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Wyszukujesz frazę "Kafka, Franz" wg kryterium: Wszystkie pola


Wyświetlanie 1-5 z 5
Tytuł:
Jewish thinkers of the 20th century. In search of identity – Franz Kafka
Autorzy:
Urban, Marek
Powiązania:
https://bibliotekanauki.pl/articles/11376878.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Franz Kafka
Judaism
God
Atheism
Jewish thinkers
Philosophy
Opis:
Franz Kafka’s life and work have been the subject of many research papers. While the interpreters of his works knew that he was a Jew, they did not always fully realize the significance of this fact. Some would treat this issue as a marginal one, failing to see that it was the pivot of his existence and work. Kafka kept wandering about in search of his own identity. As a lost agnostic who “lapsed” from the hand of God, lived without Him in the darkness of atheism and tried to discern His light, Franz Kafka was not really dependent on any specific religious denomination. However, Judaism is so strongly related to the Mosaic revelation – like Christianity is related to Christ’s Revelation – that it cannot be here omitted or forgotten, as this would result in some misunderstandings. In a sense it is impossible to separate the fact of being Jewish from the religion. Kafka’s life, as well as his writing, resulted from his continual reference to the Absolute. There are two worlds far removed from each other: the world of spirit and the world of man. Kafka believed that there is a world of that which is spiritual, absolute, pure, true, unchanging and indestructible – the world devoid of sin, but full of perfection; therefore, there exists that which man tends to encapsulate in the concept of God.
Źródło:
The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II; 2021, 11, 2; 203-223
2391-6559
2083-8018
Pojawia się w:
The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lingual Asthma: Stuttering of Language in Franz Kafkas Writings
Autorzy:
CHRUSZCZEWSKA, KATARZYNA
Powiązania:
https://bibliotekanauki.pl/articles/466146.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Artes Liberales
Tematy:
Gilles Deleuze
Harold Bloom
Franz Kafka
stuttering language
carnivalesque expression
Opis:
In this article, I analyze the attacks of ‘lingual asthma’ in Franz Kafka’s writings. Using Deleuzian concept of ‘stuttering language’ as a theoretical framework for my analysis, I claim that the aim of Kafkan deformation of language is to influence the structure of non-linguistic aspects of reality, and specifically to create a new sphere of ambiguity and possibilities. The stuttering of language, according to Deleuze, consists of two phases: first one, when linguistic dispossession affects the perception of language as foreign and distant and when, in result, it becomes external to experience and expression; second one, when writer provokes language to go beyond its borders. The former is the case of stuttering of language, the latter – making the language stutter. First one, relies on finding the cracks in the lingual system, second one, on provoking ruptures. By including the stammer in his prose, Kafka moves toward the extremes of language. Exploring the silence as a state of emergency of expression, he seems to question the whole lingual system. Kafkan literature, which defies itself by the impossibility of interpretation and incorporation of silence and stutter, seems to revise the mere concept of literature as such.
Źródło:
Planeta Literatur. Journal of Global Literary Studies; 2014, 3. Global Modernism(s) Approaches to trans-local / trans-cultural / trans-civilizational dimension of Modernist movements; 61-82
2392-0696
Pojawia się w:
Planeta Literatur. Journal of Global Literary Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
”Foran loven”: moderne skandinavisk kortprosa over for Franz Kafkas roman "Processen"
Autorzy:
Zańko, Aldona
Powiązania:
https://bibliotekanauki.pl/articles/1161435.pdf
Data publikacji:
2016-11-10
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Franz Kafka
skandinavisk kortprosa
modernisme
intertekstualitet
scandinavian short prose
modernism
intertextuality
Opis:
The novel The trial, telling the story of the groundless arrest and prosecution of the bank clerk Josef K., remains one of the best-known and most influential works written by Franz Kafka. Depicting the pointless struggle of a man placed at the mercy of a remote, inaccessible authority, it gives a symbolic account of the human condition in the modern era, characterised by the lack of universal truth, estrangement, confusion and existential impotence. Grasping the very idea of existential modernity, the novel provides ongoing inspiration for a great number of modernist and postmodernist writers all over the world, including Scandinavia. In the article presented below, The trial is examined as an intertext within the genre of the Scandinavian short prose, as it unfolds at breakthrough of modernism and postmodernism. Starting with the literary and critical works of the Danish modernist Villy Sørensen, and moving forward throughout the Danish and Norwegian minimalism of the 1990's, the paper discusses a range of different aspects of The trial, as they reappear in the short stories written by some of the main representatives of the Scandinavian short story. In this way, the article elucidates the relevance of Kafka's novel as an intertext for contemporary Scandinavian short fiction, as well as draws attention to the dialogical dimension of the genre.
Źródło:
Folia Scandinavica Posnaniensia; 2016, 19; 267-277
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Choice of Language and the Quest for Israeli Identity in the Works of Tuvia Ruebner and Aharon Appelfeld
Autorzy:
Ben-Horin, Michal
Powiązania:
https://bibliotekanauki.pl/articles/594532.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Immigration
Franz Kafka
Tuvia Ruebner
Aharon Appelfeld
Bilingualism
German
modern Hebrew Literature
Opis:
Immigration highlights the question of language and raises the dilemma of the relationship between the mother tongue and the language of the new land. For writers this question is even more crucial: should they write in the language of the place and its readers? Immigration to Israel is not exceptional, of course. What choices are open to those writers, and how are they to convey the complexities inherent in the formation of an Israeli identity? This paper focuses on two writers who demonstrate the role played by the “chosen language” in the cultural construction and deconstruction of Israeli identity. Tuvia Ruebner emigrated from Bratislava, Aharon Appelfeld from Bukovina. Ruebner shifted from German to Hebrew and back to German; Appelfeld wrote only in Hebrew. In both cases, their arrival in Israel enabled them to survive. However, the loss of their families in Europe continued to haunt them. Inspired by Walter Benjamin’s concept of ‘translation’ and responding to Gilles Deleuze and Félix Guattari’s concept of ‘minor literature’, the paper shows how their work conveys a multilayered interrelation between national and foreign languages, and between images of exile and homeland, past, present and future – all of which shed light on contemporary issues of Israeli identity.
Źródło:
Polish Political Science Yearbook; 2018, 2 (47); 414-423
0208-7375
Pojawia się w:
Polish Political Science Yearbook
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Franz Kafka’s story "The metamorphosis" in the light of the theory of intentional object in Franz Brentano and Anton Marty
Autorzy:
Kamińska, Sonia
Powiązania:
https://bibliotekanauki.pl/articles/437286.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
intentionality
theory of emotion
correct emotion
philosophy of mind
philosophy of language
school of brentano
intersection between literature and philosophy
body
soul
Opis:
How does it feel to be a worm? No doubt, it feels Kafkaesque. The metamorphosis (1915) is a story of an ordinary man, Gregor Samsa, who wakes up one morning as an ungeheures Ungeziefer or ‘giant vermin’. Is this only a bodily change, or has his mind been transformed as well? And how do the people around him cope with this transformation? In this paper, I am going to examine these issues by using tools from Franz Brentano’s (1838–1917) and Anton Marty’s (1847–1914) philosophy of mind and language. Rumour has it that Kafka’s stories were not only products of his own troubled soul, but were also profoundly influenced by the work of these two philosophers. In my paper, I will cover the following issues: the influence of Franz Brentano on Anton Marty and a fortiori on Franz Kafka (1883–1924), who was Marty’s student in Prague (and in this way, saying something about the School of Brentano); Brentano’s and Marty’s theory of correct and incorrect emotions, and its traces in Kafka’s The metamorphosis; Marty’s philosophy of language and communication as reflected in Kafka’s writings; and Brentano’s reism in comparison to Kafka’s nominalism, on the basis of Roberto Calasso’s interpretation of Kafka.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2015, 5, 1; 35-50
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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