Temat: Rubens - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Two Portraits of the Prince Ladislas-Sigismund Vasa from the Collections in Wawel re-examined
Analiza atrybucji dwóch portretów królewicza Władysława Zygmunta Wazy ze zbiorów Zamku Królewskiego na Wawelu
Autorzy:: Krzyżagórska-Pisarek, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/706971.pdf
Data publikacji:: 2012
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Rubens
Vasa
Wawel
Waza
Źródło:: Rocznik Historii Sztuki; 2012, 37; 93-113
0080-3472
Pojawia się w:: Rocznik Historii Sztuki
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Lipid content and fatty acid composition of Mediterranean macro-algae as dynamic factors for biodiesel production
Autorzy:: El Maghraby, D.M.
Fakhry, E.M.
Powiązania:: https://bibliotekanauki.pl/articles/48076.pdf
Data publikacji:: 2015
Wydawca:: Polska Akademia Nauk. Instytut Oceanologii PAN
Tematy:: seaweed
seasonal variation
lipid content
fatty acid composition
marine alga
macroalga
Jania rubens
Ulva linza
Padina pavonica
biodiesel production
dynamic factor
Źródło:: Oceanologia; 2015, 57, 1
0078-3234
Pojawia się w:: Oceanologia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: The Changing Perception of the Five Senses
Autorzy:: Benninga, Sara
Powiązania:: https://bibliotekanauki.pl/articles/1788549.pdf
Data publikacji:: 2020-09-13
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Jan Brueghel the Elder
Peter Paul Rubens
Flanders
17th century
five senses
courtly company
collector’s cabinet
archdukes
early-modern
Opis:: This article examines the changing approach towards the representation of the senses in 17th-century Flemish painting. These changes are related to the cultural politics and courtly culture of the Spanish sovereigns of the Southern Netherlands, the Archdukes Albert and Isabella. The 1617–18 painting-series of the Five Senses by Jan Brueghel the Elder and Peter Paul Rubens as well as the pendant paintings on the subject are analyzed in relation to the iconography of the five senses, and in regard to Flemish genre themes. In this context, the excess of objects, paintings, scientific instruments, animals, and plants in the Five Senses are read as an expansion of the iconography of the senses as well as a reference to the courtly material culture of the Archdukes. Framing the senses as part of a cultural web of artifacts, Brueghel and Rubens refer both to elite lived experience and traditional iconography. The article examines the continuity between the iconography of the senses from 1600 onwards, as developed by Georg Pencz, Frans Floris, and Maerten de Vos, and the representation of the senses in the series. In addition, the article shows how certain elements in the paintings are influenced by genre paintings of the courtly company and collector’s cabinet, by Frans Francken, Lucas van Valckenborch and Louis de Caullery. Through the synthesis of these two traditions the subject of the five senses is reinvented in a courtly context.
Źródło:: Ikonotheka; 2019, 29; 103-122
0860-5769
Pojawia się w:: Ikonotheka
Dostawca treści:: Biblioteka Nauki