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    Wyświetlanie 1-6 z 6
    Tytuł:
    Modern moral reinterpretation of Jesus and its value to the philosophy of religion
    Autorzy:
    Torzewski, Antoni
    Powiązania:
    https://bibliotekanauki.pl/articles/437448.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
    Tematy:
    morality
    ethics
    religion
    moral religion
    contemporary philosophy
    Immanuel Kant
    Jesus
    Gotthold Ephraim Lessing
    Ludwig Feuerbach
    reinterpretation
    German philosophy
    Enlightenment
    Opis:
    The moral reinterpretation of Jesus conducted by Kant, Lessing and Feuerbach, is an interesting matter when it comes to the philosophy of religion. The abovementioned German philosophers claimed that Jesus ought to be understood only as a moral archetype and a revolutionist in morality. This concept arose on the grounds of moral religion which was one of the most interesting ideas of the Enlightenment. Thus, exploring this moral reinterpretation of Jesus is just an excuse to study the concept of moral religion. Despite the fact that this idea is no longer current, it has immense influence on the contemporary philosophy of religion. Therefore, understanding the concept of moral religion can broaden the context of the contemporary discussion.
    Źródło:
    ARGUMENT: Biannual Philosophical Journal; 2019, 9, 2; 253-269
    2083-6635
    2084-1043
    Pojawia się w:
    ARGUMENT: Biannual Philosophical Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Meditating on the Vitality of the Musical Object: A Spiritual Exercise Drawn from Richard Wagner’s Metaphysics of Music
    Autorzy:
    Kramer, Eli
    Powiązania:
    https://bibliotekanauki.pl/articles/451429.pdf
    Data publikacji:
    2019-10-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Richard Wagner
    Arthur Schopenhauer
    philosophy of music
    spiritual exercise
    German Idealism
    Process Philosophy
    Personalism
    Opis:
    In 1870, Wilhelm Richard Wagner (1813-1883) wrote an essay to celebrate the centennial of Beethoven’s birth. In this essay Wagner made the case that music is, unlike any other object we create or are attentive to in experience, in an immediate analogical relationship with the activity of the Schopenhauerian “will” and is always enlivened. By drawing on this idea, we can not only conceive of music as in an immediate analogical relationship with our personal experience, but as perhaps the only object of cognition that is in a constant state of personal vitality. It is by that very continuous vitality that it can return us to our own personhood with deeper insight and perspective. The essay concludes by exploring how attending to the musical object as a spiritual (existential) exercise might reconnect us to our roots in sensus communis, educate us on our common personhood, and play an ethical role in our lives.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2019, 3, 3(9); 29-42
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Von den “Luftgebäuden” der Philosophie in der Stadt der Sprache: An Analysis of the Metaphors in the First Part of Wittgenstein’s <i>Philosophical Investigations<i/>
    Autorzy:
    Porcaro, Ciro
    Powiązania:
    https://bibliotekanauki.pl/articles/27321784.pdf
    Data publikacji:
    2023-12-15
    Wydawca:
    Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
    Tematy:
    Metaphor Analysis
    Philosophical Investigations
    German Linguistics
    Wittgenstein
    Philosophy of Language
    Opis:
    The present study has as its object three of the most frequent and representative metaphors of the first part (paragraphs from 1 to 133) of Ludwig Wittgenstein’s Philosophical Investigations. In particular, the analysis focuses on the following mappings: LINGUISTIC EXPRESSIONS ARE TOOLS, LANGUAGE IS A CITY and MEANING IS A PURE CRYSTAL. The methodological approach adopted in the study as well as the analytical proceedings are both borrowed from the theory of conceptual metaphor (see: Lakoff and Johnson 1980, Lakoff 1993 and Kövecses 2002, 2020). The three metaphors were identified through a careful manual search of the text. An automatic search for source domain vocabulary followed to identify any further instances of the metaphors. In a second step, the conceptual structure of the metaphors was outlined; the entailments of the mappings were listed and interpreted on the backdrop of the arguments developed in Wittgenstein’s work. Finally, a comparison of the structures of the three conceptual metaphors was made. The analysis revealed the existence of complex and coherent conceptual mappings motivating the use of the identified metaphorical expressions. The comparison among the three metaphors confirmed the hypothesis that the entailments of the first two mappings mentioned above are all consistent with each other, playing a fundamental role in the comprehension of Wittgenstein’s position on language and meaning. Conversely, the internal logic of the third metaphor reflects a conception of language rejected by the philosopher.
    Źródło:
    Academic Journal of Modern Philology; 2023, 19; 257-270
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Rules of How Reality Works Through the Prism of Post-Postmodern Prose
    Autorzy:
    Zymomria, Mykoła
    Powiązania:
    https://bibliotekanauki.pl/articles/1032264.pdf
    Data publikacji:
    2020-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    philosophy of literature
    British post-postmodern novel
    Dmytro Drozdovskyi
    carnival
    mystery
    German Romanticism
    theory of the contemporary novel
    Opis:
    The reviewer analyses the monograph Problematic-Thematic Units and Philosophical-Esthetical Parameters of the British Post-Postmodern Novel (Kyiv, 2020) written by Dmytro Drozdovskyi, a Ukrainian scholar from Taras Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, member of The European Society for the Study of English (Bulgarian branch). In the monograph, the author has outlined the theory of the post-postmodern novel based on the analysis of the key novels of contemporary British fiction (David Mitchell, Ian McEwan, Sarah waters, Mark Haddon, etc.). The review states that the Ukrainian scholar has developed the theory proposed by Fredric Jameson regarding the post-postmodern features of Cloud Atlas and also discusses the concept of meta-modernity as one of the sections in the post-postmodern literary paradigm in the UK. Drozdovskyi argues that meta-modernism cannot be the only term that explains all the peculiarities of contemporary British fiction, which also cannot be outlined as meta-modern but as post-postmodern. The scholar provides a new theory of the novel based on the exploitation of real and unreal historical facts and imagined alternative histories and multifaceted realities. Furthermore, the reviewer pays attention to the contribution this monograph has for world literary studies spotlighting the theory of literary meta-genre patterns, as Drozdovskyi provides a theory according to which literary periods can be divided into those in which the carnival is the dominant meta-genre pattern (like postmodernism) and those that exploit the mystery as the meta-genre pattern (post-postmodernism). The reviewer analyses the key thematic units explained by Drozdovskyi as the key ones that determine the semiosphere of the contemporary British novel (post-metaphysical and post-positivist thinking of the characters, medicalisation of the humanitarian discourse, and the representation of the temporal unity of different realities). The scholar also states that the post-postmodern British novel exploits the findings of German Romanticism and Kant’s philosophy.
    Źródło:
    Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 347-354
    2299-7458
    2449-8386
    Pojawia się w:
    Czytanie Literatury. Łódzkie Studia Literaturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Genesis from the Spirit, or subjectivity and nature in Juliusz Słowacki
    Genezis z Ducha, czyli o podmiotowości i naturze u Juliusza Słowackiego
    Autorzy:
    Kutrzeba, Kacper
    Powiązania:
    https://bibliotekanauki.pl/articles/2087688.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 19th century
    Romanticism
    literature and philosophy
    discourse of modernity
    German Idealism
    critique of ideology
    Juliusz Słowacki (1809–1849)
    romantyzm
    nowoczesność
    mistycyzm
    krytyka ideologii
    rewizja romantyczna
    Opis:
    This article presents a new approach to the interpretation of Juliusz Słowacki's Genesis from the Spirit (1844) from the perspective of the groundbreaking philosophical discourse of modernity. What it actually suggests is that the mystical Form of Słowacki's cosmic vision, believed to be an emanation of the Absolute or a vestige of Creation, has a historical and materialist core. This claim is based on a series of comparisons with passages from Hegel and the premises of the philosophy of Friedrich Schlegel. By following closely the spontaneous movement of inner tensions in Słowacki's poetic discourse this study demonstrates that it is driven his own philosophical project and less so by the discourse of mysticism.
    Źródło:
    Ruch Literacki; 2021, 5; 631-656
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The History and Principles of American Personalism: A Comparison of the Harvard and Boston University Schools
    Historia i zasady amerykańskiego personalizmu: porównanie szkół personalizmu na Uniwersytecie Harvarda i na Uniwersytecie w Bostonie
    Autorzy:
    Auxier, Randall
    Powiązania:
    https://bibliotekanauki.pl/articles/2034983.pdf
    Data publikacji:
    2022-02-24
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    filozofia
    teologia
    personalizm
    amerykańska myśl personalistyczna
    niemieckie korzenie
    szkoła personalizmu w Boston University
    szkoła personalizmu w Harvard University
    philosophy
    theology
    personalism
    American personalist thought
    German roots
    the Boston University and the Harvard schools of personalism
    Opis:
    The author of this article outlines the background of American personalist philosophy and theology, and then he traces these German roots through to the two primary schools of American personalist thought: the Boston University and the Harvard schools of personalism. Along the way he points to the major points on influence and divergence of the development of American personalism. He summarizes the principles of both schools as well as the views rejected, both philosophical and religious, by personalists.
    Autor przedstawia tło amerykańskiej filozofii i teologii personalistycznej, a następnie śledzi niemieckie ich korzenie zwłaszcza w dwóch głównych szkołach amerykańskiej myśli personalistycznej — na Boston University i na Harvard University. Po drodze wskazuje główne punkty dotyczące wpływów i rozbieżności w rozwoju personalizmu amerykańskiego. Podsumowuje zasady obu szkół oraz poglądy zarówno filozoficzne, jak i religijne odrzucane przez personalistów.
    Źródło:
    Roczniki Teologiczne; 2022, 69, 2; 21-36
    2353-7272
    Pojawia się w:
    Roczniki Teologiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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