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    Wyświetlanie 1-2 z 2
    Tytuł:
    Typology of Game Principles in Digital Games: A Case Study of Mafia III
    Autorzy:
    Bučková, Zuzana
    Powiązania:
    https://bibliotekanauki.pl/articles/485091.pdf
    Data publikacji:
    2019
    Wydawca:
    Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
    Tematy:
    action game
    adrenaline
    agon
    alea
    competition
    digital game
    fortune
    game
    game genres
    game principles
    ilinx
    Mafia III
    media reality
    mimicry
    physical and mental identity
    risk
    vertigo
    virtual reality
    Opis:
    The presented study dwells on the issue of game theory by Roger Caillois to be applied to the contemporary dimension of digital games. The actual attempt is to find out the extent to which the game principle categories apply to media products, i.e. digital games. The paradigms by authors engaged in cultural anthropology, philosophy, psychology, and sociology, besides others, served as key theoretical groundwork for the present paper. Nevertheless, the theories concluded within media study addressing the game and game principles in contemporary society have not been excluded either. In essence, the theoretical reflection introduces the basic terminology axis creating an apt platform for the game variants in use, to perform within the forms of new reality, i. e. virtual reality. The primary aim is to define elementary concepts like “game”, “game principles”, “media or virtual space”, “digital game”, and “game genres”. Secondary is then to explicate certain game principles designated by Roger Caillois present in the particular game. Material to be applied for this study ranks among the genre of action games. “Action game” particularly is a digital genre that belongs to frequent genre types as well as RPG games, strategy and others. Drawing from this fact, one of the actual digital games called Mafia III was chosen for empirical study. The main purpose of the paper is through logical analysis to illustrate the issue of games, and subsequently point out the cases of their occurrence in the media space. Theoretical postulates by Roger Caillois are by author assumed to be potentially applicable to the current media reality of digital games that come under action genres.
    Źródło:
    Acta Ludologica; 2019, 2, 1; 42-54
    2585-8599
    Pojawia się w:
    Acta Ludologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The ‘Archeology’ of historiography as a rhetorical agon. On the juxtaposition of hellenic writers in the Epistula ad Pompeium by Dionysius of Halicarnassus
    „Archeologia” historiografii jako retoryczna gra. O porównaniu greckich autorów w „Liście do Pompeiusza” Dinizjosa z Halikarnasu
    Autorzy:
    Sinitsyn, Aleksandr
    Powiązania:
    https://bibliotekanauki.pl/articles/2033826.pdf
    Data publikacji:
    2021-12-28
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Dionysius of Halicarnassus
    “A Letter to Pompeius”
    historiography
    rhetoric
    early Greek historians Hellanicus
    Charon
    Herodotus
    Thucydides
    Xenophon
    Philistus
    Theopompus
    style
    syngraphers
    Plato
    philosophy
    ancient Greek orators Lysias
    Demosthenes
    literary criticism
    polylogue
    agon
    influence
    Dionizjos z Halikarnasu
    „List do Pompeiusza”
    historiografia
    retoryka
    wcześni historycy greccy – Hellanikos
    Herodot
    Tukidydes
    Ksenofont
    Filistos
    Teopompos
    oratorzy
    Lysias
    Demostenes
    krytyka literacka
    Opis:
    Dionysius of Halicarnassus in his short theoretical treatise entitled “A Letter to Pompeius” (Epistula ad Pompeium) presents an exciting discussion on rhetoric mastership and scholarship written in an epistolary genre. The treatise begins with critical remarks Dionysius once addressed to Plato. The author admits to his addressee (Cn. Pompeius Geminus) that he is enchanted by Plato’s dialogues. From the trio of Greek speech-makers who are recognized as the most brilliant in this respect – Isocrates, Plato, and Demosthenes (such was Dionysius’s selection) – the Halicarnassean rhetorician deliberately dwells on Plato (Lysias, Isocrates, Demosthenes and other Greek orators are the subject of his other aesthetic works). Embarking on a wider discussion, Dionysius repeatedly points out that these studies are always aimed at establishing the truth. The longest chapter, 3 compares works of the first Greek historians and the mastery of their style. Dionysius points out the rivalry of the many masters of the genre, but the main characters of the chapter are Herodotus and Thucydides. The “father of history” (Dionysius’ contemporary and paragon) surpasses the Athenian historian on all counts examined by the author. This article examines συγγραφεύς / συγγραφεῖς or συγγραφή occurring in the Pomp. by Dionysius of Halicarnassus. The rhetorician, when referring to Herodotus, Thucydides (ch. 3), Theopompus (ch. 6), Hellanicus, Charon (3.7) and the Greek historians en masse (6.7), calls them “syngraphers”. Dionysius uses the word συγγραφή only as applied to historical works of Theopompus of Chios (6.2, 3, 6). The article also draws upon the Halicarnassian philologist’s other works in which he mentions syngraphers-historians, who are set off against poets and orators. Dionysius regards the words συγγραφεύς, ὁ ἱστορικός, ἱστοριογράφος as equivalent and interchangeable. In this work, Dionysius examines different styles of ancient writers. Here, by examining the works by the authors of the 5th and 4th centuries BC (written three to four centuries before his time) he seems to be performing a peculiar experiment of theoretical “archaeology”. But the rhetoric and philological “archaeological” study conducted by Dionysius of Halicarnassus reveals not only his scholarly interest in the analysis of works of the writers of the past, but also his focus on the present – both in literary and cultural aspects. Plato is under the influence of Thucydides, but Thucydides is inferior to Herodotus, Herodotus produces works that surpass those of Charon and Hellanicus, while Theopompus is superior in style to Demosthenes himself and surpasses Isocrates – the “most brilliant” rhetoricians of the past. By presenting this gallery of names, Dionysius shows comparison as agon – of styles, genres, authors, their subject matters, intensive narrative, and he himself contends with the writers of the past. Seeing mastery of rhetoric as a peculiar agon stretching over centuries and across the agon of rhetoricians, philosophers and historiographers, Dionysius identifies the circle of best writers, and himself joins it. He claims that in the scholarly rhetoric “the truth is dearer still” and establishes the criteria to judge the classic writers. And the critic realizes that he will be judged according to the same (his own) criteria
    Dionizjos z Halikarnasu w teoretycznym traktacie zatytułowanym „List do Pompejusza” zawarł dyskusję na temat retorycznego mistrzostwa i nauki. Traktat rozpoczynają krytyczne uwagi Dionizjosa, adresowane do Platona. Autor przyznaje jednak, iż jest zachwycony dziełami Platona. Pośród trzech greckich mówców, uznawanych za najwybitniejszych – Izokratesa, Platona, Demostenesa – Dionizjos z Halikarnasu celowo studiuje Platona. Prowadzi szeroką dyskusję. Dionizjos wielokrotnie podkreśla, że wskazani autorzy mają na celu ustalenie prawdy. Najdłuższy rozdział oznaczony jako 3, dotyczy historyków greckich i stylu ich prac. Dionizjos zauważa rywalizacje mistrzów, ale głównymi bohaterami rozdziału stali się Herodot i Tukidydes. Dinozjos zauważa, że „ojciec historii” przewyższa ateńskiego historyka. Prezentowany artykuł dotyczy użycia słowa συγγγραφεύς. Słowa tego retor użył w odniesieniu do Herodota, Tukidydesa, Hellanikosa i innych historyków. Dionizjos wskazuje na styl autorów, tematykę ich prac.
    Źródło:
    Acta Archaeologica Lodziensia; 2021, 67; 89-115
    0065-0986
    2451-0300
    Pojawia się w:
    Acta Archaeologica Lodziensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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