Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "Stravinsky" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
The Rite Signs: Semiotic Readings One Hundred Years On
Autorzy:
McKay, Nicolas P.
Powiązania:
https://bibliotekanauki.pl/articles/632408.pdf
Data publikacji:
2016
Wydawca:
Projekt Avant
Tematy:
ballet
music
semiotics
Stravinsky
The Rite of Spring.
Opis:
One hundred years on from the infamous premiere of The Rite of Spring, Stravinsky’sepoch-defining ballet continues to evoke controversy and contention in both musicological and performance circles. Even to call it a ballet is to overlook, or compound, its problematic identity. Throughout its life span, most audiences will have encountered, valorised and identified the work as a landmark of orchestral musical modernism heard primarily, perhaps even exclusively, in concert halls and on audio recordings with not a dancer, theatre stage or set in sight. Still to this day it thus remains one of music’s more remarkable split person- alities: bifurcated along formalist and contextualist lines by Stravinsky’s retrospective andopportunistic assertion that he had written “un oeuvre architectonique et non anecdotique.”
Źródło:
Avant; 2016, 7, 1
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fire As A First Cause Of Phenomenon In Gaston Bachelard’s The Psychoanalysis Of Fire And Igor Stravinsky’s The Rite Of Spring
Autorzy:
Simonović, Marija
Powiązania:
https://bibliotekanauki.pl/articles/2178362.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
fire
Gaston Bachelard
The Psychoanalysis of Fire
Igor Stravinsky
The Rite of Spring
Opis:
In this paper, the ballet of Igor Stravinsky The Rite of Spring is interpreted from the perspective of Gaston Bachelard’s philosophical thought. Bachelard’s systematic psychoanalysis of literary images in The Psychoanalysis of Fire is applied to the interpretation of musical images in The Rite of Spring. Bearing in mind that rhythm is a key characteristic of Stravinsky’s composition, the paper analyses the immediate correspondences between Stravinsky’s and Bachelard’s perception and interpretation of rhythm in the works under consideration.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2021, 3(50) ENG; 43-64
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sonnet VIII by William Shakespeare in Songs of Kabalevsky, Stravinsky and Mykietyn
Autorzy:
Dąbek, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/514067.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Shakespeare’s sonnets
Paweł Mykietyn
Dmitry Kabalevsky
Igor Stravinsky
relations between text and music
Opis:
Sonnet VIII Music to hear by William Shakespeare belongs to socalled “procreation sonnets”, where the poet insists on a young man to get married and have children. It should grant immortality to him and his youthful beauty to the world. The poem, written in iambic pentameter, reveals the structure of an Elizabethan sonnet. The main emphasis is laid on the last stanza which does not serve anymore as a protective advice, but as a warning. The syndrome of Sonnet VIII, understood after Mieczysław Tomaszewski as a “group of constitutive features” is formed here by the following categories: musicality, metaphorism, oxymoronity, rhetoric and erotic ambivalence. The poem has found its musical interpretations in the output of the 20 th-century composers: Dmitry Kabalevsky, Igor Stravinsky and Paweł Mykietyn. All songs are both musically and expressively distant from each other, nevertheless each of them reflects an element of the Sonnet’s character. Metaphorism and oxymoronity appear in music of every composer in a very individualized way, which is proved by the analysis of relations between text and music. The sphere of erotic ambivalence is present only in Mykietyn’s song, intended for a male soprano. In a lyrical song by Kabalevsky the musicality and rhetoricof the poem are especially underlined. In a constructivist approach of Stravinsky (dodecaphony) and Mykietyn (circle canon) analogies to an intellectual game and a net of complex literary metaphors in the poem can be found.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2017, 2(33) Eng; 77-99
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies