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Wyszukujesz frazę "War poetry" wg kryterium: Temat


Wyświetlanie 1-9 z 9
Tytuł:
Death of the Soldier and Immortality of War in Frank Ormsby’s A Northern Spring
Autorzy:
Marzec, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/641381.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Frank Ormsby
war poetry
Northern Ireland
Opis:
The paper analyzes the collection of the Northern Irish poet Frank Ormsby entitled A Northern Spring published in 1986. On the basis of selected poems, the author of this paper aims to examine the poet’s reflections about World War II, the lives of the soldiers, and the things that remain after a military combat, which are both physical and illusive. The poems included in the volume present the author’s reflections upon the senselessness of war and dying, short lives of the soldiers, the awareness of their own meaninglessness in comparison to the broader picture, and the contradictory and desperate need to be remembered nevertheless. They also show what is left of the soldiers and the war, as well as how life goes on, with or without them.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 107-121
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
All the Faces of Grochowiak
Autorzy:
Juchniewicz, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1032267.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Grochowiak
poetry
miserabilism
war
inter-species community
Opis:
The hereby reviewed book by Jacek Łukasiewicz entitled Poeta Grochowiak has been an impressive and monumental undertaking, yet it fulfils only some of the promises made by its author. According to the reviewer, the fact of its release offers grounds for a discussion of the status of theory and the validity of abandoning it in favour of a reading devoid of methodological regime which elevates the importance of pleasure. The main problem which emerges after reading Łukasiewicz’s opus magnum is the issue of selecting the recipient of the monograph (a regular person or a specialist), which in turn conditions the mode of study of the poet’s output. Łukasiewicz’s monograph amplifies the conviction that Grochowiak’s poetic works should be read using new methodologies, which could indicate the poet’s innovation in terms of increasing the value of objects and animals as the most important components of his universe. According to the reviewer, what requires justification the most is the need to comment on nearly all poems from the poet’s released collections, which is supposed to be facilitated by the researcher’s identification of several categories around which his narration centred. The book was divided into two parts. The first part is predominantly chronological, while the second part follows a contextual organisation, which considering the book’s size causes problems in the form of repeated discussions of several poems. The reviewer noted the fact that some were subjected to careful reading several times while other, especially those not released, did not receive a sufficient amount of attention. Additionally, Łukasiewicz did not attempt to define the gravity of the topic of the most recent world war in Grochowiak’s output or to reconstruct the poet’s polemic with Julian Przyboś during the mature stage of the former’s creative life. An in-depth analysis is also demanded for poems discussing the suffering of animals and inter-species community, which Łukasiewicz deemed noteworthy yet his comments to those do not help readers find indications of eco-critical awareness in Grochowiak’s works. The new monograph devoted to the output of the author of Kanon sheds new light on many problems and biographical contexts as the critic knew the poet, yet some issues require further study. Poeta Grochowiak as the crowning of Łukasiewicz’s efforts into the study of the poet’s output is impressive, yet there is no doubt that a panoramic view does not guarantee noticing every detail, and it is in details that Grochowiak’s poetic sensitivity is lodged.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 325-346
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dermot Bolger’s Ghosting the War
Autorzy:
Kędzierska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/632516.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
Irish poetry of the Great War
Francis Ledwidge
hauntology
Dermot Bolger
trauma
remembrance
desensitization
nostalgia
past versus present
the unremembered
Opis:
Dermot Bolger’s Walking the Road (2007) is a tribute to Francis Ledwidge (1887-1917), one of the greatest Irish poets of the First World War. Focusing on the life and afterlife of Ledwidge who, as depicted in Bolger’s play, emblematizes the condition of other Great War combatants doomed to oblivion, this essay, concerned with the various functions of the deployment of ghosts in Bolger’s drama, argues that spectrality can become an effective means of revealing the plight of the war dead: the unremembered, whose names were effectively erased from public memory and who, thus turned into homeless revenants, were forced into a continual involvement in the war from which they cannot escape, even after death. As a spectral witness who moves between pre-warIreland and the world of the trenches, Bolger’s hero makes one aware how similar these realities are. Furthermore, as a classic case of shell shock, he demonstrates the role of haunting in the narrative of trauma, identity and memory. Last but not least, whilst enhancing the gothic dimension of the war, Frank’s perceptions, as well as his spectral discourse, not only contribute significantly to illuminating the enigma which he personified, but, by providing an insight into his search for himself, they convey the plight of truth seekers, as well as grasp, yet never fully encompass the Irish experience of the war.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
David Avidan’s Message from the Future. Nuclear fantasies of the galactic poet
Autorzy:
Pietrzak, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1047435.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
David Avidan
science fiction
Israeli cinema
Israeli poetry
Cold War
nuclear weapon
Opis:
David Avidan’s Message from the Future (1981) is one of few Israeli science fiction films ever made. This ambitious project of the well-known avant-garde poet has been forgotten for many years, as a result of a financial and artistic failure of the movie. The paper shows Avidan’s doomed film as an interesting cultural text that can be read as the director’s commentary on the Israeli reality of his time. Contrary to the artist’s claims about the global ambitions of the picture, Message from the Future is immersed in the local, exploring it under the guise of narrative structures borrowed from Hollywood. The text analyzes a precise deconstruction of the plot patterns characteristic for the classic American SF films from the 1950s, which Avidan adjusted to the Israeli sociopolitical landscape at the turn of the seventies and eighties.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 127-139
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bodily Perspective in British Poetry of the Great War
Perspektywa cielesna w poezji brytyjskiej okresu I wojny światowej
Autorzy:
Czerniakowski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1933927.pdf
Data publikacji:
2010
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
perspektywa cielesna
poezja angielska I wojny światowej
poeta wojenny
poeta żołnierz
bodily perspective
the poetry of the First World War
war poet
poet soldier
Opis:
Artykuł analizuje ewolucję, jaka zaszła w poezji angielskiej w czasie pierwszej wojny światowej, poszczególne jej etapy oraz przyczyny zmian. W początkowej części artykułu wprowadzone zostaje rozróżnienie na dwa zasadnicze podokresy w rozwoju poezji wojennej w Wielkiej Brytanii. Punktem odniesienia umożliwiającym przyjęcie takiego podziału jest bitwa nad Sommą, która miała miejsce w 1916 r. Do okresu pierwszego zostaje zaliczony Rupert Brooke i jego, jak to jest powiedziane, naiwny stosunek do wojny jako miejsca, gdzie w chwale można zginąć za ojczyznę. Poezja Brooka w dalszej części artykułu przyjęta będzie jako swego rodzaju kontrapunkt, który ma podkreślać skalę przemian, jakie zaszły po tragicznej bitwie nad Sommą. Do drugiego okresu zostają przypisani Edmund Blunden, Wilfred Owen, Richard Aldington oraz Siegfried Sassoon. Dopiero tutaj w pełni zostaje pokazana ewolucja poezji wojennej, a w szczególności rozwój tak zwanej perspektywy cielesnej. Ta, bardzo jeszcze ograniczona w poezji Edmunda Blundena, osiąga apogeum swojej ostrości w poezji Siegfrieda Sassoona, którego poezja cechuje się niezwykłym stopniem okrucieństwa.
Źródło:
Roczniki Humanistyczne; 2010, 58, 5; 193-203
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Topos of Childhood in Modern Poetry (1939–1989)
Autorzy:
Mielhorski, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2030548.pdf
Data publikacji:
2021-02-21
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
childhood in literature
poetry of the second half of the 20th century
childhood of the geographic borderlands
Jewish and war childhood
of the PRL period
Opis:
The paper problematises the literary image of childhood in poetry in relation to external historical and socio-political events. The material analysed covers Polish poetry from 1939 – 1989 (a clearly distinguished segment of the historical-literary process). The choice and ordering of the case studies results from the application of two research paradigms: (i) the paradigm concerned with autobiographical motifs, which refers to such topics of 20th century writings as exile (poetry of return by Łobodowski, Wierzyński etc.) immigration (nostalgic [pansentimentalism] and emotionally neutral motifs), Holocaust (motifs of fear, division between now and then, the role of imagination) and (ii) a generation-related paradigm, which allows us to follow the topos of childhood viewed from the perspective of history according to the order of generations entering Polish literature (from the 1920 Generation to the New Wave Groups) up to the succession of consecutive literary trends in the second half of the 20th century (e.g. soc-realism and soc-plans). Poetic texts concerning childhood in the light of history are viewed as records of “rites of passage” operating from the child’s phase of the pre-personalisation area - the child’s sense of being one with the world, experiencing the harmony of being - to the period of personalisation - when history leaves its mark on this period; characterised by the sense of one’s distinctiveness from reality, individual alienation, the need for rationalisation of one’s own existence and the existence of the surrounding reality. The role of history is to lead the child from the pre-personalistic period to the experience of personalisation.
Źródło:
Tematy i Konteksty; 2020, 1; 364-394
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Moral Witness: The Poetics of Testimony in Modern Serbian Poetry
Świadek moralny. Poetyka świadectwa we współczesnej poezji serbskiej
Autorzy:
Zorić, Vladimir
Powiązania:
https://bibliotekanauki.pl/articles/32388051.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
"Sa silama nemerljivim"
Serbian literature
testimonial poetry
war
concentration camp
political prison
review
Sa silama nemerljivim
literatura serbska
poezja świadectwa
wojna
więzienie polityczne
recenzja
obozy koncentracyjne
Opis:
This essay reviews Dunja Dušanić’s book Sa silama nemerljivim: Pesnici kao svedoci modernog terora [Immeasurable Forces: Poets as Witnesses to Modern Terror, 2021], outlining the methodological assumptions of the book, tracing its overarching argument, and evaluating its importance within multiple scholarly contexts, including comparative literature, literary criticism and literary history.
Tekst stanowi recenzję książki Dunji Dušanić Sa silama nemerljivim: Pesnici kao svedoci modernog terora [Siły niezmierzone. Poeci jako świadkowie nowoczesnego terroru, 2021]. Zostają nakreślone założenia metodologiczne książki. Recenzent tropi jej nadrzędną argumenację i ocenia znaczenie w wielu kontekstach naukowych, jak na przykład literatura porównawcza, krytyka literacka i historia literatury.
Źródło:
Slavia Meridionalis; 2022, 22
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
When poetry inspires war
Autorzy:
El-Amri, Ali
Powiązania:
https://bibliotekanauki.pl/articles/606269.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Erster Weltkrieg
Patriotismus
Pazifismus
Poesie
Apollinaire
empirisches Ich
Lyrik
Schöpfer
Kampf
Kultur des Modernismus
World War I
patriotism
pacifism
poetry
empirical I
lyric
creator
fight
modernist culture
I wojna światowa
patriotyzm
pacyfizm
poezja
ja empiryczne
liryka
twórca
walka
kultura modernizmu
Первая мировая волна
патриотизм
пацифизм
поэзия
Аполлинер
эмпирическое я
лирика
творец/автор
борьба
культура модернизма
Opis:
For Apollinaire, poetry inspires war. Calligrammes, written at the very heart of the drama, involves a three-dimensional combat. His I acquires three representations that differ in status, process and the ideal defended. The first I is the empirical soldier fighting on behalf of his country in the real world. The second lyrical I is fictitious in order to fight for convulsive emotions made of dreams and frustrations. The third, creative, I of the poet defends an aesthetic that is necessary, in a pioneering spirit, to crystallize it in modern culture. In short, the creative warrior is transmuted into creating war.
Le numéro contient uniquement les résumés en anglais.
Tom zawiera abstrakty tylko w języku angielskim.
Źródło:
Lublin Studies in Modern Languages and Literature; 2015, 39, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE NATURE OF COMMON SENSE AND HOW WE CAN USE COMMON SENSE TO RENEW THE WEST
Autorzy:
Redpath, Peter A.
Powiązania:
https://bibliotekanauki.pl/articles/507346.pdf
Data publikacji:
2014
Wydawca:
International Étienne Gilson Society
Tematy:
aim
analogy
anarchy
art
body of knowledge
cause
common sense
communication
comprehensive understanding
concept
contemporary
contrary
contrariety
culture
demonstration
demonstrative
disorder
education
equality
emotion
end
enlightened
enlightenment
excellence
existence
explanation
fear
fundamentalistic
genus
God
habit
happiness
harmony
hierarchically ordered
history
hope
human
humanist
inequality
inspiration
inspired
judgment
justice
knowledge
language
leadership
logic
mathematics
memory
metaphysics
modern
multitude
nature
Nietzschean
operational
opposite
order
part
person
philosophy
physical
poetry
power
principle
provocative thought
quality
reality
reason
receptivity
relationship
renaissance
resistance
rhetoric
science
scientism
skeptic
sophist
soul
species
strength
success
system
truth
utopian
West
Western civilization
unity
universe
values
virtue
whole
will
wisdom
wonder
World War
Opis:
Since most pressing today on a global scale is to be able to unite religion, philosophy, and science into parts of a coherent civilizational whole, and since the ability to unite a multitude into parts of a coherent whole essentially requires understanding the natures of the things and the way they can or cannot be essentially related, this paper chiefly considers precisely why the modern world has been unable to effect this union. In so doing, it argues that the chief cause of this inability to unite these cultural natures has been because the contemporary world, and the West especially, has lost its understanding of philosophy and science and has intentionally divorced from essential connection to wisdom. Finally, it proposes a common sense way properly to understand these natures, reunite them to wisdom, and revive Western and global civilization.
Źródło:
Studia Gilsoniana; 2014, 3: supplement; 455-484
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-9 z 9

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