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    Wyświetlanie 1-8 z 8
    Tytuł:
    The Christian Nubia and the Arabs
    Autorzy:
    Martens-Czarnecka, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/682254.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Nubia
    early Christianity
    Arabs
    Byzantium
    Christian Church
    Nobadia
    Makuria
    Opis:
    Nubia constituted the area in the Nile Valley in the present day Sudan, the area which spread from the first cataract up to the place where the White Nile meets the Blue Nile. The area was inhabited by the population using a common language – Old Nubian. In the second half of the sixth century thanks to the missions send by the Byzantine Court, Nubia accepted Christianity as a state religion. Nubia immediately found itself in the area of influence of Byzantine culture. Byzantine administration, liturgy of the Eastern Church and the Greek language were introduced. In 641 the Arab conquest of Egypt took place. Soon after that in 642, the Arab army entered the Nubian territory and from this date centuries of clashes and peace treaties characterized relations between Nubians and Arab peoples. The 13th century marks slow decline of the kingdom of Nubia. Hostile Negro tribes from the South and South-West appear in the Mid Valley of Nile. Fights weaken the kingdom; slow islamization of the country follows, royal rule and Christian faith falls and together with those culture and arts deteriorates. The history of military as well as political or commercial Nubian-Arabic contacts over entire period of existence of Christian kingdom of Nubia undoubtedly had to bring about certain artistic trends in Nubia originating from rich heritage of Muslim culture. The culture of Christian Nubia originally based to considerable extent on Byzantine art, in course of time, subjected to more and more intense Arabic influence, significantly changed. Arabic components seen in Nubian church architecture, wall painting and art crafts became predominant, which over following centuries led to creation of Arabic culture of the contemporary Sudan.
    Źródło:
    Studia Ceranea; 2015, 5; 249-265
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Symbol of the Phoenix in the Catacombs of Priscilla in Rome and Its Transformation in Early Christianity
    Autorzy:
    Kardis, Mária
    Tlučková, Dominika
    Powiązania:
    https://bibliotekanauki.pl/articles/2089508.pdf
    Data publikacji:
    2022-01-27
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    phoenix symbolism
    catacombs of Priscilla
    mythology
    Early Christianity art
    Opis:
    The presented study deals with the oldest Christian depiction of a phoenix found in the Catacombs of Priscilla in Rome. Since catacomb art is a narrative depiction of biblical stories, it is important to incorporate the motive of phoenix into historical context. The study performs analysis and comparison the links and connections of the phoenix symbol in pagan and Christian thought. As Christian iconography is associated with allegorical symbols, the intention is to anticipate the meaning, origin and etymology of the phoenix symbol. The article therefore summarizes how the symbol and position of the phoenix found in the catacombs evolved from Egyptian myths through Greek and Roman culture to the transformation in Christian literature and Christian thought, especially in the Gospel of John, which connects the symbol of the phoenix with the palm and Lazarus.
    Źródło:
    The Biblical Annals; 2022, 12, 1; 65-88
    2083-2222
    2451-2168
    Pojawia się w:
    The Biblical Annals
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Pagan Temple to Church in Late Antiquity Palestine. A View from Hippos-Sussita
    Autorzy:
    Burdajewicz, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/484159.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    Palestine
    Late Antiquity
    Early Christianity
    temple conversion
    church
    Hippos-Sussita
    Opis:
    The destruction of pagan temples and/or their conversion to churches during the Late Antiquity have been the subject of much study and speculation. For a long period debate on this topic was shaped chiefly by various literary accounts, while archaeological data were somewhat neglected. The purpose of this article is to provide some observations on this issue from a strictly archaeological perspective. The occasion for this are the results of the Polish excavations at Hippos-Sussita. A large basilica that has been unearthed there was built directly on the remains of an earlier Roman temple. The first section of the paper presents elements of the Roman temple which have been identified in various parts of the church area. The second part briefly discusses the other sites in Palestine which have yielded archaeological evidence of churches built over pagan temples.
    Źródło:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2017, 30; 181-209
    2084-6762
    2449-9579
    Pojawia się w:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Titus Flavius Clemens’ Stance on Wine as Expressed in Paedagogus
    Autorzy:
    Dybała, Jolanta
    Jagusiak, Krzysztof
    Pawlak, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/682134.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Titus Flavius Clemens
    early Christianity
    wine
    principle of moderation
    the golden mean (μεσότης)
    Opis:
    Titus Flavius Clemens was a philosopher and Christian theologian from the period of the 2nd–3th century. The aim of this paper is to present his view on the subject of wine and his recommendations on wine consumption as described in his work entitled Paedagogus. In this work Titus Flavius Clemens focuses primarily on the moral side of drinking wine. He is a great supporter of the ancient principle of moderation, or the golden mean (μεσότης). We also find its traces in his recommendations regarding the drinking of wine. First of all, he does not require Christians to be abstinent. Although he considers water as the best natural beverage to satisfy thirst, he does not make them reject God’s wine. The only condition he sets, however, is to maintain moderation in drinking it. He recommends diluting wine with water, as the peaceful Greeks always did, unlike the war-loving barbarians who were more prone to drunkenness. On the other hand, Titus Flavius Clemens warns the reader against excessive dilution of wine, so that it does not turn out to be pure water. He severely criticizes drunkenness, picturesquely presenting the behavior of drunks, both men and women. Wine in moderation has, in his opinion, its advantages – social, familial and individual. It makes a person better disposed to himself or herself, kinder to friends and more gentle to family members. Wine, when consumed in moderation, may also have medicinal properties. Clemens is well aware of this fact and in his work he cites several medical opinions on the subject. Unfortunately, in Paedagogus we find little information about wine as a food product / as an everyday bevarage. The input on the subject is limited to the list of exclusive, imported wines. What is worth noting, Titus Flavius Clemens appears to be a sommelier in this way.
    Źródło:
    Studia Ceranea; 2019, 9; 187-205
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    New Horizons in the Study of Early African Christianity
    Autorzy:
    Helleman, Wendy Elgersma
    Powiązania:
    https://bibliotekanauki.pl/articles/2158072.pdf
    Data publikacji:
    2022-03-15
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    archeologia
    kolonialny
    Etiopia
    Nubia
    ortodkosja
    Afryka
    wczesne chrześcijaństwo
    studia
    archeology
    black
    colonial
    Ethiopia
    Orthodox
    Africa
    Early Christianity
    studies
    Opis:
    Teaching early Christianity in Nigeria and elsewhere in Africa since 2002, has convinced this author how important it is for African Christians to know of the deep roots of Christianity in Africa, and recognize the important early African theologians, Tertullian, Origen, Athanasius and Augustine, just to name a few. This argument has a significant precedent among 19th century African Christians encouraged by the unbroken presence of Christianity from antiquity in Ethiopia. In the US, Thomas Oden promoted the study of pre-Islamic Christian Africa through the Centre for Early African Christianity, and publications like the series, Ancient Christian Commentary on Scripture. This Centre has also encouraged universities in Africa to get involved in deciphering archeological materials and documents from North African sites as evidence for Christianity from its earliest days; the study of such documents has recently been established at the University of Jos (Plateau State, Nigeria). These initiatives are doubly significant because Christianity is growing phenomenally throughout Africa and is often accused of being “mile wide and an inch deep”.
    Źródło:
    Vox Patrum; 2022, 81; 127-156
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Problem czasu i przyczyny dekadencji teatru w Chersonezie
    Autorzy:
    Parhomenko, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/631628.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Chersonessus theater, Byzantium, Early Middle Ages, administrative reform, Christianity.
    teatr w Chersonezie, Bizancjum, wczesne średniowiecze, reforma administracyjna, chrześcijaństwo
    Opis:
    Up to the 6th century the municipal objects providing entertainment in Byzantine Empire were the theaters. Analyzing the archeological reports and publications by O.I. Dombrovsky who discovered the theater of Chersonessus in 1954 and taking into account the historic situation in the 4th century we come to the conclusion that the theater could not discontinue its functioning only as a result of Christianity introduction. The reasons of its vanishing were possibly the inner crisis of dramatic arts itself that happened in the 4th century as well as the administrative reform. Other than that, stratigraphic analysis of the architectural complex revealed that the most part of the theater probably had not been reconstructed during the 4th century and up to the 6th century. The performances here had been probably different at that time. And in Chersonessus the Christian temples were built on the site of the theater only in the 6th century, like in the other byzantine cities.Up to the 6th century the municipal objects providing entertainment in Byzantine Empire were the theaters. Analyzing the archeological reports and publications by O.I. Dombrovsky who discovered the theater of Chersonessus in 1954 and taking into account the historic situation in the 4th century, we come to the conclusion that the theater could not discontinue its functioning only as a result of Christianity introduction. The reasons of its vanishing were possibly the inner crisis of dramatic arts itself that happened in the 4th century as well as the administrative reform. Other than that, stratigraphic analysis of the architectural complex revealed that the most part of the theater probably had not been reconstructed during the 4th century and up to the 6th century. The performances here had been probably different at that time. And in Chersonessus the Christian temples were built on the site of the theater only in the 6th century, like in the other Byzantine cities.
    Aż po VI w. miejskimi obiektami dostarczającymi rozrywki w Imperium Bizantyjskim były teatry. Analizując archeologiczne raporty i publikacje O.I. Dombrowsky’ego, który w 1954 r. odkrył teatr w Chersonezie, a także biorąc pod uwagę sytuację historyczną w IV w., dochodzimy do wniosku, że teatr nie mógł zaprzestać swego funkcjonowania jedynie na skutek wprowadzenia chrześcijaństwa. Powodem jego zniknięcia był prawdopodobnie wewnętrzny kryzys samej sztuki dramatycznej, który nastąpił w IV w., a także reforma administracyjna. Ponadto, stratygraficzna analiza obiektu architektonicznego wykazała, że większa część teatru nie została zrekonstruowana w ciągu IV oraz do VI w. Przedstawienia w teatrze były prawdopodobnie inne w tym czasie. W Chersonezie świątynie chrześcijańskie zbudowano na miejscu teatru dopiero w VI w., podobnie jak w innych miastach bizantyjskich.
    Źródło:
    Res Historica; 2017, 43
    2082-6060
    Pojawia się w:
    Res Historica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Early Christians in the Face of Epidemics
    Autorzy:
    Kashchuk, Oleksandr
    Powiązania:
    https://bibliotekanauki.pl/articles/2027794.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    epidemics
    pestilence
    Christianity
    early Church
    charity
    consolation
    Opis:
    The purpose of the article is to present the reaction of the early Christians to the emergence and the spread of the great epidemics. During the early Christian ages (2nd–3rd centuries) different plagues devastated people of the Roman Empire. Christianity has already prepared some modes of activity to deal with epidemics. These were both ideological and practical means. The main conclusion is that the pestilences during which Christians might show their moral principles, the special manner of life, and activity were one of the reasons to explain conversion to Christianity.
    Źródło:
    Studia Ceranea; 2021, 11; 611-622
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Problem czasu i przyczyny dekadencji teatru w Chersonezie
    Autorzy:
    Parhomenko, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/631854.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Chersonessus theater, Byzantium, Early Middle Ages, administrative reform, Christianity.
    teatr w Chersonezie, Bizancjum, wczesne średniowiecze, reforma administracyjna, chrześcijaństwo
    Opis:
    Aż po VI w. miejskimi obiektami dostarczającymi rozrywki w Imperium Bizantyjskim były teatry. Analizując archeologiczne raporty i publikacje O.I. Dombrowsky’ego, który w 1954 r. odkrył teatr w Chersonezie, a także biorąc pod uwagę sytuację historyczną w IV w., dochodzimy do wniosku, że teatr nie mógł zaprzestać swego funkcjonowania jedynie na skutek wprowadzenia chrześcijaństwa. Powodem jego zniknięcia był prawdopodobnie wewnętrzny kryzys samej sztuki dramatycznej, który nastąpił w IV w., a także reforma administracyjna. Ponadto, stratygraficzna analiza obiektu architektonicznego wykazała, że większa część teatru nie została zrekonstruowana w ciągu IV oraz do VI w. Przedstawienia w teatrze były prawdopodobnie inne w tym czasie. W Chersonezie świątynie chrześcijańskie zbudowano na miejscu teatru dopiero w VI w., podobnie jak w innych miastach bizantyjskich.
    Źródło:
    Res Historica; 2017, 43
    2082-6060
    Pojawia się w:
    Res Historica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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