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    Wyświetlanie 1-5 z 5
    Tytuł:
    Pandarus Quotes Ovid in Geoffrey Chaucer’s Book One of Troilus and Criseyde
    Pandarus cytuje Owidiusza w pierwszej księdze „Troilusa i Criseydy” Geoffreya Chaucera
    Autorzy:
    Bobrowski, Antoni
    Powiązania:
    https://bibliotekanauki.pl/articles/1045743.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Ovid
    Heroides
    Geoffrey Chaucer
    Troilus
    Troy
    Opis:
    The medieval epic poem Troilus and Criseyde by Chaucer describes the history of unhappy love with the Trojan War in the background. The story is constructed in the convention of courtly love, and the author draws abundantly from a range of plot motifs preserved in the ancient literary tradition. The article discusses the way of intertextual use of Ovid’s Heroides 5 in the course of events told in Book One of the poem.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 71-83
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Concept and Purpose of Death in the Aeneid, Book 2
    Autorzy:
    Mianowski, Jacek
    Zarzycki, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/504762.pdf
    Data publikacji:
    2013
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Troy
    Rome
    epic
    death
    founding
    heroism
    Aeneid
    Vergil
    Opis:
    The article aims at analyzing the concept and purpose of death in the Aeneid, Book 2. In its premise, the concept of death presented within the poem reveals its ethnic, social and cultural tone. The deaths which close eight books of the Aeneid indicate the progress of a main theme: abdicate the past to defend the future. Initially, towards the closing of Book 2 Creusa dies: a loyal, affectionate wife and mother who is nevertheless to be replaced by a young bride chosen for political benefits. The modes and circumstances of the deaths elicit some immediate investigations: first, it seems meaningful that some die in the bloom of youth and others in old age; second, some must die as sacrifices to the gods; third, some are destined to die because they demonstrate furious difficulties to the completion of Aeneas’ duty. Before discussing the concept of death in Book 2 it is essential to introduce the reader into some considerations representing the structure and purpose of Book 2. The authors would like to thank professor Jakub Pigoń (Institute of Classical, Mediterranean and Oriental Studies, University of Wroclaw) for his guidance and insightful remarks throughout the process of writing of this article.
    Źródło:
    Academic Journal of Modern Philology; 2013, 2; 67-73
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Old Tales for a New Gens. Alberic of Trois-Fontaines’ Grafting of History
    Autorzy:
    Grabowski, Antoni
    Powiązania:
    https://bibliotekanauki.pl/articles/1953993.pdf
    Data publikacji:
    2022-01-12
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Cistercians
    Semigallia
    origo gentis
    grafting
    Geoffrey of Monmouth
    Troy
    Opis:
    Throughout the Middle Ages, waves of people came to the lands once been a part of the Roman Empire. At the same time, lands yet unknown encountered the successors of the Empire. These gentes sometimes preserved a long history of their paths to their new homelands. The Longobards, the Saxons, and many others had an origo gentis, where gods played an important role. These narrations were incorporated into a historiography that was almost entirely Christian. This article is concerned with the methods used to find harmony between the past and present by Alberic of Trois-Fontaines when writing about the Semigallians. The narrative of their origins used established motifs and themes that made it possible to include the invented history of the gens into the then-established universal history. This was done through the etymology of names or the erudite use of the writings of other authors. These new gentes were grafted onto the trees of old tales.
    Źródło:
    Acta Poloniae Historica; 2022, 124; 149-179
    0001-6829
    Pojawia się w:
    Acta Poloniae Historica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Faces of Aeneas. Representations on Roman Coins and Medallions
    Autorzy:
    Kluczek, Agata A.
    Powiązania:
    https://bibliotekanauki.pl/articles/682435.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Aeneas
    Troy
    Rome
    Roman coins
    Roman medallions
    iconography of Roman coin types
    Opis:
    On the basis of numismatic material I present aspects of the figure of Aeneas as they appear in ancient tradition. I have concentrated on the iconographic details and the arrangement of the reverse scenes which allow one to isolate the elements of Aeneas’s portrait in the coinage that are closely associated with his role as the one who, by carrying over the sacra to Italy, made way for the foundation and continuation of Rome.
    Źródło:
    Studia Ceranea; 2016, 6; 295-321
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Carpathian Troy Archaeological Open-Air Museum in Trzcinica as a Proposal of Using an Archaeological Site for Tourism and Protection of Cultural Heritage
    Autorzy:
    Gancarski, Jan
    Madej, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/960097.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie
    Tematy:
    The Carpathian Troy Archaeological Open-Air Museum
    Trzcinica
    Bronze Age
    Otomani-Füzesabony Culture
    Early Medieval Period
    Hillfort
    Opis:
    The Royal Earthworks hillfort in Trzcinica is one of the most important archaeological sites in Poland, where strongly fortified settlements of the Pleszów group of the Mierzanowice culture and the Otomani-Füzesabony culture, as well as an early medieval stronghold, were discovered. Interdisciplinary research has brought excellent results and numerous prehistoric artefacts have been discovered there. The fortification, chronology and stratigraphy were well recognised. The idea to build an Archaeological Open-Air Museum named the Carpathian Troy appeared in 1998, owing to amazing research results, mass tourism and further, the desire to provide archaeological discoveries to the public. Therefore, a scientific concept was prepared and after numerous consultations, the area for the construction of the archaeological open-air museum was bought and an architectural design was planned, which was to include the area of the hillfort and the terrain located at its foot. The Carpathian Troy Archaeological Open-Air Museum in Trzcinica is a branch of the Subcarpathian Museum in Krosno. The funds from the Norwegian EEA Financial Mechanism and from the local governments were obtained for the building, which was carried out in 2008–2011, and the opening took place in June 2011. The archaeological open-air museum occupies an area of over 8 ha. On the hillfort, nine sections of defensive ramparts, a fragment of the road and the gate, as well as two Otomani- Füzesabony culture cottages, an early medieval gate and four early medieval cottages were reconstructed. Paths for visitors were also built. At the foot of the hillfort, an Archaeological Park and exhibition pavilion were created. In the Archaeological Park, Otomani-Füzesabony culture and early medieval settlements were reconstructed. The Exhibition Pavilion contains an archaeological exhibition, rooms for an educational shelter, an office, a warehouse and a room For technical purposes. As part of subsequent undertakings implemented with EU funds and as a part of cross-border Polish-Slovakian projects, a viewing tower, an educational shelter, a livestock sector, and experimental plots were created and a section of an early medieval rampart was reconstructed. The Carpathian Troy Archaeological Open-air Museum in Trzcinica is a centre of tourism, education and experimental archaeology as well as a research centre.
    Źródło:
    Analecta Archaeologica Ressoviensia; 2018, 13; 377-400
    2084-4409
    Pojawia się w:
    Analecta Archaeologica Ressoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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