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    Wyświetlanie 1-4 z 4
    Tytuł:
    The Philosophy of History in Henrik Ibsen’s early works
    Autorzy:
    Szelągowska, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1373815.pdf
    Data publikacji:
    2020-12-02
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    nationality
    Romanticism
    Ibsen
    historism
    Opis:
    The early works of Ibsen – which concentrate on historical issues from the old Norwegian past, using material from sagas, folk-tales, and songs – give us a picture of an author who is focused on a national programme. In accordance with the Romantic philosophy of history (historism), Ibsen uses its main categories of causation and explanation of the national past, mainly positing individual ideas as a major shaping force of the course of history and the impact of great personalities. At the same time, Ibsen presents the path for Norwegians to build a strong and independent nation, and the conditions that have to be fulfilled for that to happen.
    Źródło:
    Studia Scandinavica; 2020, 4, 24; 80-92
    2657-6740
    Pojawia się w:
    Studia Scandinavica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    On Dr. Stockmann’s Parrhesia: Ibsen’s “An Enemy of the People” in the Light of Foucault
    Autorzy:
    Haj’jari, Mohammad-Javad
    Hooti, Noorbakhsh
    Powiązania:
    https://bibliotekanauki.pl/articles/1154269.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Dr. Stockmann
    Foucault
    Ibsen
    Parrhesia
    Opis:
    An honest intellectual dutifully standing with truth against lies and treacheries of his society is a parrhesiastic figure in Foucault’s terminology. Foucault takes parrhesia as the fearless and frank speech regarding the truth of something or a situation before truth-mongering and public deception and he takes the parrhesiastic as the spokesperson for truth. In this light, Dr. Stockmann in Ibsen’s An Enemy of the People occupies a unique position within Ibsen’s political philosophy. Dutifully criticizing what the majority blindly take for granted from their liar leaders in the name of democracy, Dr. Stockmann fulfills the role of a parrhesiastic figure that stands against socio-political corruption. He enters a parrhesiastic game with both the majority and the officialdom to fulfill his democratic parrhesia as a truthful citizen before the duped community, while covertly preparing for his own philosophic parrhesia or self-care within the conformist community. However, his final failure lies in his confrontation with democracy itself, which wrongly gives the right of speaking even to the liars. This article thus aims at analyzing Ibsen’s play through a Foucauldian perspective regarding the concept of parrhesia and its relation to democracy. It is to reveal Ibsen’s satire on the fake ideology of democracy and highlight the necessity of humanity’s parrhesiastic self-care for the well-being of the self and the others.
    Źródło:
    Folia Scandinavica Posnaniensia; 2019, 26; 27-48
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Imagining Hedda Gabler: Munch and Ibsen on Art and Modern Life
    Autorzy:
    Gjesdal, Kristin
    Powiązania:
    https://bibliotekanauki.pl/articles/641657.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Munch
    Ibsen
    Hedda Gabler
    aesthetics
    nineteenth-century philosophy
    Opis:
    Among Edvard Munch’s many portraits of Henrik Ibsen, the famous Norwegian dramatist and Munch’s senior by a generation, one stands out. Large in scope and with a characteristic pallet of roughly hewed gray blue, green and yellow, the sketch is given the title Geniuses. Munch’s sketch shows Ibsen, who had died a few years earlier, in the company of Socrates and Nietzsche. The picture was a working sketch for a painting commissioned by the University. While Munch, in the end, chose a different motif for his commission, it is nonetheless significant that he found it appropriate to portrait the Norwegian dramatist in the company of key European philosophers, indeed the whole span of the European philosophical tradition from its early beginnings to its most controversial spokesman in the late 1800s. In my article, I seek to take seriously Munch’s bold and original positioning of Ibsen in the company of philosophers. Focusing on Hedda Gabler-a play about love lost and lives unlived-I explore the aesthetic-philosophical ramifications of Ibsen’s peculiar position between realism and modernism. This position, I suggest, is also reflected in Munch’s sketches for the set design for Hermann Bahr’s 1906 production of the play.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 71-86
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Moving out of the dolls house: Henrik Ibsen, Kate Chopin and Eliza Orzeszkowa
    Wyprowadzka z domu lalek. Henrik Ibsen, Kate Chopin, Eliza Orzeszkowa
    Autorzy:
    Sokalska, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/2087765.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    19th century fiction and drama
    women's emancipation
    growth of self‑awareness
    the doll's house metaphor
    Henrik Ibsen (1828–1906)
    Eliza Orzeszkowa (1841–1910)
    Kate Chopin (1850-1904)
    Henrik Ibsen
    Eliza Orzeszkowa
    Kate Chopin
    emancypacja
    postać kobiety w literaturze XIX wieku
    Nauki Humanistyczne i Społeczne
    Opis:
    This is a comparative study of three literary works of the 19th century, Eliza Orzeszkowa's novel Marta, Kate Chopin's novel The Awakening, and Henrik Ibsen's drama Nora. The common analytical frame is the metaphor of the doll's house, which seems to provide an apt description (diagnosis) of the condition of each heroine, the space they inhabit, and their attitude to the economy of their everyday lives and their husbands. It also defines the situation in which each of them decides, or is compelled by circumstances, to move out of their sheltered place. In each of the three fictional cases the attention is focused on the growing self‑awareness of women, who would not have gained a mature knowledge of the world and of themselves if they had not been forced to abandon their doll's house existence.
    Źródło:
    Ruch Literacki; 2020, 4; 397-415
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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