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Wyszukujesz frazę "Kundera, Milan" wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
Milan Kundera on the Uniqueness of One’s Self
Autorzy:
Hart, James G.
Powiązania:
https://bibliotekanauki.pl/articles/451409.pdf
Data publikacji:
2018-11-08
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
self
person
first-person reference
individuality
world
fiction
face
love
Opis:
Here is a philosophical examination of some themes presented by Milan Kundera in The Art of the Novel, as well as in his novels Immortality and The Unbearable Lightness of Being. The discussions of the first-personal perspectives of the novel’s author, both as appearing in and as contrasted with that of a character in the novel, as these unfold in implicit subtle comic, social-political contexts, prescind from these contexts and dwell instead on fictional renditions of the senses of personhood and its individuality especially as embodied in the face and as implied in relations of love. Of special interest is Kundera’s thesis that the irreplaceable uniqueness of the individual is one of Europe’s finest illusions.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2018, 2, 3(5); 100-127
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Being a dancer is not only a passion” – dance forms in the prose works of Milan Kundera
Autorzy:
Cieliczko, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/908772.pdf
Data publikacji:
2018-08-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
homo saltans
dance
dancer
circle
erotica
waltz
moral judo
interpretation
Opis:
The author of this article analyses the way in which dance and the dancer function within the prose works of Milan Kundera. Preceded by an introduction which analyses the figure of homo saltans from a cultural perspective, this review of the topic of dance (understood phenomenologically) presents four literary aspects in which it reveals itself. These perspectives are not conflicting, but neither are they complementary. The first relates to ritual rites of dancing in a circle, and their (crooked) reflection can be seen in the socio-political experience of the 20th century. The second presents dance as a narrative element, which asks questions about its own nature, and therefore has an autotelic and universalising character. The third aspect presents a metaphorical understanding of dance movement, while the fourth relates to philosophies of the dance and the dancer, as proposed by one of the protagonists in Slowness, leading this persona away from aesthetics towards the experience of public life. According to the author of this article, dance is used by Kundera to discover more interesting layers of the human condition, but much here depends on the reader. 
Źródło:
Bohemistyka; 2018, 2; 151-174
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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