Temat: Armenian Genocide - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The Holocausts
Autorzy:: Morawiec, Arkadiusz
Powiązania:: https://bibliotekanauki.pl/articles/951484.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: genocide
Holocaust
Armenian Genocide
historiography
collective memory
literature
Opis:: The article examines genocide as a category that has been used and abused in various, especially historical, political, and ideological, discourses. It considers whether the extermination of Jews (the Holocaust) should be studied in the context of other mass crimes. I investigate various sources of twentieth-century organized violence and their literary representations. I also discuss the works of Polish literature (by Nałkowska, Gębarski, Woroszylski, and Margolis), which depict twentieth- -century acts of genocide (the extermination of Jews and Armenians, in particular) in the context of other mass crimes.
Źródło:: Poznańskie Studia Slawistyczne; 2017, 12; 225-239
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: “Never Trust a Survivor”: Historical Trauma, Postmemory and the Armenian Genocide in Kurt Vonnegut’s Bluebeard
Autorzy:: Piechucka, Alicja
Powiązania:: https://bibliotekanauki.pl/articles/2032721.pdf
Data publikacji:: 2021-11-22
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Vonnegut
Hirsch
Armenian Genocide
historical trauma
postmemory
art
feminism
Opis:: The article focuses on Kurt Vonnegut’s lesser-known and underappreciated 1987 novel Bluebeard, which is analyzed and interpreted in the light of Marianne Hirsch’s seminal theory of postmemory. Even though it was published prior to Hirsch’s formulation of the concept, Vonnegut’s novel intuitively anticipates it, problematizing the implications of inherited, second-hand memory. To further complicate matters, Rabo Karabekian, the protagonist-narrator of Bluebeard, a World War II veteran, amalgamates his direct, painful memories with those of his parents, survivors of the Armenian Genocide. Both the novel and the theory applied to it centre on the problematics of historical and personal trauma, engendered by two genocides which are often the object of comparative analyses: the Armenian Genocide, also referred to as the Armenian Holocaust, and the Jewish Holocaust. The latter is central to Hirsch’s interdisciplinary work in the field of memory studies, encompassing literature, the visual arts and gender studies. In Bluebeard, Vonnegut holds to account a humanity responsible for the atrocities of twentieth-century history: two world wars and two genocides for which they respectively established the context. The article examines the American writer’s reflection on death and violence, man’s destructive impulse and annihilation. In a world overshadowed by memories of mass extermination, Vonnegut interrogates the possibility of a new beginning, pointing to women as agents of renewal and sociopolitical change. He also identifies the role that art plays in the process of potential reconstruction, the story of Karabekian, a failed artist and highly successful art collector, being a Künstlerroman with a feminist edge.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 240-262
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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