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    Wyświetlanie 1-5 z 5
    Tytuł:
    Better Not at All Than Not Well. A Review of a Biography of Władysław Gomułka
    Autorzy:
    Eisler, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/953776.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Władysław Gomułka ‘Wiesław’
    communism
    Polish United Workers’ Party
    Polish Workers’ Party
    Anita Prażmowska
    biography
    communist leadership
    Opis:
    Władysław Gomułka was the Polish communist leader who, most probably, played the most important role in the history of Poland. In the years 1943–48 he was the Secretary of the Polish Workers’ Party, and next, from 1956 to 1970, the First Secretary of the Central Committee of the Polish United Workers’ Party. According to the rule ‘the more power the more responsibility’, which had particular significance in non-democratic systems, Gomułka was responsible or co-responsible for everything good but also for everything bad that happened in Poland during his rule. At the same time he is this Polish communist leader, on whose life and activity over twenty books were published. One of the recent ones was published by Anita Prażmowska. Unfortunately, this is not a successful attempt.
    Źródło:
    Kwartalnik Historyczny; 2017, 124
    0023-5903
    Pojawia się w:
    Kwartalnik Historyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Hungary’s Communist Party Élite in the “Long” Fifties (1948–1962)
    Autorzy:
    Kali, Csaba
    Powiązania:
    https://bibliotekanauki.pl/articles/477887.pdf
    Data publikacji:
    2018
    Wydawca:
    Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
    Tematy:
    Hungary’s communist party élite 1948–1962
    Hungarian Working People’s Party
    Hungarian Socialist Workers’ Party
    Opis:
    This article endeavours to analyse some characteristic segments of Hungary’s communist party élite between 1948 and 1962. Besides considering nationwide data, I introduce, at least partially, through highlighting one or two major characteristics, some smaller geographical areas, too. First of all, I survey the distinguishing features of Hungary’s capital Budapest, which is followed by an in-depth analysis of certain specific data characterising Zala County, a western region of Hungary. In the second half of the 1940s, a generation in their twenties to thirties seized control over politics within the MKP-MDP apparatus, and the same generation – changing only in terms of the individuals it comprised – retained its hold on power. It is partly for that reason that, after the revolution was crushed in 1956, the reconstructed party now named MSZMP was not simply built upon the membership of the old MDP but on its former staff of apparatchiks. While in the late forties a young and hardy individual unencumbered with personal loyalties represented the ideal type of party operative, after 1956, the experienced, reliable activist embodied the most desirable paid party apparatchik. It was an activist who had proved his loyalty during the perceived watershed year of 1956, so he or she belonged to the aforementioned generation, and therefore was obviously older.
    Źródło:
    Pamięć i Sprawiedliwość; 2018, 32; 236-258
    1427-7476
    Pojawia się w:
    Pamięć i Sprawiedliwość
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Kurd Issue in the Middle East
    Kwestia kurdyjska na Bliskim Wschodzie
    Autorzy:
    Misiągiewicz, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/26850696.pdf
    Data publikacji:
    2013
    Wydawca:
    Akademia Zamojska
    Tematy:
    Kurds
    Middle East
    Kurdistan Workers Party
    mniejszość kurdyjska
    Bliski Wschód
    Partia Pracujących Kurdystanu
    Opis:
    This article surveys the developing situation of Kurdish minority in the Middle East and tries to predict the future of this ethnic group. The emergence of Kurd nationalism is gaining importance nowadays as a challenge for the stability and unity of the states in the region. The Kurdish question is not only connected with the political identity of the Kurds and their willingness to create their own state, but also with their economic weakness and poverty which has caused a violent ethnic conflict between government forces and the Kurdistan Workers Party in Turkey. This paper is aimed at better understanding and analysis of the Kurdish issue in Turkey, Iraq, Syria and Iran, which are Kurds’ homelands in the Middle East.
    Celem niniejszego opracowania jest analiza sytuacji i genezy mniejszości kurdyjskiej w wybranych państwach na Bliskim Wschodzie. Współcześnie wzrost kurdyjskiego nacjonalizmu stanowi wyzwanie dla stabilności i unitarności państw regionu. Jest to kwestia związana nie tylko z potrzebą tożsamości politycznej mniejszości kurdyjskiej i dążeniem do stworzenia własnego państwa, ale przede wszystkim z niedorozwojem gospodarczym i społecznym regionów kurdyjskich. Najwięcej Kurdów zamieszkuje na terytorium południowo-wschodniej Turcji. Państwo to od wielu lat boryka się z problemem terroryzmu Partii Pracujących Kurdystanu. Tym samym kwestię kurdyjską należy analizować, uwzględniając szereg uwarunkowań politycznych, kulturowych, społecznych i gospodarczych stanowiących specyfikę państw zamieszkałych przez tę mniejszość.
    Źródło:
    Facta Simonidis; 2013, 6, 1; 127-149
    1899-3109
    Pojawia się w:
    Facta Simonidis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Party in Krzysztof Kieślowski’s Films
    Autorzy:
    Zwierzchowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/923207.pdf
    Data publikacji:
    2019-03-25
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Krzysztof Kieślowski
    Polish cinema
    film and politics
    images of Polish United Workers’ Party
    Opis:
    Probably no other Polish filmmaker has devoted as much attention to the Polish United Workers’ Party (PZPR) as Krzysztof Kieślowski did in his films. Early on, he perceived the party as an organization where one could meet people with different desires, motivations and modus operandi. Kieślowski’s perspective could be defined as such: do not judge the whole, focus on individuals. His subsequent films present a change in this perspective. Workers and devoted members of the communist party were in the center of the director’s interest in some of his early films. Later, he focused more and more on individuals, especially those who had to face the party as a structure and hierarchy. Kieślowski’s films made in the early 1980s show party leaders and people in charge who eventually turn out to be losers. Kieślowski perceived various aspects and forms of being a party member, not only as a stepping stone for one’s career. He saw and presented the everyday life of PZPR, relations between the authorities and society, and its members and representatives of the party apparatus. He was quite critical about the party and people in charge, but also tried to see and present the reasons motivating their conduct. Social and political changes in Poland in the early 1980s made this kind of approach increasingly difficult for Kieślowski.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 137-153
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kim Jong Il: a film director who ran a country
    Autorzy:
    Levi, Nicolas
    Powiązania:
    https://bibliotekanauki.pl/articles/451725.pdf
    Data publikacji:
    2015
    Wydawca:
    Wyższa Szkoła Gospodarki Euroregionalnej im. Alcide De Gasperi w Józefowie
    Tematy:
    Choi Ik Kyu, Choi Seun Hee
    Cinema
    Kim Il Sung
    Kim Jong Eun
    Kim Jong Il
    Kim Jong Suk
    Propaganda and Agitation Department of the Korean Workers Party
    Shin Sang Ok
    Song Hye Rim, South Korea
    Yi Jong
    Mok
    Opis:
    Th e considered text aims at explaining the passion of the former North Korean leader Kim Jong Il (1942-2011) for cinema. Th e paper will proceed in three steps: Explaining the Cinema Passion of Kim Jong Il, outlining its realizations in North Korea. Th e third party will focus on the kidnapping of Choi Seun Hee and Shin Sang Ok. Kim Jong Il wanted that all fi lms were made according to the North Korean ideology for which he was responsible. Starting from the mid 1970’s, Kim Jong Il implemented cinema in his strategical polical approach through some of the political departments of the Korea Workers’ Party. North Korean movies were supposed to strengthen and legitimate the power of the Kim family and the image of North Korea abroad. As far as media were under the control of the state organization Kim Jong Il was a director, a producer, even a costume maker, a screenwriter, cameraman, a sound engineer and he was also seen as a fi lm theorist. What has to be enlighten is the fact that until the his death, Kim Jong Il was aff ected by cinema.
    Źródło:
    Journal of Modern Science; 2015, 25, 2; 155-166
    1734-2031
    Pojawia się w:
    Journal of Modern Science
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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