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    Wyświetlanie 1-6 z 6
    Tytuł:
    The Symbolic Imaginary of Counterculture
    Autorzy:
    Maślanka, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/451437.pdf
    Data publikacji:
    2018-11-08
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    counterculture
    imaginary
    multiculturalism
    Marxism
    radicalism
    Opis:
    The symbolic imaginary of counterculture was fostered by dissent towards the cultural roots of the Western world, by a challenge to traditional norms, values and symbols, and by the rejection of historical identity and national sovereignty. This article aims to discuss some of the aftermaths of the counterculture of the 1960s as resulting from the transformations of its symbolic imaginary. The transformation of the symbolic imaginary of the counterculture is reflected in specific historical changes which had a profound impact on social relations, manners of perceiving or experiencing the world, and the shape of the public sphere within modern society. The dissent of the 1960s is framed in terms of its ability to take over and impose symbolic power, along with transformations of a given cultural model, a process which has roots in the concept of historicity and a new symbolic universe. Special attention is given to the institutionalization of multiculturalism, one of the most important outcomes of the transformation of the symbolic imaginary of counterculture and the normalization of countercultural radicalism. The aftermaths of the radicalism of the 1960s, when presented against the background of the transformation of the symbolic imaginary, underscore a ubiquitous and profound transformation of the entire culture and ideological dynamics in Western societies.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2018, 2, 3(5); 42-50
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    India in the Imagination of 20th and 21st Century Croatian Literature
    Autorzy:
    Molvarec, Lana
    Powiązania:
    https://bibliotekanauki.pl/articles/15582250.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    India
    Croatian literature
    historical novel
    travel
    counterculture
    Opis:
    The purpose of this paper is to study perceptions of India in three literary works, from the 20th and 21st century. The first part looks into the tenets of postcolonial theory and literary imagology as a possible methodological framework. Subsequently, premodern perceptions of India in the Croatian literary and cultural space are summarised. The central analysis focuses on the historical novelJaša Dalmatin (Jaša Dalmatin, Viceroy of Gujarat) by Ivana Brlić-Mažuranić, the travelogue U potrazi za staklenim gradom (In Search of the Glass City) by Željko Malnar and Borna Bebek, and the short story Indija (India) by Bekim Sejranović. The analysis demonstrates that each of these writings reconstructs premodern perceptions to some extent, but primarily introduces new perceptions that are linked to the specific social, cultural and ideological context in which these works were written. This indicates that literary perceptions are at the same time always acts of literary fiction as well as a socially and culturally construed production of meaning.
    Źródło:
    Poznańskie Studia Slawistyczne; 2022, 23; 93-110
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Some preliminary conjunctural thoughts on countercultures
    Autorzy:
    Grossberg, Lawrence
    Powiązania:
    https://bibliotekanauki.pl/articles/438015.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    counterculture
    hegemony
    left
    right
    popular culture
    american modernity
    Opis:
    The article is devoted to analysis of various countercultures aspects. The Author hypothesizes that the forms of contemporary politics are the result of two fundamentally interrelated strategic vectors. First is built upon a politics of ressentiment, setting “ordinary” folks against the socio-cultural elite which constututed to the "new right" movement. Second vector is originated of counterculture of the 1960s. The author states that counterculture exist without a singular identity. It is a space of hybridity and heterogenity. On the other hand counterculture is related to the concept of contemporary ambivalence as well it transforms of affective experience of everyday life. Another feature of counterculture is connected with the conviction that counterculture stands against of dominant culture. Also the author puts counterculture movements against various aspects of new american modernity including reconstruction of the practice of the hegemony, as well as through popular culture and reconstruction of the "left" and "right" idelogy and practice.
    Źródło:
    Journal of Gender and Power; 2014, 1; 13-23
    2391-8187
    Pojawia się w:
    Journal of Gender and Power
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dadaism (Re)activated. Artzins and Dada
    Autorzy:
    Lachman, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/649339.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    artzin
    Polish counterculture in the 1980s and 1990s
    Dadaism
    Opis:
    The article analyses in what way artzins (independent art and literary journals published in Poland in the 1980s and 1990s) drew inspiration from the Dada tradition, and how they made its philosophy live again. Artzins are seen here both as a medium of literature and art and as specific forms of artistic expression (press art). The article attempts to show why artzins and their authors were interested in reviving the avant-garde and Dada ideas. It also investigates how Dadaism functions today in the form of contemporary works and styles which are influenced by this avant-garde movement. What is more, the article tries to answer the question about the nature and definition of Dadaism shaped and reflected by today's artistic projects.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 44, 6
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Of the Transavant-Garde in Ukrainian and Polish Artistic Traditions
    Autorzy:
    Soliarska-Komarchuk, Iryna
    Powiązania:
    https://bibliotekanauki.pl/articles/23050990.pdf
    Data publikacji:
    2023-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    ethnomentalism
    archetype
    artistic thinking
    counterculture
    non-conformism
    expressionism
    new expression in Poland and Ukraine
    Opis:
    The article analyzes the artistic processes that emerged in the world in the second half of the twentieth century, after the Second World War. One of the most striking phenomena of that period was the transavant-garde, and the reasons for its emergence in many European countries and the United States are determined - Arte Cifra or la transavanguardia in Italy, Figuration Libre in France, New Image Painting in the United States, Neue Wilde in Germany, Nowa Expression in Poland. This diversity of transavant-garde manifestations in the context of national artistic systems is explained by the peculiarities of ethnomentalities that were formed on the basis of certain archetypes and universals. An important feature of the world transavant-garde is the artists’ appeal to expressionism. There is a rethinking and renewed interpretation of expressionism, which actually gave it the name «neo-expressionism». Considering the reasons why artists from different countries turned to expressionism, it is concluded that it was the analysis of inner experiences and the desire to express them as vividly as possible that caused such a «global» commitment. Closely related to this is the process of creating individual mythologies, which, through certain images (the use of linearism, dissonant color juxtapositions, deviations from the true image, the use of different techniques and materials in one art object), encouraged the viewer to experience certain affects. At the same time, the Ukrainian and Polish artistic systems of the time, as well as social and political life, were closely controlled by the Soviet system. The situation was especially difficult in Ukraine, where alternative views on art could be paid for with imprisonment or even life. However, in both Poland and Ukraine, there were artists who were engaged in aesthetic resistance and belonged to opposition movements such as counterculture and non-conformism. It is under these conditions that neo-expressionism gets its unique forms of development in both Polish and Ukrainian art. The New Expression movement has been developing in Poland since the early 1980s. Artists, turning away from official cultural institutions, spontaneously created alternative structures. The Polish New Expression, which officially declared itself and kept in touch with foreign colleagues, was a legitimate part of the global movement, and martial law did not allow Polish artists to enter the international scene. Using the creative methods of neoexpressionism, the artists fought for political freedom with inspiration. The artists, ridiculing the absurd world around them with the help of grotesque, used simplified composition and strong contrasting colors. Aesthetic resistance in Ukraine was deeply underground. Nonconformist artists could not organize exhibitions or communicate with their foreign colleagues. Therefore, the names of Ukrainian artists were not known to the world, as well as to most of their fellow citizens. Tight control by the authorities influenced the maximum reflection of opposition artists and determined the symbolic and metaphorical language of their works. After all, expressionism was despised and not supported within Soviet art.
    Źródło:
    Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe; 2023, 8(1); 57-62
    2543-9227
    Pojawia się w:
    Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Pre-History of the Hungarian and Romanian 1968ers
    Autorzy:
    Matus, Adrian-George
    Powiązania:
    https://bibliotekanauki.pl/articles/1431999.pdf
    Data publikacji:
    2021-06-18
    Wydawca:
    Ośrodek Pamięć i Przyszłość
    Tematy:
    pokolenie '68
    hippis
    kontrkultura w Europie Wschodniej
    sprzeciw wobec reżimu
    '68er generation
    hippie
    Eastern European counterculture
    dissent
    Opis:
    This paper focuses on the Romanian and Hungarian youth of the late 1960s. More specifically, it aims at understanding how their childhood experiences differed from those of their counterparts in the West and even in other Soviet Bloc countries, and how this influenced their tactics of opposition. The oral history interviews present a more complex picture than one of a simple generation gap between the 1968ers and their parents. In some cases, the former challenge the authority of their parents, while in others they continue their struggle.
    Artykuł ma na celu zrozumienie, w jaki sposób doświadczenia z dzieciństwa rumuńskiej i węgierskiej młodzieży późnych lat 60. XX w. różniły się od doświadczeń ich rówieśników na Zachodzie, a także w innych krajach bloku sowieckiego, i jak to wpłynęło na ich działalność opozycyjną. Relacje historii mówionej przedstawiają bardziej złożony obraz niż zwykła luka pokoleniowa między pokoleniem 1968 r. a ich rodzicami. W niektórych przypadkach ci pierwsi kwestionują autorytet swoich rodziców, podczas gdy w innych kontynuują ich walkę.
    Źródło:
    Wrocławski Rocznik Historii Mówionej; 2020, 10; 70-103
    2719-7522
    2084-0578
    Pojawia się w:
    Wrocławski Rocznik Historii Mówionej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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