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Wyświetlanie 1-3 z 3
Tytuł:
The Devil Wears Damask: Twilled Teaching as Apprenticeships in Creativity
Autorzy:
Privitello, Lucio Angelo
Powiązania:
https://bibliotekanauki.pl/articles/451383.pdf
Data publikacji:
2019-12-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
apprenticeships in creativity
horizon of entrance
embrasure
pedagogy
Pierre Hadot
Juliusz Domański
Roland Barthes
Opis:
My guiding quest-ion is how to convey, speak of, and prepare apprenticeships in creativity. This study emerges from experiences and reflections on the vocation of teaching courses in philosophy, and from having lived through an apprenticeship in my formative years. In an apprenticeship, one draws upon one’s own horizon of entrance, to inhabit an embrasure. The space of an embrasure delimits the problem of form, while the formed and delimited aperture allows space to be displaced and reconstructed. Such is how muthos, istoria, and logos become differing potential of their own presence persisting again as the difference that poses itself as foreign. Such is the beauty of pedagogical discourse that is never foreign to both sides of an embrasure.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2019, 3, 4(10); 138-149
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Motif of a ‘Blind Harper’ in an Unexpected Place
Autorzy:
Śliwa, Joachim
Powiązania:
https://bibliotekanauki.pl/articles/484146.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Egyptomania
tomb of Ramesses III (KV 11)
Julian Krupski (1871–1954)
Karol Gustaw Domański (1888–1936)
Opis:
In the village of Nawojowa Góra (25km west of Kraków, Poland) there is an Italian style villa built in the years 1923–1925 for Karol Gustaw Domański (1888–1936). For one of the rooms (a bedroom), the owner commissioned the manufacture of furniture decorated with Egyptian motifs. Among the latter, of particular interest are two relief panels carved in oak wood and featuring the figures of ‘blind harpers’ (respectively in left and right profile). There is no doubt that the woodcarver copied one of the harpers’ figures from the tomb of Ramesses III in the Valley of the Kings. The room decoration was probably designed by Julian Krupski (1871–1954), a painter and stained-glass artist who was a friend of the owner’s family. The furniture was made in 1929 and the discussed panels are an excellent example of the Egyptomania typical of the period, triggered by the discovery of Tutankhamun’s tomb (1922). In this case, however, the designer made use of another resource, which had been known to science for much longer. Nevertheless, the local community has long regarded the motif as associated directly with Howard Carter’s sensational discovery.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2017, 30; 431-437
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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