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Wyszukujesz frazę "Polish Workers’ Party" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Better Not at All Than Not Well. A Review of a Biography of Władysław Gomułka
Autorzy:
Eisler, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/953776.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Władysław Gomułka ‘Wiesław’
communism
Polish United Workers’ Party
Polish Workers’ Party
Anita Prażmowska
biography
communist leadership
Opis:
Władysław Gomułka was the Polish communist leader who, most probably, played the most important role in the history of Poland. In the years 1943–48 he was the Secretary of the Polish Workers’ Party, and next, from 1956 to 1970, the First Secretary of the Central Committee of the Polish United Workers’ Party. According to the rule ‘the more power the more responsibility’, which had particular significance in non-democratic systems, Gomułka was responsible or co-responsible for everything good but also for everything bad that happened in Poland during his rule. At the same time he is this Polish communist leader, on whose life and activity over twenty books were published. One of the recent ones was published by Anita Prażmowska. Unfortunately, this is not a successful attempt.
Źródło:
Kwartalnik Historyczny; 2017, 124
0023-5903
Pojawia się w:
Kwartalnik Historyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Party in Krzysztof Kieślowski’s Films
Autorzy:
Zwierzchowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/923207.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Krzysztof Kieślowski
Polish cinema
film and politics
images of Polish United Workers’ Party
Opis:
Probably no other Polish filmmaker has devoted as much attention to the Polish United Workers’ Party (PZPR) as Krzysztof Kieślowski did in his films. Early on, he perceived the party as an organization where one could meet people with different desires, motivations and modus operandi. Kieślowski’s perspective could be defined as such: do not judge the whole, focus on individuals. His subsequent films present a change in this perspective. Workers and devoted members of the communist party were in the center of the director’s interest in some of his early films. Later, he focused more and more on individuals, especially those who had to face the party as a structure and hierarchy. Kieślowski’s films made in the early 1980s show party leaders and people in charge who eventually turn out to be losers. Kieślowski perceived various aspects and forms of being a party member, not only as a stepping stone for one’s career. He saw and presented the everyday life of PZPR, relations between the authorities and society, and its members and representatives of the party apparatus. He was quite critical about the party and people in charge, but also tried to see and present the reasons motivating their conduct. Social and political changes in Poland in the early 1980s made this kind of approach increasingly difficult for Kieślowski.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 137-153
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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