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Tytuł:
The motives of eyes, blindness and light in late poetic works of Czeslaw Milosz
Autorzy:
Dobrzyńska, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/624293.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
The subject of the examination here is a late period of Miłosz’sliterary output (volumes: „Druga przestrzeń” and „Wiersze ostatnie”). While discussing the motif of eyes, blindness and light the author brings up a general and serious problem of the poet’s vision in his final poems: he uses this theme in existential and metaphysical contexts. 
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Late Masterpieces of Miłosz
Autorzy:
Kuczera-Chachulska, Bernadetta
Powiązania:
https://bibliotekanauki.pl/articles/624297.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
In the last lyric Czesław Miłosz raises the themes somehow similar to those which appear in Mickiewicz’s Lozanne lyric: their characteristic feature is also the similarity between the attitudes and formalsolutions. The aesthetic category of the “Lozanne issue” to a great extent builds an extremely brave shape of Miłosz’s late lyric. 
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetry as Czesław Miłosz’s Personal Identity
Autorzy:
Bieńkowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/623929.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
The author brings up the problem connected with the intersection (coherence) of „personal rightness” and „poetic rightness” in Czesław Miłosz’s literary output; she endeavours to interpret his poetry as a distinct mark of personal identity. In odrer to do so she refers to such crucial contexts of Miłosz’s writing, the authos of „Ziemia Urlo” as, for instance, Polish romanticism and French writers. The sketch becomes concluded by the necessary – for the poet himself – acceptance by the others.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłosz’s Job
Autorzy:
Szczepan, Anna M.
Powiązania:
https://bibliotekanauki.pl/articles/624285.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
Miłosz’s poetry asks numerous questions concerning an idea ofguilt, forgiveness and suffering nevertheless it never provides easy answers, rather multiplies them creating an atmosphere of overwhelming inescapable responsibility. This essay examines the problem of suffering and its implications in relation to figure of biblical Job that appears in Miłosz oeuvre repeatedly and undergoes a kind of thepoet’s interpretation in Miłosz’s translation of the Book of Job. The main thesis of my considerations is that various strategies of approaching the problem of suffering applied by Miłosz culminate in the conviction that the Joban deepest pain is his uniqueness, his being incomparable to anyone else. The only faith that can sustain in the context of WWII is “a faith through thankfulness” despite evil that ruled the world at that time.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Door to Peace
Autorzy:
Kudyba, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/624289.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
Czeslaw Milosz’s poem Późna dojrzałość describes the experience of spiritual breakthrough. His past time hero feels incomplete. Full--time starts for him at the time of “awakening”. However, deep experience of “me” leads eventually beyond ego – towards the relations with others. The protagonist recognizes both a personal value of himself and of the others. It is the dignity of a “child of the King”, it has its source not so much in axiology, as in the ontology. The described spiritual breakthrough does not solve world’s problems, but introduces a new perspective of their understanding. It allows – thanks to a deep experience of hope – to anticipate the future harmony. Internal doors allow the hero to look into something which will become complete at the end of time, yet it now exists in the form of announcement hidden in the structure of reality.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Fox in the Land of Ulro: Miłosz and Beckett
Autorzy:
Kopciński, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/624283.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Beckett
Opis:
In the sketch I present Beckett as a representative of western civilisation and a dialogue between Beckett and Czesław Miłosz. A characteristic outcome of this confrontation are the instruction for the habitués of the Urlo Land (Ziemia Urlo): cultivation of love for order, exercising the memory against the flow of time, choice of goodness despite the unmitigated evil, faith in what is visible, love for facts and search for meaning.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antinomies of Mythological Religion; Some Remarks on the Margin of Czesław Miłosz’s “Traktat Teologiczny” (“Treatise on Theology”)
Autorzy:
Koehler, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/623919.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Traktat teologiczny
Opis:
The Noble Prize winner, Czeslaw Milosz in the last years of his life wrote a religious poem „The theological treatise”. In my paperI try to understand a religious dimension of a person who is the narrator of the poem. This is the voice of an experienced person who tries to find his way between two oppositions: the so called Polish catholicism (which is stereotypised as „mass” catholicism, unreflective, superficial etc) and a religion of a modern intellectual (with his religious hesitations, opposition to the catholic „mob” etc).I try to throw some light on a narrator’s perspective going back to some Molosz’s texts from the past. I hope the paper will be interesting to the scholars and others who are trying to solve the fascinating problem of the religious dimenssion of Czeslaw Milosz’s poetry.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CARRYING COALS TO NEWCASTLE COULD ONE SAY IT IN A DIFFERENT MANNER?
Autorzy:
Garbol, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/624423.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Tadeusz Różewicz
Opis:
The article’s starting point is the necessity to alter the paradigm of Polish poetry, which is declared in the ‘contemporary Polish lyric poetry’ anthology Powiedzieć to inaczej [To say it in a different manner]. The author attempts to assess the chance of the project’s success.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interpretation as Feeling Settled. A few Thoughts about Reading (Poems)
Autorzy:
Antoniuk, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1807102.pdf
Data publikacji:
2019-10-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
interpretation, meaning, Czesław Miłosz’s poetry
Opis:
The Polish version of the article was published in “Roczniki Humanistyczne”, vol. 59 (2011), issue 1. The article is a suggestion for an interpretation of Czesław Miłosz’s poem Biel (Whiteness) (from the volume Miasto bez imienia (City Without a Name). The accepted methodology of interpretation tries to find and define the zone of mediation between the ideal of comprehensive reading, striving after integrating and structuralizing the global meaning of the work, and the suggestions coming from post-structuralist philosophy of reading texts. The author’s own interpretation of the poem has been taken into consideration; a comparative reading of Biel has been suggested as well as of a Miłosz’s later poem Powrót do Krakowa w roku 1880 (Return to Krakow in 1880). This comparison is supposed to serve showing different strategies of creating texts and meanings used by the author of Nieobjęta ziemia (Unattainable Earth). At the same time, at the background, a commentary to Miłosz’s poem becomes an opportunity to construct a meta-interpretative reflection. Looking at his own reading the author formulates remarks concerning the process of reading and comprehending, he introduces and analyzes the metaphor of “interpretation as feeling settled.”
Źródło:
Roczniki Humanistyczne; 2018, 66, 1 Selected Papers in English; 133-149
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Image of the United States in the Published Correspondence of Czesław Miłosz Written Between 1945 and 1950
Autorzy:
Kołodziejczyk, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2030576.pdf
Data publikacji:
2021-02-21
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Czesław Miłosz
United States of America
letters
Opis:
The article discusses the image of the United States depicted in Czesław Miłosz’s correspondence coming from the years 1945-1950. The author of the article refers to the circumstances that led the poet to taking up a job as a diplomat and analyses a variety of opinions on that decision circulating among both Polish and émigré writers. The letters discussed reflect the culture shock and the slow process of acclimatization that the poet went through; his way of perceiving and trying to understand America. The article also focuses on the role Miłosz played as a mediator  between the Old and the New Worlds, translating American literature into Polish and trying to popularize Polish culture in the US.
Źródło:
Tematy i Konteksty; 2020, 1; 228-247
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Translating and Transcending Censors: Modernist Appropriation and Thematisation of Censorship in the Works of Virginia Woolf, Allen Ginsberg, Czesław Miłosz and Bohumil Hrabal
Autorzy:
Sriratana, Verita
Polišenská, Milada
Powiązania:
https://bibliotekanauki.pl/articles/951606.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
censorship
Modernism
Virginia Woolf
Allen Ginsberg
Czesław Miłosz
Bohumil Hrabal
Opis:
Censorship has often been regarded as the archenemy of artists, thinkers and writers. But has this always been the case? This research paper proposes that censorship is not a total evil or adversarial force which thwarts and hinders twentieth-century writers, particularly those who were part of the artistic, aesthetic, philosophical and intellectual movement known as Modernism. Though the word “censor” originally means a Roman official who, in the past, had a duty to monitor access to writing, the agents of censorship – particularly those in the modern times – are not in every case overt and easy to identify. Though Modernist writers openly condemn censorship, many of them nevertheless take on the role of censors who not only condone but also undergo self--censorship or censorship of others. In many cases in Modernist literature, readership and literary production, the binary opposition of victim and victimiser, as well as of censored and censor, is questioned and challenged. This research paper offers an analysis of the ways in which Virginia Woolf (1882–1941), Allen Ginsberg (1926–1997), Czesław Miłosz (1911–2004) and Bohumil Hrabal (1914–1997) lived and wrote by negotiating with many forms of censorship ranging from state censorship, social censorship, political censorship, moral censorship to self-censorship. It is a study of the ways in which these writers problematise and render ambiguity to the seemingly clear-cut and mutually exclusive division between the oppressive censor and the oppressed writer. The selected writers not only criticise and compromise with censorship, but also thematise and translate it into their works.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 14; 289-312
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE MUSIC OF WHAT IS: T.S. ELIOT AND CZESLAW MILOSZ, OR A QUIET MEDITATION ON TIME AND BEING
Autorzy:
Serrano, Leonor María Martínez
Powiązania:
https://bibliotekanauki.pl/articles/566411.pdf
Data publikacji:
2016
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
being
Czeslaw Milosz
epistemology
music
poetry
time
T.S. Eliot
Opis:
This paper looks at the unfailing vocation and the voracious passion to grasp the world that bring together Czeslaw Milosz and T.S. Eliot, two of the greatest poets of the 20th century. Eliot wrote Four Quartets, his undisputable masterpiece, at a time of historical upheaval during the Second World War. Milosz wrote his sequence of poems entitled “The World: A Naïve Poem” during the Nazi occupation of Warsaw in 1944. Thus, war was the unexpected witness to the birth of two poetical works of lasting value. Both sequence of poems are a moving and deep meditation on being, but also a pristine look at the world with its welcome mysteries and perfections. Milosz translated the crucial text of High Modernism, Eliot’s The Waste Land, into Polish in Nazioccupied Warsaw, and later he got to read and translate Burnt Norton, the first of the Four Quartets. Both Eliot and Milosz are poets that share the same intellectual lucidity when it comes to unveiling the intricate subtleties of the human condition, with all its contradictions, lights and shadows. This paper explores the essential aesthetic affinities shared by both giants of the Western canon.
Źródło:
Ars inter Culturas; 2016, 5; 285-302
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Captive Minds. Norms, Normativities and the Forms of Tragic Protest in Literature and Cultural Practice
Autorzy:
Poks, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/625935.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
protest
captive mind
Czesław Miłosz
Olga Tokarczuk
introduction
article summaries
Opis:
As a foundation and product of grand narratives, norms apply to any and every aspect of individual, communal, and social life. They regulate our behaviors, determine directions in the evolution of arts and philosophies, condition intra- and cross cultural understanding, organize hierarchies. Yet – when transformed into laws – norms become appropriated by dominant discourses and become “truths.” Those in control of language always construe them as “universal” and, as such, “transparent.” The usefulness of norms stems from the fact that they facilitate our orientation in the world. In the long run, however, they are bound to block our imaginative access to alternative ways of living and thinking about reality, thus enslaving our minds in a construction of reality believed to be natural. In a world so determined, dissenting perspectives and pluralities of views threaten to disrupt norms and normativities, along with the order (patriarchal, racist, sexist, ableist, speciesist, etc.) build into them. Benefactors of a normative worldview and average individuals busily trying to fit in police the perimeters of the accepted, disciplining nonconformists, rebels, and nonnormative individualists of every stripe. “Assent - and you are sane,” quipped Emily Dickinson in her well-known poem, “Demur - you’re straightway dangerous - And handled with a Chain -” (209).  Notorious for their inimical attitude to repressive majorities, artists, philosophers, academics, and other “marginal” persons have always challenged deified norms. Opening up liberatory perspectives, they have tried to escape mental captivities and imagine the world otherwise: as a place where difference is cherished and where justice reigns. Polish writer Olga Tokarczuk, winner of the 2018 Nobel Prize in literature, imagines an alternative reality whose inhabitants, Heterotopians, constantly suspend commonly held beliefs in order to examine their validity. Passive perception, argues Tokarczuk, “has moral significance. It allows evil to take root” (43). Without a periodical suspension of belief in truths so deeply naturalized that they look like Truth Itself, we become perpetrators of the evil glossed over by narratives whose veracity we take for granted.
Źródło:
Review of International American Studies; 2020, 13, 1; 19-26
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epiphanies of the Exiles: Exile from the Heritage of Tradition
Autorzy:
Garbol, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1798827.pdf
Data publikacji:
2019-10-29
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
literature as epiphany; exile; modernism; James Joyce; Czesław Miłosz; Zbigniew Herbert
Opis:
The Polish version of the article was published in Roczniki Humanistyczne vol. 61, issue 2 (2014). The article is concerned with the function of the experience of exile that is a model for literary epiphanies. The starting point is showing the significance of this experience in James Joyce’s presentation of the epiphany that is formative for modern literature. Examples from Czesław Miłosz’s and Zbigniew Herbert’s works are material for interpreting two important reinterpretations of the epiphany based on the experience of exile.
Źródło:
Roczniki Humanistyczne; 2019, 67, 1 Selected Papers in English; 5-19
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Unfortunate Mistake or a Witkacy Dodge?
Autorzy:
Degler, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/1038802.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Wit Jaworski
poetry of philosophers
S.I. Witkiewicz’s poetry
Czesław Miłosz
Opis:
In the Poetry of Philosophers anthology (Kraków–Wrocław 1984) Wit Jaworski published 221 works by 114 authors, starting with Tales from Milet to John Paul II. Almost all known philosophers composed poetry, which often complemented their philosophical reflections or concepts. The list of names also includes Stanisław Ignacy Witkiewicz, who wrote poems from his youth until his death, although at the same time regretting that he had no poetic talent and used some of his works in his dramas as examples of a graphomaniac’s work. Many poems have a humorous and parodical, which brings them closer to his numerous grotesque drawings. They were collected and published by Anna Micińska in an album entitled Wistość tych rzeczy jest nie z świata tego (Kraków 1977), illustrated by Urszula Kenar. In the anthology, under the name of Witkiewicz, there is a poem which begins with words: “Otom jest zwyciężony/ Ginę zgubą wszelkiego żywego stworzenia”. There is no doubt that this is the beginning of the third stanza of the well-known poem by Czesław Miłosz entitled St. Ign. Witkiewicz, published in the volume Ocalenie (Warsaw 1945). Is it an unfortunate mistake on the part of the author of the anthology, a seasoned critic and experienced editor, or is it his fortune to confuse the censor, who did not allow Miłosz’s texts to be published and thus to “smuggle” his poem in under the guise of Witkiewicz? The puzzle remains unresolved. The mistake is inscribed in the history of Witkacy’s so-called “dodges”, which he did to his friends and acquaintances, and then to those who dealt with his life and work. To attribute to him the authorship of Miłosz’s excellent work would certainly make him happy.
Źródło:
Przestrzenie Teorii; 2020, 33; 387-390
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 25

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