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Wyświetlanie 1-13 z 13
Tytuł:
Graphic illustrations of Ovid’s Metamorphoses : A selection of the most important executions
Autorzy:
Giełdoń-Paszek, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2138817.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Ovid
graphics
illustrations
the Metamorphoses
Opis:
Ovid’s Metamorphoses has inspired artists of various disciplines almost from the very moment of its creation. The poem has been the literary canvas of many paintings. It was particularly popular in the early modern period. Its numerous editions from the Middle Ages were decorated first with miniatures, and, after the invention of printing, with illustrations, made in the technique of woodcut, copperplate engraving, and etching. The composition of scenes known from the poem was based on a simultaneous and multi-thread narration and also, later, focused on one specific moment of the selected episode. The authorship of the illustrations found in early editions remains anonymous. The graphic designers of 16th c. and later editions are known by name: Jörg Wickram, Virgilio Solis, Bernard Solomon, Hendrick Goltzius, Francis Cleyn, Salomon Savery, Godfried Maes, and in the 20th c. Pablo Picasso. Ovid’s poem continues to be interpretated, as evidenced by the works of, for example, Kiki Smith and the Polish queer artist Mikolaj Sobczak.
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2022, 64, 2; 64-79
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Furiosa libido. Ovid on love and madness
Autorzy:
Bielecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1046801.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
madness
love
Ovid
women
Ars amatoria
Opis:
This paper presents Ovid’s views on the concept of love madness. Taking Ars amatoria, in particular the distich (1.281–282) in which the poet blames woman’s love fury on her lust as its research material, the paper investigates how the notion in question has been realized in this “textbook for lovers.” There, Ovid uses the mythological figures of women who committed crimes against social rules to illustrate the said concept; the paper, in turn, juxtaposes it with the narratives in Metamorphoses (the stories of Byblis and Myrrha). Additionally, it makes use of the tale of Iphis, a story not included in Ars amatoria which can nevertheless be also treated as illustrative of how madness can overcome enamored women. The paper both contrasts the above mentioned stories with the narratives showing men’s inclinations to insanity caused by passion and examines the notion of love madness in the context and with regard to the style of Ovid’s works.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 141-151
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pandarus Quotes Ovid in Geoffrey Chaucer’s Book One of Troilus and Criseyde
Pandarus cytuje Owidiusza w pierwszej księdze „Troilusa i Criseydy” Geoffreya Chaucera
Autorzy:
Bobrowski, Antoni
Powiązania:
https://bibliotekanauki.pl/articles/1045743.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Heroides
Geoffrey Chaucer
Troilus
Troy
Opis:
The medieval epic poem Troilus and Criseyde by Chaucer describes the history of unhappy love with the Trojan War in the background. The story is constructed in the convention of courtly love, and the author draws abundantly from a range of plot motifs preserved in the ancient literary tradition. The article discusses the way of intertextual use of Ovid’s Heroides 5 in the course of events told in Book One of the poem.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 71-83
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ovid and Statius, Thebaid 6.54–78. Necessary Allusions or a Metapoetic Dialogue?
Owidiusz i Stacjusz, Tebaida 6.54–78. Aluzje konieczne czy metapoetycki dialog?
Autorzy:
Pierzak, Damian
Powiązania:
https://bibliotekanauki.pl/articles/1045758.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Statius
Ovid
intertextuality
allusion
Opheltes
aetiological poetry
Opis:
Statius’ description of the funeral games held in honor of the baby Opheltes contains several utterances reminiscent of Ovid. The paper aims to show that these should not be read as the so-called necessary allusions, but rather as the poet’s complex dialogue with his predecessor.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 57-70
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Remarks on Ovid and the Golden Age of Augustus
Uwagi o Owidiuszu i złotym wieku Augusta
Autorzy:
Łukaszewicz, Adam
Powiązania:
https://bibliotekanauki.pl/articles/1045750.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Augustus
golden age
exile
Metamorphoses
lurida aconita
Opis:
Publius Ovidius Naso was an outstanding poet of the Augustan age who after a period of successful activity was suddenly sent to exile without a formal judicial procedure. Ovid wrote frivolous poems but inserted into his works also the obligatory praises of Augustus. The standard explanation of his relegation to Tomis is the licentious content of his Ars Amatoria, which were believed to offend the moral principles of Augustus. However, the Ars had been published several years before the exile. The poet himself in his Pontic writings mentions an unspecified error and a carmen, pointing also to the Ars, without, however, a clear explanation of the reason for his fall. The writer of the present contribution assumes that the actual reason for the relegation of the poet without a trial were the verses of his Metamorphoses and especially the passage about the wicked stepmothers preparing poison. That could offend Livia who, according to gossip, used poison to get rid of unwanted family members. Ovid was exiled, but the matter was too delicate for a public justification of the banishment. When writing ex Ponto the poet could not explicitly refer to the actual cause of his exile.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 37-56
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Sacred and the Poetic: The Use of Religious Terminology in Ovid’s Words
Sacrum słowem sławione – terminologia religijna w twórczości Owidiusza
Autorzy:
Kaczor, Idaliana
Powiązania:
https://bibliotekanauki.pl/articles/1045765.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Latin poetry
Roman religion
Roman divination
Roman religious festivities
Opis:
The article investigates Ovid’s use of religious terminology and imagery, in particular in the Fasti and the Metamorphoses. As an educated Roman citizen, Ovid was conversant with Roman ritual practices and frequently drew on facets of the Roman religious experience in his writing, exploring topics such as ritual performance, religious nomenclature, festivals, customs and traditions. In the article, I argue that Ovid’s treatment of religious material is deliberately uneven. The poet, well-versed in the Roman ritual nomenclature, nevertheless flaunted his technical competence only in the rite-oriented Fasti: in his other works, above all in the myth-laden Metamorphoses, he abandoned drier technical details for artistic flair and poetic imagery, unconstrained by traditional practices of Roman piety. The mythological setting of the latter poem gave Ovid a chance to comment upon universal truths of human nature, espousing the prevailing Roman belief that maintaining good relations with the gods (pax deorum) through collective piety would win Rome divine favour in all her initiatives.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 17-35
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Old Women: Divination and Magic or anus in Roman Literature
Autorzy:
Migdał, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1046790.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Anus
old woman
witch
magic
prophetess
divination
Horace
Ovid
Petronius
Apuleius
Opis:
Word anus was used in a primarily negative sense to describe an old woman. Anus is usually presented as a libidinous and hideous hag who indulges in strong wine or practices black magic, mainly for erotic purposes. Though Latin literature brings as well examples of a different type of anus: goddesses assuming the shape of old women to guide or deceive the mortals and old prophetic women, inspired by the gods. Anus can be gifted with divine powers and secret knowledge. The paper traces the motif of anus as a witch or a divine woman on the basis of selected examples from the works of Horace, Ovid, Petronius, Apuleius and Silius Italicus.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 2; 57-67
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Why Ovid? Postmodern Alternative Biographies of the Great Poet
Dlaczego Owidiusz? Postmodernistyczne biografie alternatywne wielkiego poety
Autorzy:
Gawarecka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1045694.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
exile of Ovid
historical metafiction
intertextuality
actualization of ancient tradition
counterfactual fiction
Opis:
Article analyses a literary portrait of Publius Ovidius Naso in the novels Naso the Poet (1969) by Jacek Bocheński, An Inexplicable Story or the Narrative of Questus Firmus Siculus by Josef Škvorecky (1998) and The Last World. A Novel with an Ovidian Repertory by Christoph Ransmayr (1988). 
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 119-133
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Love, Despair, and Resiliency: Ovid’s Contributions to an Interactionist Analysis of Intimate Relations
Autorzy:
Prus, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2106937.pdf
Data publikacji:
2013-07-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ovid
Ovidius
Love
Relationships
Sexuality
Intimacy
Romantic
Symbolic Interaction
Influence
Ethno-historical
Opis:
Ovid (Ovidius – Publius Ovidius Naso; 43 BCE-18 CE) is well known in classical studies and poetic circles for his insightful portrayals of heterosexual relations. However, his The Art of Love and related texts have received scant attention from those in the social sciences. Ovid’s writings on love may be best known for their advisory and entertainment motifs, but this same set of texts also provides an extended and comparatively detailed set of observations on heterosexual interchanges, as well as some remarkably astute analysis of interpersonal relations more generally. Developed within a symbolic interactionist frame (Mead 1934; Blumer 1969; Strauss 1993; Prus 1996; 1997; 1999), this paper gives particular attention to the processes by which people engage others in romantic contexts, make sense of their experiences with one another, deal with an assortment of third-parties, and manage wide ranges of related emotional sensations as they work their ways through aspects of the broader relationship process (from preliminary anticipations and initial encounters to terminations and re-involvements of relationships). It is in these respects that this paper considers the more distinctive ethnographic potential of Ovid’s depictions of love in the Roman classical era. As an instance of ethno-history, Ovid’s considerations of people’s involvements with love, sex, and romance, as well as the varying emotional states that people experience along the way, add some highly instructive cross-cultural and trans-historical dimensions to more contemporary, generic examinations of affective relationships. Using Ovid’s materials as an ethno-historical database with which to assess contemporary interactionist notions of “developing relationships,” this paper concludes with a consideration of the implications of Ovid’s works and contemporary interactionist studies for research on intimate relationships, emotionality, and influence work.
Źródło:
Qualitative Sociology Review; 2013, 9, 3; 124-151
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Humanistic aspects of Carolingian Court Poetry: Poetical Technique and Use of Sources in Paul the Deacons Carmen X
Autorzy:
Conti, Marco
Powiązania:
https://bibliotekanauki.pl/articles/449859.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Paul the Deacon
Carolingian poetry
sources of Medieval Poetry Carolingian Court
Ovid's Exile Elegies
Opis:
The object of this article is the analysis of a typical specimen of Carolingian court poetry, namely Paul the Deacon's Carmen X, which was written at the very beginning of the so-called Carolingian Renaissance in 781. In my opinion, Paul's poem demonstrates once more how, on the one hand, the poetical technique and use of classical sources and, on the other hand, the crucial influence of the environment of Charlemagne's court that both makes Carolingian poetry an extremely innovative literary form, and strongly connects it with the later phenomenon of Humanism.
Źródło:
Saeculum Christianum. Pismo Historyczne; 2017, 24; 47-53
1232-1575
Pojawia się w:
Saeculum Christianum. Pismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Darkling I Listen”: Melancholia, Self and Creativity in Romantic Nightingale Poems
Autorzy:
Łuczyńska-Hołdys, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/888800.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poetry
John Milton
Charlotte Smith
John Clare
John Keats
nightingale poems
Romanticism
Ovid
Sappho
Opis:
The present article is an attempt to look at selected Romantic poems which concentrate on the image of the nightingale. Starting from Charlotte Smith’s sonnets and continuing with poems by other writers of the period, I will try to trace the link between nature and poetic convention in English Romanticism. While some of the nightingales which sing in Romantic poetry seem deeply symbolic, other forsake poetic tradition and stubbornly persist in their birdy nature, resisting descriptions in terms of melancholia or woe. Nevertheless, the fate of Philomela, whose sad story of violation identifies the nightingale with loss, suffering and poetic creation, still remains an important context for Romantic nightingale poems.
Źródło:
Anglica. An International Journal of English Studies; 2014, 23/1; 105-114
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Changing Countries: Exile and Classical Influences in Joseph Brodsky
Zmieniając kraje. Wygnanie i wpływy klasyczne u Josifa Brodskiego
Autorzy:
Bajoni, Maria Grazia
Powiązania:
https://bibliotekanauki.pl/articles/1954295.pdf
Data publikacji:
2003
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
exile
change of country
Joseph Brodsky
classical influences
Ovid
Seneca
Virgil
wygnanie
zmiana kraju
Josif Brodski
wpływy klasyczne
Owidiusz
Seneka
Wergiliusz
Opis:
Celem artykułu jest zbadanie niektórych wpływów klasycznych w twórczoÑci Josifa Brodskiego, zaczynając od topiki wygnania u Owidiusza i Seneki. Istotnie, wygnanie jest nie tylko bolesną zmianą kraju, pełnym napięcia doświadczeniem życia, lecz także szansą, by wygnany człowiek mógł jeszcze raz popatrzeć na swoje życie i umocnić swoją duszę. Istnieje bardzo silna więź między wygnaniem i językiem, ponieważ język ojczysty jest środkiem do zachowania tożsamości poety: samotność i smutek Owidiusza zasadniczo określa jego językowa izolacja (por. np. Trist. 3.14.45-50; 5.7.55-56; 5.12.57-58; ex Pont. 4.13. 17-20). Brodski zaznacza, óe w warunkach wygnania język sprawuje kontrolę tak nad literaturą, jak i myÑl, percepcją i uczuciem. Zainteresowanie Owidiuszem u Brodskiego wychodzi ponadto poza sprawę wygnania: Owidiusz jest przede wszystkim poetą metamorfozy, a List do Horacego Brodskiego, pomimo swego adresata, stanowi właściwie pochwałę Owidiusza, ponieważ metamorfoza i wygnanie ściśle się ze sobą łączą. Brodski woli Owidiusza od Wergiliusza. Owidiusz, jako poeta zmieniającej się rzeczywistości, zostaje przeciwstawiony Wergiliuszowi, poecie augustowskiej propagandy.
Źródło:
Roczniki Humanistyczne; 2003, 51, 3; 131-138
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Botanical Imperialism and Metamorphic Biodiversity: Livia and Ovid
Autorzy:
Myers, K. Sara
Powiązania:
https://bibliotekanauki.pl/articles/2171486.pdf
Data publikacji:
2022
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
Villa of Livia
Prima Porta
Museo Nazionale Romano
Palazzo Massimo
ancient Rome
Golden Age
frescos
herbarium
contemporart art
biodiversity
laurel
interpretation
symbolism
Ovid
Metamorphoses
Fasti
originality
Źródło:
Sztuka i Dokumentacja; 2022, 26; 69-72
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-13 z 13

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