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Wyświetlanie 1-2 z 2
Tytuł:
Zygmunt Bauman: Adiaphorization in the Holocaust and in the Society of Consumers
Autorzy:
Tuleikytė, Julija
Powiązania:
https://bibliotekanauki.pl/articles/545536.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
Adiaphorization
the Holocaust
consumer society
moral indifference
Opis:
The article aims at drawing parallels between the Holocaust and the consumer society through the phenomenon of adiaphorization. To Bauman, the historical event of the Holocaust is of utmost importance to humanity, especially for tackling the problems of morality, moral indifference – in other words adiaphorization – and society. However, Bauman’s social theory contains distinct elements of Emanuel Levinas’s conception of morality and embraces a notion of adiaphorization as a feature of social organization as such – independently of shifting cultural contents. When analysing the society of consumers that is found in the times of globalization and individualization – i. e., liquid modernity – Bauman finds that its cultural tendencies to efface the face dehumanize and treat other people as means towards ends – in other words, placing the Other outside of one’s moral horizon – are similar to those that were used when extinguishing people’s lives in Nazi concentration camps. Both the Holocaust as an epitome of adiaphorization in solid modernity and consumerism as an epitome of adiaphorization in liquid modernity are treated in Bauman’s works as the most conspicuous cultural cases of adiaphorization. However, a shift in method when theorizing on the consumer society after the liquid turn allows additional aspects in his theory of the Holocaust before the liquid turn to be noticed. Due to that, it is argued in the article that “adiaphorization” might be explained as not only “moral indifference”, but also “epistemic indifference”, and that within conception of the Holocaust Bauman engages in efforts to affect his readers by awakening their morality, as “humanization through metaphors” helps him step over the boundary between theory and practice when he engages in “liquid sociology”.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2016, 6; 57-68
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Concept of Ocularcentrism & Photographic Models of Vision From the Perspectives of Software Studies and Cultural Analytics Methods of Social Media Images and the Consumer Society Theory
Autorzy:
Chmielecki, Konrad
Powiązania:
https://bibliotekanauki.pl/articles/2080097.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
Alain Delorme’s “Totems”
baroque vision
consumer society theory
Lev Manovich’s “Phototrails”
photographic models of vision
scopic regimes
the “armed eye”
the Art of Describing
the Cartesian perspectivalism
the concept of ocularcentrism
the “embodied eye”
Opis:
Scientific objective: The concept of ocularcentrism as the dominant ideology acts as a very important role within visual shaping photographic models of vision used by social media and photographic images. The paper focuses on the concept of ocularcentrism as the dominant effect of sight in visual culture, the problems of “ocularcentric discourse,” presented in forms of the “phono-logo-centrism” paradigm, and ocularcentric ways of seeing, or scopic regimes: “Cartesian perspectivalism,” the “Art of Describing,” “baroque vision,” and photographic models of vision that have been discussed in two theoretical contexts: Lev Manovich’s Software Studies and Cultural Analytics methods and Zygmunt Bauman’s consumer society theory that can be understood as the “embodied eye” and the “armed eye” concepts. Research methods: I suggest use of critical methods of Martin Jay’s Visual Studies in the perspective of the history of visuality from the ancient Greek to the philosophical, twentieth-century French thought, undertaking Software Studies and Cultural Analytics methods, in an analysis of the research project of Manovich’s “Phototrails,” as well as Bauman’s consumer society theory in an analysis of the photographic project of Alain Delorme’s “Totems.” Results and conclusions: I hope that exploring theoretical problems of visual culture will allow researchers to open a new field of reciprocal correspondence between the concept of ocularcentrism, photographic models of vision, Software Studies, and Cultural Analytics methods, as well as Bauman’s consumer society theory, based on possibility of coming to conclusions, posing questions, and hypotheses. Cognitive value: The paper is an attempt to make a contribution to the hitherto unexplored research on the concept of ocularcentrism as the dominant effect of sight, subjecting to analysis the research project of Manovich’s “Phototrails,” in the perspective of Software Studies and Cultural Analytics methods within “media visualizations,” as well as the photographic project of Delorme’s “Totems,” in the perspective of Bauman’s consumer society theory, consumerism, consumption, and social exclusion.
Źródło:
Studia Medioznawcze; 2021, 3; 962-994
2451-1617
Pojawia się w:
Studia Medioznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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