Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "Julian Przyboś" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Julian Przyboś and the Literary Genres
Autorzy:
Kwiatkowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/578877.pdf
Data publikacji:
2016
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
home archive
avant-garde
literary genres
Julian Przyboś
Opis:
This article reviews the various ways in which Julian Przyboś dealt with genre conventions in his poetry. He used old forms of prose poetry, reworked the convention of hymn, ode and sonnet, wrote lullabies and rhymes, and, as one of the first poetry writers, brought the non-literary genres into poetry (letter, menu, postcard, note). Przyboś is also a prolific author of articles published in periodicals, prefaces and afterwords in books by other authors, or texts included in joint publications, many of which were forgotten or scattered. Through recalling these mostly concise publications a fuller reconstruction of Przyboś’s attitude to genre conventions is enabled and helps to track the generic evolution of the avant-garde poet. Also, a new perspective is provided by reviewing the poet’s home archive, which has been kept by his wife thus far. The poet paid attention to form consciously constructed structure to his compositions, with precision and scrupulousness, forming complex, though apparently simple constructions. The hesitation accompanying the classification of some of the notes only confirms the innovative character of his poetry, putting forward new forms, which undertake the game with tradition and exploit the richness of modern Polish.
Źródło:
Zagadnienia Rodzajów Literackich; 2016, 59/117 z.1; 37-46
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Cads of Young Poland according to Julian Przyboś: echoes of the early modernist apocalyptic tone
Młodopolskie chamuły według Juliana Przybosia – o apokaliptycznej tonacji przyjętej z wczesnego modernizmu
Autorzy:
Misiak, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/2087995.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the early 20th century
Young Poland
Modernism
literary dialogue
Quarrel between the Moderns and the Ancients
spoof
manifesto
plasticity
Julian Przyboś (1901–1970)
Jacques Derrida (1930–2004)
Catherine Malabou (b. 1959)
pamfletowy manifest
apokalipsa
plastyczność
awangarda i ariegarda
Opis:
This article presents a new reading of the spoof poetic manifesto ‘Chamuły poezji’ [‘The Cads of Poetry’] written by Julian Przyboś in 1926. His use of the apocalyptic tones of early modernist poetry to lampoon a trio of acclaimed poets associated with Young Poland (especially Jan Kasprowicz) suggests a complex nature of Przyboś’s rejection and dependence on that movement. In general, the influence of Young Poland, though quite conspicuous in is juvenilia and early publications, tends to fade away. ‘Chamuły’ is a pejorative nonce word which alludes to the Biblical Ham as well as a Polish word for a cad or ill-bred bumpkin. This article adds to it another layer of meaning, based on Derrida’s interpretation of the Apocalypse, with allusions to sexual and genital imagery. And more generally, it reframes the whole Przyboś’s poetic work (not just his early poems) using Catherine Malabou’s concept of plasticity. Seen in a broader historical perspective, Przyboś’s struggles to break with Young Poland are not unlike the predicament of many eighteenth-century writers caught in the dispute between the Moderns and the Ancients, satirized in Swift’s Battle of the Books. The overall conclusion of this study is that at all times the avant-garde and the arrière-garde remain in a continuous dialogue and the innovators never lose sight of those left behind. Poetry is, after all, metamorphic and cannot be contained within within the bounds of manifestoes and artistic programmes.
Źródło:
Ruch Literacki; 2020, 1; 48-68
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies