing the dynamics of self-positioning of a group within the surrounding society. Linking together “classical” ethnography, analysis of dance products, and socio-political contextualisation, the present analysis shows that the articulation of two apparently contradictory ways of building these companies’ repertoire allows Yemenite dancers, choreographers, and also internal audience, to assume in one single dance form a sense of “being Yemenite” whilst not giving up the national dimension of their Israeli identity.
    Źródło:
    Qualitative Sociology Review; 2007, 3, 3; 100-112
    1733-8077
    Pojawia się w:
    Qualitative Sociology Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Declaration of Immortality" – Inspirations Derived from Creative Documentaries by Wojciech Wiszniewski
    Autorzy:
    Tes, Urszula
    Powiązania:
    https://bibliotekanauki.pl/articles/918068.pdf
    Data publikacji:
    2014-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    artistic creation
    form
    heroes of socialism
    symbolism
    metaphysics
    Marcin Koszałka
    Wojciech Wiszniewski
    Opis:
    In his documentary Declaration of Immortality, Marcin Koszałka intentionally refers to the style of Wojciech Wiszniewski. Visual creativity is strongly exposed here, both in the style of fi lming and the presentation of the hero. Th e main character in the fi lm, Piotr Korc zak, reminds of the monument-like heroes from Wiszniewski’s fi lms, like protagonist from Wanda Gościmińska. A Weaver Koszałka fi lmed the scenes in the Potocki Palace in Krzeszowice in the manner of Wiszniewski’s long tracking shots. Visual creativity in Koszałka’s and Wiszniewski’s fi lms encompasses the staging, precise frame composition, and their intentional artifi ciality, which does not nullify the documentary their nature. Form in the works of the directors of Primer (Wiszniewski) and Declaration of Immortality (Koszałka) interacts more or less with the spirit of Stanisław Witkiewicz’s art. Koszałka, like Wiszniewski, ‘dismantles’ reality, exposing the illusion of cinema to present a guru of mountain climbing (Korczak) as a ‘hostage of immortality’. Th e lonely hero from Wiszniewski-like staged scenes in Declaration of Immortality is presented as an ‘outgoing star’ whose fame has passed, giving way to alienation or a sense of failure. Th e tension from Declaration of Immortality emerges from the contrast between the way of fi lming (heroic style), and the meaning of particular scenes. Th e cinema of Wojciech Wiszniewski includes symbols, metaphors, and allegories. Th is artistic conception goes well with Marcin Koszałka’s concept of cinema, which – since the making of Existence (2007) – has become more and more symbolic, incorporating Baroque-like formal ideas based on strong contrasts to evoke ‘cognitive discomfort’ in the viewer. 
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 145-154
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Imagine Being so Pretty and Getting No Happiness out of It! A Few Reflections on Beauty, Art and Artistic Creation in the Moomin Books by Tove Jansson
    Autorzy:
    Dymel-Trzebiatowska, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/2031235.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    Moomin books
    Tove Jansson
    double address
    philosophical aesthetics
    the act of artistic creation
    Opis:
    The article discusses fundamental aesthetic stances which Tove Jansson has adopted in her Moomin books, traditionally perceived as children’s literature. Nevertheless, the series is notably multi-addressed, and analyses of numerous scenes allow us to draw conclusions about the author’s own concepts of beauty and art, which are accessible to more experienced readers. As the study shows, Jansson’s approach does not correspond to one specific theory but rather inclines to perceptualism, emotionalism and hedonism. Furthermore, the article discusses the reflections on the act of artistic creation which the artist interwove predominantly into the characterization of Moominmamma and Moominpappa. In the traits of these two key characters she addressed aspects of her own two artistic domains, painting and writing. However, taking a stand on serious philosophical matters, she managed to retain an evident child-oriented address, demonstrating her unique mastery of double address.
    Źródło:
    Filoteknos; 2020, 10; 201-211
    2657-4810
    Pojawia się w:
    Filoteknos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Contemporary artistic practices of cultural communication: problematization of co-creation opportunities
    Współczesne praktyki artystyczne komunikacji kulturowej: problematyzacja możliwości współtworzenia
    Autorzy:
    Zhyvohliadova, Iryna
    Powiązania:
    https://bibliotekanauki.pl/articles/1376040.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Zielonogórski. Wydział Humanistyczny
    Tematy:
    contemporary artistic practices
    cultural communications
    postmodern
    co-creation
    artistic perception.
    Opis:
    Modern individuals face a relatively new for themselves problem of communicating with the art. The desire to get joy from "co - creation", the desire to use it as a way of asserting and self – realization faces the problem of self - determination in the world of total artistic and aesthetic relativism. The viewer falls into the situation of the potential impossibility of perceiving information. "Freedom" of the author turns into "non-freedom" of the subject of perception. The advocacy of the sovereignty of certain creative worlds in the modern cultural space, the awareness of creativity as an individual way of self-realization, that is so acutely today, in itself, can turn the state-of-art in any direction. Modern artistic space can give a person an exciting feeling of freedom, open prospects, but can also become a fact of voluntary deindividualization of a person, to give birth to a sense of loneliness, self-negligence. The liberation pathos of "emancipated" art can turn out to be a direct violation of the sovereignty and freedom of the subjects of "co-creation," or their spiritual consolidation, the "breakthrough" of alienation and loneliness.
    Źródło:
    International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture; 2019, 1, 1; 122-132
    2658-154X
    Pojawia się w:
    International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Linguistic portrait of a writer as the object ofstylistics and history ofliterary language
    Autorzy:
    Myalkovska, Ludmyla
    Powiązania:
    https://bibliotekanauki.pl/articles/1203417.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    linguistic creation
    idiostyle
    verbal metaphors
    lexical-associative field
    comparisons
    artistic definitions
    Opis:
    Specific of language and creativity of I. NechuiLevytskyi’s in the context of history of Ukrainian literary language is outlined. The analysis of idiostyle writer is carried out after presence in the artistic texts of conceptual lexical units which form lexical-associative field “intelligentsia”. The basie structural and semantic types of metaphors are considered with key words dream, idea, heart, soul. Activity of comparisons and artistic definitions is marked in the system of figurative and stylistic language means of the researched prose. The last definitions are concemed such concepts, as “intelligentsia”, “nationalism”, “life”.
    Źródło:
    Stylistyka; 2011, 20; 101-108
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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