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Wyświetlanie 1-2 z 2
Tytuł:
The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries
Autorzy:
Viren, Denis
Powiązania:
https://bibliotekanauki.pl/articles/918034.pdf
Data publikacji:
2014-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish cinema
documentary film
avant-garde
Grzegorz Królikiewicz
offscreen cinema space
psychodrama
war films
Opis:
At first glance, the documentary films that the outstanding Polish filmmaker Grzegorz Królikiewicz was making at the turn of the 1970s, may seem less experimental than his feature films (one only needs to recall such innovative films as Through and Through or The Dancing Hawk). Viewed against the context of certain radical formal decisions, they may even strike one as traditional. Nevertheless, if one were to look closely at Królikiewicz’s early documentaries, one can see that they are more complicated than they seem and that what we have there is “unobvious” experimental cinema. An internal conflict is created by the relationship between form and content, the tension between them, and sometimes even discussion. This concerns his poetic short films (Don’t Cry, Brothers and Men), based in part on Królikiew- icz’s conception of “off-screen cinema space”, as well as his psychodramas (Fidelity, The Murderer’s Letter). The true message of these films has been carefully concealed, and has to be looked for in the way the director presents everyday reality to us. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 277-280
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Non-accidental presence. The reception of Krzysztof Kieślowski in Russia
Autorzy:
Viren, Denis
Powiązania:
https://bibliotekanauki.pl/articles/923210.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
intercultural relations
Polish-Russian relations
film distribution
auteur film
foreign reception
Polish cinema abroad
Opis:
Krzysztof Kieślowski is a cult figure among Russian moviegoers, but “proving” this is not as easy as in the case of the popularity of other Polish classic names in Russia, such as Andrzej Wajda and Krzysztof Zanussi. Placing Kieślowski on the list of Polish filmmakers who have influenced Russian culture in this or some other way is a not obvious move. The article is an attempt at exposing the reader to the presence of the director’s films in Russia through the history of the distribution of his films, an analysis of reviews by Russian authors and texts in which Kieślowski’s name appears. It also discusses references to his films in works by other filmmakers. It is complemented by the statements of two Russian directors who talk about the importance of Kieślowski in their work and academic practice.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 109-115
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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