Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "MOORS" wg kryterium: Wszystkie pola


Wyświetlanie 1-3 z 3
Tytuł:
The Moor’s Political Colour: Race and Othello in Poland
Autorzy:
Kowalcze-Pawlik, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1033510.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Othello in Poland
blackface in theatre
brownface in theatre
race in translation
Opis:
This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation by Józef Paszkowski, and on the stage, in two twentieth-century theatrical adaptations that provide contrasting images of Othello: 1981/1984 televised Othello, dir. Andrzej Chrzanowski and the 2011 production of African Tales Based on Shakespeare, in which Othello’s part is played by Adam Ferency (dir. Krzysztof Warlikowski). The paper details the political and social contexts of each of these stage adaptations, as both of them employ brownface and blackface to visualise Othello’s “political colour.” The function of blackface and brownface is radically different in these two productions: in the 1981/1984 Othello brownface works to underline Othello’s overall sense of alienation, while strengthening the existing stereotypes surrounding black as a skin colour, while the 2011 staging makes the use of blackface as an artificial trick of the actor’s trade, potentially unmasking the constructedness of racial prejudices, while confronting the audience with their own pernicious racial stereotypes.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2020, 22, 37; 171-190
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cabeza de Vaca, Estebanico, and the Language of Diversity in Laila Lalami’s The Moor’s Account
Autorzy:
Maszewski, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/641524.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
account
Cabeza de Vaca
Estebanico
La relación
narrative
diversity
Opis:
Published in 1542, Álvar Núñez Cabeza de Vaca’s La relación is a chronicle of the Pánfilo de Narváez’s 1527 expedition to the New World in which Cabeza de Vaca was one of the four survivors. His account has received considerable attention. It has been appreciated and critically examined as a narrative of conquest and colonization, a work of ethnographic interest, and a text of some literary value. Documenting and fictionalizing for the first time in European history the experience of travelling/trekking in the region which now constitutes the Southwest in the United States, Cabeza de Vaca’s story testifies to the sense of disorientation, as well as to the importance of psychological and cultural mechanisms of responsiveness and adaptability to a different environment. What allows the Moroccan-American contemporary writer Laila Lalami to follow that perspective in her book The Moor’s Account (2017) is an imaginative transfer of the burden and satisfaction of narrating the story of the journey to the black Moroccan slave whose presence in the narratives of conquest and exploration was marginal. In Lalami’s book, Estebanico becomes the central character and his role is ultimately identified with that of a writer celebrating the freedom of diversity, one who survives to use the transcultural experience of the past creatively in ways well suited to the needs of the current moment.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 320-331
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Characterization of Bimetallic Systems with UPS and PAX: Gold on Platinum and Palladium Surfaces
Autorzy:
Moors, M.
Kobiela, T.
Krupski, A.
Becker, C.
Wandelt, K.
Powiązania:
https://bibliotekanauki.pl/articles/1811505.pdf
Data publikacji:
2008-12
Wydawca:
Polska Akademia Nauk. Instytut Fizyki PAN
Tematy:
79.60.Bm
73.61.At
71.20.Be
71.20.Eh
71.20.Gj
Opis:
In the present study the thermal behavior of ultrathin Au films deposited on different noble metal single crystal surfaces was studied by means of ultraviolet photoelectron spectroscopy and photoemission of adsorbed xenon. The primary goal of this work was to demonstrate the power of photoemission of adsorbed xenon as an easy to handle and very surface sensitive technique for the characterization of multi-component systems. All investigated systems, Au-Pt(111), Au-Pd(111) and Au-Pd(110) show a particular dependence of their electronic and structural properties on the annealing temperature. Au multilayer films with a thickness of 3 monolayer prepared at 150 K undergo in all cases a smoothening by annealing up to room temperature. While on Pd this effect is mainly detectable on the topmost atomic layer the ordering process on Pt is also affecting the deeper layers. Further annealing of the Au-Pd system to 450 K and the Au-Pt system to 750 K, respectively, results in the onset of the alloying process at the interface between metal film and substrate. After annealing to 650 and 950 K, respectively, the alloying finally extends to the very surface. The complete loss of Au from the surface can be detected at 1050 K on Pd and at 1150 K on Pt. The orientation of the substrate has only a weak influence, showing up e.g. in additional electronic states of the not alloyed Au-Pd(111) and Au-Pd(111) systems. Adsorption of CO as a probe molecule illustrates the formation of different adsorption sites on the bimetallic systems during the Au diffusion process.
Źródło:
Acta Physica Polonica A; 2008, 114, S; S-77-S-92
0587-4246
1898-794X
Pojawia się w:
Acta Physica Polonica A
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies