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Wyszukujesz frazę "Maciej Kazimierz Sarbiewski" wg kryterium: Temat

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    Tytuł:
    Maciej Kazimierz Sarbiewski and English Dissenting Poets of the Early 18th Century: A Study in Reception of Neo-Latin Poetry in Great Britain
    Autorzy:
    Fordoński, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/636332.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Maciej Kazimierz Sarbiewski
    Neo-Latin Poetry
    Isaac Watts
    Opis:
    The article presents historical, literary, religious and political context in which interest in the poetry of the Baroque Neo-Latin poet Maciej Kazimierz Sarbiewski (1595–1640) appeared in the first half of the 18th century among English dissenters and non-conformists. The article concentrates on the best known and most prolific of the six dissenting translators of Sarbiewski Isaac Watts (1674–1748) and his pupil and biographer Thomas Gibbons (1720–1785). The article includes a brief presentation of the translated poems of Sarbiewski and their translators.
    Artykuł przedstawia historyczny, literacki, religijny i polityczny kontekst zainteresowania, jakim cieszyła siętwórczość Macieja Kazimierza Sarbiewskiego (1595–1640) wśród dysydentów i nonkonformistów w Anglii w I poł. XVIII w. Autor skupia się na najbardziej znanych i płodnych spośród sześciu dysydenckich tłumaczy Sarbiewskiego: Isaaku Wattsie (1674–1748) oraz jego wychowanku i biografiście Thomasie Gibbonsie (1720–1785). Artykuł zawiera krótkie omówienie przekładów wierszy Sarbiewskiego oraz sylwetek tłumaczy
    Źródło:
    Terminus; 2011, 13, 24; 71-85
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Semiotics of Old Age in Polish Neo-Latin Poetry. Samboritanus, Cochanovius, Treter, Sarbievius, Ines
    Semiotyka starości w polskiej poezji nowołacińskiej. Grzegorz z Sambora, Kochanowski, Treter, Sarbiewski, Ines
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/1046575.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Neo-Latin poetry
    old age in literature
    Jan Kochanowski
    Gregory of Sambor
    Thomas Treter
    Maciej Kazimierz Sarbiewski
    Albert Ines
    Opis:
    The main aim of this paper is to analyze several early-modern Neo-Latin poems written by Polish authors; the poems deal (in different ways) with old age. The poets undertake a kind of intertextual game with the reader, applying various stereotypes and clichés. On can speak about a “semiotic landscape” of old age. The authors taken into consideration are Jan Kochanowski, Grzegorz of Sambor, Thomas Treter (16th century) and Maciej Kazimierz Sarbiewski, Albert Ines (17th century).
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 2; 85-101
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    De-Clawing the Christian Horace: The Suppression of Sarbievius’ Roman Catholicism by His British Translators
    Autorzy:
    Kraszewski, Charles S.
    Powiązania:
    https://bibliotekanauki.pl/articles/951838.pdf
    Data publikacji:
    2014
    Wydawca:
    Fundacja Naukowa Katolików Eschaton
    Tematy:
    Maciej Kazimierz Sarbiewski (1595-1640)
    Matthias Casimirus Sarbievius (1595-1640)
    Motiejus Kazimieras Sarbievijus (1595-1640)
    Casimir Britannicus (1595-1640) Mathias Casimirus Sarbiewski (1595-1640)
    Sarbievius (1595-1640)
    Casimir (1595-1640)
    Baroque poetry
    Catholic poetry
    Jesuit poetry
    Hils George (17th century)
    Translation Theory
    Baroque
    Polska
    Baroque England
    Opis:
    The thesis of the article is as follows: Sarbiewski (Sarbievius), a Jesuit priest and neo-Latin poet, was arguably the most visible and influential neo-Latin poet of Baroque Europe. Widely published throughout Europe, he was also translated into many vulgar tongues, including English. The one published translation into English which takes most account of the widest range of Sarbiewski’s work is Odes of Casimir by G. Hils. Given the anti-Catholic animus obtaining in England at the time, it is striking that the works of a Jesuit priest could pass the government imprimatur. The article proves that, in order to do this, Hils resorted not only to completely masking the Catholic, not to say Jesuit, character of the author (palpable in the poems themselves), but also masking his traces by, in some instances, revising the Latin originals printed side by side with the translations. In so doing, Hils not only shows himself to be a cavalier translator, he shows himself to be a dishonest editor who does violence to another author’s intellectual property. The author of the article used a comparative method (comparing the translations to the originals) as well as explications de texte (close readings) of both the original Latin, and translated English, poems. Main results: A cogent comparison of translations based on concrete examples, which also has ramifications for the ethics of translation in general. The results are limited to one translator. It would be interesting to see if such “masking” of the author was carried out on a wider scale in Baroque Britain. Practical implications of the article. The results of the analysis can be applied to practical didactics: i.e. the teaching of British literature, Polish literature, neo-Latin literature or literature in general; they also might lie in the area of translation theory, cultural transfer, and the ethics of translation/interpretation. Social implications of the article: The rights (or lack thereof) of translators to heavily skew the texts they are interested in, so as to make their work more acceptable to the powers that be, or more reflective of their own concerns and beliefs. The novelty of the article resides in the fact that until now no one has conducted a thorough evaluation of Hils’ work. Up until now, their “quality” has been unquestioned; this article proves just how faulty they are.
    Źródło:
    Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 1(5); 61-78
    2299-9922
    Pojawia się w:
    Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Romanticism and the Baroque – Władysław Syrokomla as a translator of Maciej Kazimierz Sarbiewski’s poetry: Theory and practice
    Między romantyzmem a barokiem. Władysław Syrokomla jako tłumacz poezji Sarbiewskiego – teoria i praktyka
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/2088449.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 17th and 19th century
    New Latin poetry
    translation theory and practice in the Age of Romanticism
    Władysław Syrokomla (1823–1862)
    Maciej Sarbiewski (1595–1640)
    Władysław Syrokomla (Ludwik Kondratowicz)
    teoria i praktyka przekładu w dobie romantyzmu
    przekłady poezji polsko-łacińskiej
    Maciej Kazimierz Sarbiewski
    Opis:
    This article outlines the approach adopted by Władysław Syrokomla (the pen name of Ludwik Kondratowicz) in his translation of Latin verse and examines, by analyzing some of the poems he translated into Polish, how it worked in practice. He believed that the translator should strive for an empathic attunement to the writers voice (Einfühlung) while ‘remaining oneself’ and that abandoning ‘slavish imitation’ was the best way to animate a poem (an approach much criticized by philological authorities). These ideas are discussed in the fi rst part of the article; the second part contains analyses of his translations of Latin odes written by Maciej Sarbiewski, i.e. Ode I 19 (Ad caelestem adspirat patriam), II 3 (Ad suam testudinem), and IV 12 (Ad Ianum Libinium. Solitudinem suam excusat). Syrokomla does not engage in any intertextual games with the ancients; instead, he adapts the original to the formal and stylistic conventions of his time, most notably the Romantic concept of the poem as a projection of a poetic consciousness (‘ego’). In effect, Sarbiewski’s (neo) classical poetic personas become versions of the Romantic hero, most conspicuously in the case of Ode IV 12.
    Źródło:
    Ruch Literacki; 2019, 3; 289-299
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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