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Wyświetlanie 1-2 z 2
Tytuł:
The House of Aion in Nea Paphos: seat of an artistic synodos?
Autorzy:
Jastrzębowska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2033315.pdf
Data publikacji:
2021-12-31
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
triclinium
mosaics
paintings
Dionysus
Apollo
Muses
theater
associations
Opis:
The article presents some archaeological observations based on recent publications and the author’s survey in situ of the so-called “House of Aion” at Nea Paphos in Cyprus. The archaeological context (coins and pottery) dates the last phase of this building to the 320s, its partial destruction to the earthquake of 332/342, and its final annihilation by another quake to 365. The much-discussed mosaic with mythological decoration in the triclinium and the newly analyzed wall paintings in one of the rooms (No. 7), preserving the figures of Apollo and three of the Muses, are typical decorative elements of late antique Roman elite houses. And yet, the layout of the building, the triclinium located at the entrance to the house, and the presence of two rooms with a wooden floor, laid over an earlier water cistern converted into a cellar, possibly a treasury, suggest that the function of the complex was not residential at all. Indeed, the close proximity of the “Villa of Theseus”, which was rebuilt in the same period and converted into the praetorium of the governor of the island in the first half of the 4th century, suggests that the so-called “House of Aion” could have been the seat of a Roman association, probably a synodos of Dionysiac artists (ex-technitai) who presented themselves in the theater of Paphos. Therefore, it would be better to call this building the Synodeion of Late Roman Cyprus.
Źródło:
Polish Archaeology in the Mediterranean; 2021, 30(2); 339-386
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On madness without words: gestures in Homer’s poems as a nonverbal means of depicting madness
Autorzy:
Chruściak, Ilona
Powiązania:
https://bibliotekanauki.pl/articles/1046820.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Homer
gestures
nonverbal behaviour
Andromache
suitors
maenad
Dionysus
laughter
Opis:
The paper discusses various ways of depicting madness in Homer’s epics based on the example of a scene from the Iliad, in which Andromache is compared to a maenad, as well as the scene concerning the feast of suitors in book XX of the Odyssey. Depicting madness by means of gestures affects the reception of the described scenes by the external and internal epic audience in a very special way. The gestures that are described invoke in the listeners associations related to their own experiences and appeal to particular emotions, whose presence affects the reception of an epic. The gestures and the nonverbal message allude to the Bacchic trance and this raises the question whether Homer and his audience were familiar with the cult of Dionysus.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 5-16
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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