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Wyszukujesz frazę "Kowalcze-Pawlik, Anna" wg kryterium: Autor


Wyświetlanie 1-4 z 4
Tytuł:
“Lawes of the Forrest”: Mapping Violence on the Female Bodyscape in Titus Andronicus
Autorzy:
Kowalcze-Pawlik, Anna
Powiązania:
https://bibliotekanauki.pl/articles/639119.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
bodyscape, law, Titus Andronicus, violence
Opis:
This paper discusses the definition of the forest as a space regulated by the repetitive act of appropriation on the part of the royal authority as well as the correspondences between the rhetoric of forest possession and the construction of another locus communis for the political use of nature, i.e. female body. Spatialization/naturalization of the female body in William Shakespeare’s Titus Andronicus is introduced with the use of the interlocking imaginary topographies of “feminized” topography of Rome and that of the forest as a whore. It is between these two that the politicized female bodies of Lavinia and Tamora oscillate, mapped in language as bodyscapes, onto which violence of “lawes of the forrest” is inscribed.
Źródło:
Wielogłos; 2014, 4(22)
2084-395X
Pojawia się w:
Wielogłos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Time Has Caught on Fire:” Eco-Anxiety and Anger in Selected Australian Poetry
Autorzy:
Kowalcze-Pawlik, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2129807.pdf
Data publikacji:
2022-01-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
emotions in Australian literature
solastalgia
metaphors of anger
Anthropocene
Australian wildfires
trauma
Opis:
This essay discusses fire as a significant factor shaping Australian social and cultural life. It focuses first on the climate-change induced emotions such as eco-anxiety and anger that can be tied with the Australian landscape, and then moves on to a discussion of the presence and function of fire in selected contemporary Australian poetry. The reflection on the poetics of trauma in the second part of the essay is accompanied by a discussion of solastalgia connected with land dispossession as an experience of the First Nations expressed in the Aboriginal literature in English.
Źródło:
International Studies. Interdisciplinary Political and Cultural Journal; 2020, 26, 2; 87-102
1641-4233
2300-8695
Pojawia się w:
International Studies. Interdisciplinary Political and Cultural Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Moor’s Political Colour: Race and Othello in Poland
Autorzy:
Kowalcze-Pawlik, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1033510.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Othello in Poland
blackface in theatre
brownface in theatre
race in translation
Opis:
This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation by Józef Paszkowski, and on the stage, in two twentieth-century theatrical adaptations that provide contrasting images of Othello: 1981/1984 televised Othello, dir. Andrzej Chrzanowski and the 2011 production of African Tales Based on Shakespeare, in which Othello’s part is played by Adam Ferency (dir. Krzysztof Warlikowski). The paper details the political and social contexts of each of these stage adaptations, as both of them employ brownface and blackface to visualise Othello’s “political colour.” The function of blackface and brownface is radically different in these two productions: in the 1981/1984 Othello brownface works to underline Othello’s overall sense of alienation, while strengthening the existing stereotypes surrounding black as a skin colour, while the 2011 staging makes the use of blackface as an artificial trick of the actor’s trade, potentially unmasking the constructedness of racial prejudices, while confronting the audience with their own pernicious racial stereotypes.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2020, 22, 37; 171-190
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe—and Beyond
Autorzy:
Cetera-Włodarczyk, Anna
Havlíčková Kysová, Šárka
Kowalcze-Pawlik, Anna
Mišterová, Ivona
Reuss, Gabriella
Powiązania:
https://bibliotekanauki.pl/articles/39773465.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
William Shakespeare
dance theatre
opera
ballet
musical
puppetry
transmediality
Opis:
This collectively authored position paper discusses “hybrid” Shakespeares in Central and Eastern Europe, focusing on productions that offer formal experimentation and transnational perspectives. While their contexts remain regional, they provide an insight into how Shakspeare has been mobilised regionally. The paper consists of four distinct parts, each considering Shakespeare in a hybrid form: in opera, dance and musical theatre as well as puppetry in the transnational, regional context. The general discussions of Shakespeare’s presence/appropriation in these art forms are followed by case studies that illustrate the significance of hybridity that characterises Shakespeare in the Central and Eastern European transnational context. Our brief analyses and selected case studies suggest a need for a detailed study of Shakespeare and performative arts in Central and Eastern Europe that would concentrate on the transgressive impulse these theatrical blends realised through formal experiment and artistic innovation.  
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 89-108
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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