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Wyszukujesz frazę "Kazimierz Karabasz" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
“The Intensity of Looking” at Karabasz, 2018
Autorzy:
Sapija, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/923205.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
documentary film
Kazimierz Karabasz
Lodz Film School
WFD – Warsaw Documentary Film Studio
history
character in documentary
film observation
documentary ethics
Opis:
The origins of particular documentary films are sometimes difficult to determine, precisely locate and capture in time and space. It is like searching for the source of a river. What marked the beginning of Intensity of Looking, a film about the great documentary film director Kazimierz Karabasz? The beginning of a documentary film’s creation determines the artistic process and elements that shape its strength, energy and main thought. These elements, which sometimes verge on intuition, guide this process, shaping the subject of the film, as well as its meaning, climate and aura. There is a thread connecting the author and the protagonist of the film, something that binds them together during work on the film, and sometimes lasts much longer. The three variants of what initiates the process of making a particular documentary film are as follows. The first is an encounter with a person who could be a character in a documentary film. The second is a thought, idea or problem that a filmmaker wants to address and discuss in a documentary by means of a certain character and story. The third is a return to a character who had been portrayed in a previous documentary film, to tell more about him or her. All three of these variants were the case in the making of Andrzej Sapija’s Intensity of Looking.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 166-178
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
To film an inconceivable reality: the manifesto of the young Kieślowski
Autorzy:
Jazdon, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/923206.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Krzysztof Kieślowski
Kazimierz Karabasz
André Bazin
documentary film
film and literature
non-fiction cinema classics
dramaturgy of reality
documentary film ethics
Polish cinema
film theory
Opis:
In his master’s thesis, Documentary Film and Reality, Krzysztof Kieślowski dealt with a number of problems that turned out to play a vital role in his future film career, and its documentary period in particular. This range of topics includes the concept of ‘the dramaturgy of reality’, one of the methods for factual filmmaking he intended to put into practice, but also such ideas as the relation between film and literature, between documentary film and ethics, and the difference between reportage and documentary filmmaking. These concepts had an influence on his documentary filmmaking andled him to develop other concepts and methods for documentary filmmaking. From the perspective of Kieślowski’s creative oeuvre, the thesis Documentary Film and Reality reads as a manifesto by the young filmmaker.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 155-166
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
View from the inside. The images of the city in the “black series” documentary films in Poland in the 1950s
Autorzy:
Szpulak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/923178.pdf
Data publikacji:
2019-01-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film and architecture
“black series” of Polish documentary
Polish documentary
Jerzy Bossak
Irena Sobierajska
Bohdan Kosiński
Jerzy Dmowski
Kazimierz Karabasz
Władysław Ślesicki
Krystyna Gryczełowska
Maksymilian Wrocławski
Andrzej Munk
Opis:
The article analyses the particular interest that the documentary filmmakers of the late 1950s had in the architectural and urban issues. The reasons for this phenomenon are situated in several plans: they refer to the image of reconstruction from the war devastation and the reaction to its falsification in the period of socialist realism. They refer to the social interests of the filmmakers and to the strategy of metaphorising and allegorising the images of the city, which was handy in the times of censorship as it extended meanings and applied non-literality. The article analyses various film incarnations of this phenomenon.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 113-122
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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