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Wyszukujesz frazę "Kosmowska, Aneta" wg kryterium: Autor


Wyświetlanie 1-2 z 2
Tytuł:
The Principles of Neurological Speech Therapy in Dysphagia
Autorzy:
Kosmowska, Aneta
Sielska-Badurek, Ewelina
Niemczyk, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/1401814.pdf
Data publikacji:
2015
Wydawca:
Index Copernicus International
Tematy:
swallowing disorders
dysphagia therapy
therapeutic exercises in dysphagia
compensatory exercises in dysphagia
Opis:
The word dysphagia has its origins in the Greek language. In Greek, the prefix dys- implies difficulty, and –phagia applies to eating, swallowing. Impairment in swallowing can affect both adults and children. The therapy of this disorder is conducted by neuro speech therapists, mainly. The therapist chooses particular treatment methods for particular patients according to the causes and symptoms that are observed in the patient. Therapists can choose from two types of exercises: therapeutic and compensatory ones. The aim of therapeutic exercises is to improve the effectiveness of swallowing by modifying the mechanism of swallowing. Neuro speech therapist can teach special manoeuvres to the patient or perform the exercises that stimulate the swallowing reflex with the patient. Direct exercises comprise two categories: indirect and direct exercises. Indirect exercises are also known as the exercises that strengthen the muscles that take part in the act of swallowing. Neither food, nor drinks are used when performing this kind of exercises. Direct exercises, i.e. exercises in which food and drinks are used, affect the strength of the muscles of the oral cavity and the pharynx. The main aim of this method is to improve the act of swallowing. Compensatory exercises form the second type of exercises. They are aimed to teach the patient to compensate for the deficits that accompany dysphagia. They do not lead to a change in the act of swallowing. Neuro speech therapist gives some hints to the patients and also teaches them some special manoeuvres that utilise, i.e. a change in the position of the head while swallowing. The principle of this method is to reduce the risk of aspiration. The therapy of children with swallowing disorders is a great challenge for neuro speech therapists. The therapist trains the basic movements of the tongue and the position of the organs within the oral cavity that take part in swallowing. Afterwards, he teaches the patient how to make use of these skills while swallowing saliva, eating or drinking. The effectiveness of dysphagia therapy relies on good cooperation between the therapist and the patient, as well as the patient’s autonomy and the amount of exercise performed by the patient between therapy sessions.
Źródło:
Polski Przegląd Otorynolaryngologiczny; 2015, 4, 4; 14-20
2084-5308
2300-7338
Pojawia się w:
Polski Przegląd Otorynolaryngologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Influence of stage fright on activities and sensations within the vocal tract
Autorzy:
Kosmowska, Aneta
Sielska-Badurek, Ewelina
Niemczyk, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/1400403.pdf
Data publikacji:
2017
Wydawca:
Index Copernicus International
Tematy:
social anxiety
palpation assessment
voice quality
voice discomfort
Opis:
Introduction: Stage fright is a symptom of excessive emotional arousal, and it is commonly referred to as social anxiety. This type of anxiety results mainly from a sense of being judged by others in a given social situation. Materials and Methods: We enrolled 27 female students, aged 22-30 years. We used two methods to examine the influence of stage fright on the activities and sensations within the vocal tract; namely, palpation assessment and the Vocal Tract Discomfort and Voice Quality questionnaire, which were performed twice, i.e., shortly after a presentation in front of an audience and after a normal conversation. The purpose of the study was to assess the impact of stage fright on actions and sensations within the vocal tract. Results: Participants had significantly higher scores with regard to palpation assessment, discomfort, and voice quality after presentations in front of an audience than after normal conversations, indicating a negative impact of stage fright on the studied parameters. Discussion: Stage fright significantly affects activities within the vocal tract structures such as the submandibular region, lateral pharyngeal walls, sternocleidomastoid muscles, and cricothyroid and thyrohyoid spaces; also, it affects jaw mobility and breathing patters. In addition, stage fright induces negative sensations within the vocal tract such as burning, tension, dryness, jaw clenching, throat tightness, grunting, shallow breathing, voice tremor, hoarseness, and faltering voice. The feeling of discomfort during situations that elicit stage fright correlates with self-assessed voice quality.
Źródło:
Polski Przegląd Otorynolaryngologiczny; 2017, 6, 3; 1-9
2084-5308
2300-7338
Pojawia się w:
Polski Przegląd Otorynolaryngologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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