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Wyszukujesz frazę "Social reception" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Introduction: Shakespeare and/in Europe: Connecting Voices
Autorzy:
Fayard, Nicole
Powiązania:
https://bibliotekanauki.pl/articles/648229.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Group conflict
Exclusion
Europe
Politics
History
Religion
Social
Reception
Opis:
Recent Shakespearean productions, just like current European crises, have highlighted the exclusionary nature of European identity. In defining the scope of this special issue, the aim of this introduction is to shift the study of Shakespeare in/and Europe away from the ideological field of “unity within diversity” and its attendant politics of negotiation and mediation. Instead, it investigates whether re-situating Shakespearean analysis within regimes of exclusionary politics and group conflict attitudes helps to generate dynamic cultural and social understandings. To what effect is Shakespeare’s work invoked in relation with the tensions inherent in European societies? Can such invocations encourage reflections on Europe as a social, political and/or cultural entity? Is it possible to conceptualize Shakespearean drama as offering an effective instrument that connects―or not―the voices of the people of Europe?
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2019, 19, 34; 9-30
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polish “imaginarium”: Norwid’s reading of Anhelli
Autorzy:
Stanisz, Marek
Powiązania:
https://bibliotekanauki.pl/articles/17891175.pdf
Data publikacji:
2021-02-24
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Cyprian Norwid
Anhelli Juliusza Słowackiego
imaginarium społeczne
alegoryczny styl odbioru
historia recepcji
Juliusz Słowacki’s Anhelli
social imaginary
allegorical style of reception
history of reception
Opis:
The aim of the article is to answer the question how Cyprian Norwid understood Juliusz Słowacki’s poem entitled Anhelli (1838). Norwid’s interpretation of Anhelli, which was put forward in his lectures O Juliuszu Słowackim (1961), was significantly different from the previous ones. Before Norwid, the critics of Anhelli admired its aesthetic layer and appreciated the documentary motifs, but could not make sense of its extremely pessimistic message. Norwid, however, interpreted Anhelli as an allegorical reflection of what Charles Taylor would have called the Polish social imaginary. Emphasising the role of the metaphorical meaning of a few motifs in the world presented (especially the one of Siberia as the „negative pole” of the Polish civilisation and the picture of characters as supporters of particular ethical views), Norwid interpreted Słowacki’s poem as an allegory of a grave crisis of the Polish collective consciousness as well as a picture of the decay of the national community. In this way, Norwid’s reflection on Anhelli gave him the opportunity to criticise the qualities of the 19th-century Polish culture and the mentality of the then emigrants.
Źródło:
Studia Norwidiana; 2019, 37 English Version; 97-121
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Broken images. "Auschwitz", nostalgia and modernity. The reception of the Holocaust in popular culture
Autorzy:
Kaźmierczak, Marek
Powiązania:
https://bibliotekanauki.pl/articles/919798.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
Reception
Popular Culture
Text
Mass Media
Film
Images
Modernity
Historical and Social Facts
Nostalgia
Metonymy
Opis:
Broken images. "Auschwitz", nostalgia and modernity. The reception of the Holocaust in popular culture The reception of the Holocaust in popular culture is like a set of the broken images of the past. There are fluent differences between fiction and reality, beetween texts and facts, between knowledge and ignorance. This article concerns the forms of the influence of poplar culture on the representations of the Holocaust. Broken image can reveal a part of same event, the same fact. There are intellectual and axiological challenges between revealing and abusing the “Auschwitz” in the contemporary texts of culture. There are three main parts of the article: The contexts of the terms, Opened arguments and How instrumentally where are described the mechanisms of reduction, instrumentalization and mediatization of the reception of the Holocaust.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 101-120
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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