Temat: Cinderella - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Cinderella in Polish Drama and Theatre
Autorzy:: Waksmund, Ryszard
Michułka, Dorota
Powiązania:: https://bibliotekanauki.pl/articles/45430761.pdf
Data publikacji:: 2018
Wydawca:: Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:: Cinderella fairy tale
Cinderella motif
adaptation
Polish folklore
Opis:: The article introduces many version of dramatized Cinderella and it shows that the fairy tale in the version of Charles Perrault and brothers Grimm (includes Cinderella motif) in the Polish drama and theatre has been not particularly popular. One of the reasons may be that few writers (including authors for children) have related to this story. Cinderella has been overshadowed by the story of the Polish Faust – Twardowski – and adaptations of original fairytales. On the other hand, the conventional nature of the Cinderella motif provoked many fresh, satirical or metaphorical depictions. An uncharted territory remain amateur shows at homes, schools and kindergartens – these are intriguing extensions to the story that lets children examine the reality before they fully enter it with their natural energy and hope.
Źródło:: Filoteknos; 2018, 8; 162-168
2657-4810
Pojawia się w:: Filoteknos
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Of Grim Witches and Showy Lady-Devils: Wealthy Women in Literature and Film
Autorzy:: Schuchter, Veronika
Powiązania:: https://bibliotekanauki.pl/articles/641478.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: wealthy women
rich rogues
Cinderella
Miss Havisham
Cruella de Vil
Opis:: Imagining super rich women in the real and fictional world has long been a struggle. Those few depictions that do exist are scattered across time periods and literary genres, reflecting the legal restrictions that, at different points in time, would not allow women to accumulate assets independent of the patriarchal forces in their lives. The scarcity of extremely wealthy women in literature and film is confirmed by Forbes magazine’s list of the fifteen richest fictional characters that features forty different fictional men and only nine women, with never more than two female characters nominated in a single year. This article explores the depiction of three exceptionally wealthy women: Cruella de Vil in The Hundred and One Dalmatians (1956) by Dodie Smith, Miss Havisham in Great Expectations (1861) by Charles Dickens, and the figure of the stepmother in various adaptations of “Cinderella.” I demonstrate how the protagonists’ wealth allows them to manipulate others and disconnect themselves from patriarchal and societal expectations. Further, I argue that these affluent antagonists are “rogued” by their respective narratives, highlighting their perceived anti-feminine and emasculating behaviour resulting in a mode of narration that greedily gazes at and shames their appearances and supposed unattractiveness. While this genealogy of rich rogues reiterates the narrow scope of imagining wealthy women on the page and on the screen, there are moments in the narratives that disrupt stereotypical depictions of these wealthy characters who defy the labels imposed on them.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2019, 9; 50-65
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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