Temat: Munch - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Responding to Modern Sensibilities: Emma and Edvard Entangled
Autorzy:: Berman, Patricia G.
Powiązania:: https://bibliotekanauki.pl/articles/641663.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Munch
Bovary
desire
entanglement
Opis:: This article is an edited version of the response paper offered at the conclusion of the symposium, Modern Sensibilities. It ties together themes from the symposium papers, as well as ideas prompted by Mieke Bal’s exhibition, Emma & Edvard: Love in the Time of Loneliness, and her accompanying book, Emma and Edvard Looking Sideways: Loneliness and the Cinematic. It focuses on the anachronistic entanglements among Flaubert’s “Emma,” Munch’s motifs, Mieke Bal and Michelle Williams Gamaker’s Madame B, the Munch Museum’s architecture and exhibition scenography, and the exhibition viewer.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 145-158
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Imagining Hedda Gabler: Munch and Ibsen on Art and Modern Life
Autorzy:: Gjesdal, Kristin
Powiązania:: https://bibliotekanauki.pl/articles/641657.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Munch
Ibsen
Hedda Gabler
aesthetics
nineteenth-century philosophy
Opis:: Among Edvard Munch’s many portraits of Henrik Ibsen, the famous Norwegian dramatist and Munch’s senior by a generation, one stands out. Large in scope and with a characteristic pallet of roughly hewed gray blue, green and yellow, the sketch is given the title Geniuses. Munch’s sketch shows Ibsen, who had died a few years earlier, in the company of Socrates and Nietzsche. The picture was a working sketch for a painting commissioned by the University. While Munch, in the end, chose a different motif for his commission, it is nonetheless significant that he found it appropriate to portrait the Norwegian dramatist in the company of key European philosophers, indeed the whole span of the European philosophical tradition from its early beginnings to its most controversial spokesman in the late 1800s. In my article, I seek to take seriously Munch’s bold and original positioning of Ibsen in the company of philosophers. Focusing on Hedda Gabler-a play about love lost and lives unlived-I explore the aesthetic-philosophical ramifications of Ibsen’s peculiar position between realism and modernism. This position, I suggest, is also reflected in Munch’s sketches for the set design for Hermann Bahr’s 1906 production of the play.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 71-86
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch
Autorzy:: Pollock, Griselda
Powiązania:: https://bibliotekanauki.pl/articles/641661.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Edvard Munch
Charlotte Salomon
subjectivity
painting
loneliness
Friedrich Nietzsche
Opis:: This paper proposes a conversation between Charlotte Salomon (1917–43) and Edvard Munch that is premised on a reading of Charlotte Salomon’s monumental project of 784 paintings forming a single work Leben? oder Theater? (1941–42) as itself a reading of potentialities for painting, as a staging of subjectivity in the work of Edvard Munch, notably in his assembling paintings to form the Frieze of Life. Drawing on both Mieke Bal’s critical concept of “preposterous history” and my own project of “the virtual feminist museum” as a framework for tracing resonances that are never influences or descent in conventional art historical terms, this paper traces creative links between the serial paintings of these two artists across the shared thematic of loneliness and psychological extremity mediated by the legacy of Friedrich Nietzsche.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 114-144
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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