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Wyświetlanie 1-3 z 3
Tytuł:
Organs as an exemplification of Montenegro's material cultural heritage Part 1: St. Tryphon's Cathedral in Kotor – Our Lady Help of Christians' Church in Muo
Autorzy:
Poźniak, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/570409.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
Tematy:
organs
Montenegro
Italian tradition
Balkan tradition
organ building
Opis:
Montenegro became a union republic of the Socialist Republic of Yugoslavia (1945–1992) after the Second World War and the political changes and wars in the Balkans at the turn of the 20th and 21st century. Montenegro proclaimed its independence on 3rd June 2006. As an independent state, this former republic of socialist Yugoslavia takes action to gather and scientifically describe its remarkable cultural heritage. In 2019 Cetinje Academy of Music, which is part of the University of Montenegro, decided to carry out a scientific project aimed at depicting this entire cultural heritage. Folk culture and Orthodoxy are the dominant features of this whole opus, thus it is not surprising that cultural products are mostly associated with these two cultural factors. Catholics constitute a group of about 3.5%, which amounts to a relatively small number of believers. Though they are a small community, they also left their mark on culture. One of the important factors in the Catholic worship is the pipe organ. The article is the first part of a series of texts dedicated to the organ in Montenegro, in which the organ from St. Tryphon's Cathedral in Kotor and from the parish church of Our Lady Help of Christians in Muo is described. The presentation of these instruments comprises their history and description as well as contemporary and archival photographs. The contemporary instrument in St. Tryphon’s Cathedral in Kotor is a small contemporary instrument which comes from the German organmaster’s factory Fischer + Krämer. The factory was founded in Schlatt, near Bad Krozingen, in 1970. The firm builds its instruments with mechanical key actions in wood and their pipe measurements are based on the Baden-Alsace tradition of Stieffell and also on the pattern of Andreas and Johann Andreas Silbermann. However, the history of the organ in Kotor Cathedral is relatively well documented and has been depicted by musicologists from the former Yugoslavia. The organ preserved in the church of Our Lady Help of Christians in Muo is, in its construction, an instrument belonging to the Dalmatian-Italian tradition of the organ building, which derived from Domenico Moscatelli’s factory. It was built in 1784 in Zadar and brought to Muo in 1880. The organ is a mechanical instrument containing Italian sound concept and stop naming. Its current condition is disastrous. The organ requires special care due to the fact that it reflect a substantial document of European organ building’s trends. Respect for music in its material (an instrument with a beautiful organ front) and spiritual (beauty of sounds) dimensions is required. Therefore, Boka Kotorska is not only a charming, mountainous and seaside resort, but also a place with a vital role in the contemporary account of the material heritage of Montenegrin culture.
Źródło:
Folia Organologica. International yearbook of organ and organ music; 2020, 3; 93-113
2657-6082
2719-3284
Pojawia się w:
Folia Organologica. International yearbook of organ and organ music
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Organs as an exemplification of the material heritage of Montenegrin culture Part. 2: St. Nicholas’ Church and the Church of Our Lady of the Rock in Perast
Autorzy:
Poźniak, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/2170552.pdf
Data publikacji:
2022-12-20
Wydawca:
Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
Tematy:
organs
Montenegro
Italian tradition
Balkan tradition
organ building
Opis:
This article is a second part of the series of texts on organs in Montenegro, in which the organs from St Nicholas’ Church and the Church of Our Lady of the Rock in Perast will be described. The description of these instruments will include their basic presentation in the context of the organ building trends in this part of Europe. Organs as a special musical instrument are an important example of the material heritage of musical culture. Montenegro, being a predominantly Orthodox country in which instrumental and vocal-instrumental music is not performed, cannot claim a large number of organs. However, their significant proportion includes historically noteworthy instruments.
Źródło:
Folia Organologica. International yearbook of organ and organ music; 2022, 5; 54-61
2657-6082
2719-3284
Pojawia się w:
Folia Organologica. International yearbook of organ and organ music
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“The memory of Middle Ages” in church architecture of Italian architects in 16th c. Poland Problem outline and research postulates
Autorzy:
Miedziak
, Witold
Powiązania:
https://bibliotekanauki.pl/articles/2138740.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Gothic tradition
16th c. architecture
Italian architects
church architecture
Polish architecture
Opis:
It is undoubtful that the Italian Renaissance, understood as the totality of phenomena associated with the concept of the revival of antiquity, had a huge impact on European culture. Simultaneously, there is no question that the development of the revival idea on the Apennine Peninsula was different than in the rest of Europe, north of the Alps. These differences resulted primarily, but not exclusively, from the firm establishment and influence of medieval traditions. The contrast between north and south of Europe was particularly visible in church architecture and in the, newly emerging, artistic one. Artists and art theorists of the Apennine Peninsula were generally oriented towards the reception of ancient forms (or ones considered to be antique), but were usually critical towards Gothic architecture, identified as a foreign German style (maniera tedesca). On the other hand, in north-of-the-Alps Europe, late-medieval architecture was often perceived as an element shaping one’s own identity. In case of some countries, such as Germany or France, it was even associated with the “national” heritage, which however was not in contradiction with the reception of the Italian forms all’antica. This reception usually proceeded twofold; either it was a direct “transfer” of Italian Renaissance patterns, or their compilation with the Gothic style. This dualistic approach also characterized the architecture of the early modern Polish Republic. Moreover, it is already recorded at the initial stage of the reception of Renaissance forms in Poland. The goal of this thesis is to outline the problem of “the memory of Middle Ages” in the sacral buildings of Italian architects in the 16th c. Poland, defined as the problem of the influence of medieval traditions. The attempt to answer the questions about the factors influencing the retrospective dimension of the works of these artists takes into consideration recent research results, as they allow to phrase an innovative hypothesis about the special influence that the medieval tradition of the Apennine Peninsula had on mentioned works. Moreover, the hypothesis is also encouraged by the conclusions presented in the preliminary research results.
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2022, 64, 2; 104-121
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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