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Wyszukujesz frazę "„Duel”" wg kryterium: Temat


Wyświetlanie 1-7 z 7
Tytuł:
A silent duel with two kinds of weapon
Autorzy:
Trybuła, S.
Powiązania:
https://bibliotekanauki.pl/articles/206835.pdf
Data publikacji:
1999
Wydawca:
Polska Akademia Nauk. Instytut Badań Systemowych PAN
Tematy:
game of timing
silent duel
Opis:
In this paper the silent duel is solved in which Player I has two kinds of weapon, the first with one bullet which he can use when he wants, and the second which he can only when the distance between players is zero. In distinction to the paper of Trybuła (1998), it is assumed here that the probability of success of the second weapon can be smaller than one. Player II has a weapon with one bullet which he can use when he wants.
Źródło:
Control and Cybernetics; 1999, 28, 1; 115-120
0324-8569
Pojawia się w:
Control and Cybernetics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Silent-noisy duel with two kinds of weapon
Autorzy:
Trybuła, S.
Powiązania:
https://bibliotekanauki.pl/articles/206839.pdf
Data publikacji:
2000
Wydawca:
Polska Akademia Nauk. Instytut Badań Systemowych PAN
Tematy:
teoria gier
game theory
silent noisy duel
Opis:
In this paper the duel is solved in which Players I and II have two kinds of weapon, the first one with a single bullet, which Player can use when he wants, and the second one that can be used only when the distance between players is zero. Player I hears the shot of Player II, Player II does not hear the shot of Player I.
Źródło:
Control and Cybernetics; 2000, 29, 4; 905-915
0324-8569
Pojawia się w:
Control and Cybernetics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A mixed duel under arbitrary motion and uncertain existence of the shot
Autorzy:
Trybuła, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/1340659.pdf
Data publikacji:
1993
Wydawca:
Polska Akademia Nauk. Instytut Matematyczny PAN
Tematy:
zero-sum game
mixed duel
game of timing
Opis:
The purpose of the paper is to solve a mixed duel in which the numbers of shots given to the players are independent 0-1-valued random variables. The players know their distributions as well as the accuracy function P, the same for both players. It is assumed that the players can move as they like and that the maximal speed of the first player is greater than that of the second player. It is shown that the game has a value, and a pair of optimal strategies is found.
Źródło:
Applicationes Mathematicae; 1993-1995, 22, 1; 39-44
1233-7234
Pojawia się w:
Applicationes Mathematicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s "Scorpio Rising" and Steven Spielberg’s "Duel"
Autorzy:
Boczkowska, Kornelia
Powiązania:
https://bibliotekanauki.pl/articles/641466.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
independent film
avant-garde and experimental film
road movie
masculinity
„Scorpio Rising”
„Duel”
Opis:
The paper analyzes the ways in which Kenneth Anger’s Scorpio Rising (1963) and Steven Spielberg’s Duel (1971) draw on and challenge selected road movie conventions by adhering to the genre’s traditional reliance on cultural critique revolving around the themes of rebellion, transgression and roguery. In particular, the films seem to confront the classic road movie format through their adoption of nomadic narrative structure and engagement in a mockery of subversion where the focus on social critique is intertwined with a deep sense of alienation and existential loss “laden with psychological confusion and wayward angst” (Laderman 83). Following this trend, Spielberg’s film simultaneously depoliticizes the genre and maintains the tension between rebellion and tradition where the former shifts away from the conflict with conformist society to masculine anxiety, represented by middle class, bourgeois and capitalist values, the protagonist’s loss of innocence in the film’s finale, and the act of roguery itself. Meanwhile, Anger’s poetic take on the outlaw biker culture, burgeoning homosexuality, myth and ritual, and violence and death culture approaches the question of roguery by undermining the image of a dominant hypermasculinity with an ironic commentary on sacrilegious and sadomasochistic practices and initiation rites in the gay community. Moreover, both Duel’s demonization of the truck, seen as “an indictment of machines” or the mechanization of life (Spielberg qtd. in Crawley 26), and Scorpio Rising’s (homo)eroticization of a motorcycle posit elements of social critique, disobedience and nonconformity within a cynical and existential framework, hence merging the road movie’s traditional discourse with auteurism and modernism.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2019, 9; 81-99
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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