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Wyświetlanie 1-2 z 2
Tytuł:
Musical Sources Survived in the Collection of the Auschwitz-Birkenau State Museum1
Autorzy:
Szczęśniak, Hubert
Powiązania:
https://bibliotekanauki.pl/articles/514008.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
KL Auschwitz-Birkenau
musical sources
Holocaust Music
Music and Politics
Auschwitz-Birkenau State Museum
Opis:
The article presents the conclusions of the research conducted by the author in the collection of the Auschwitz-Birkenau State Museum, former German Nazi concentration and extermination camp. The sources are fully featured and described for the first time. The article focuses on showing a complicated post-war history of the items connected with music (musical instruments, printings, manuscripts, handwritten copies of instrumental books), which are auxiliary sources to reconstruct the repertoire of chapels in KL Auschwitz-Birkenau. The main aim of the article is also to discuss the preserved repertoire. In the last chapter, the author presents a short characteristics of original works composed by musicians and composers in slavery with a short analysis of all of them. Presented musical printings are a reflection of tastes of the German public in the 1930s as well as an example of ridiculous anthropological establishments of Nazi music scientists and the lack of ability to implement it on listeners practice. In addition, the work contains annexes: musical instruments, original works composed during camp existence, and musical printings—a list of music materials which survived in the collection of the Auschwitz-Birkenau State Museum.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2017, 1(32) Eng; 125-173
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Is There the Holocaust without a Film Music? Analyzing a Croatian and a Serbian Film about the Holocaust
Ima li holokausta bez filmske glazbe? Tragom jednog hrvatskog i jednog srpskog filma o holokaustu
Autorzy:
Jambrešić Kirin, Renata
Powiązania:
https://bibliotekanauki.pl/articles/635715.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the reception of post-Yugoslav films on the Holocaust
music and the Holocaust
affective regime
Lea Deutsch (1927–1943)
Filip David (1940)
Opis:
This article implies that the impact of cinematic fiction on the capability to imagine and comprehend the trauma of the Holocaust is formed at the intersection of aesthetic, moral, social and ideological frames in particular society. Cinema had a special role for the unification of the Holocaust memory since 1990. In the post-Yugoslav cinema two feature films (Lea and Darija, 2011 and When Day Breaks, 2012) represent the cinematic paradigm shift in dealing with the difficult heritage of the Holocaust in Croatia and Serbia following the break of communism. Although they suffer from apolitical approach to historical issues and mitigate the consequences of local collaboration with the Nazis, as well as take the child as „the figure of infantilization” of the Holocaust (Hirsch 2012), their influence on the “postmemory generation” and the pedagogy of trauma in the region is significant and socially relevant.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 181-195
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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