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Wyszukujesz frazę "Interwar" wg kryterium: Wszystkie pola


Tytuł:
Interwar Furniture in Lithuania: Design and History
Autorzy:
Dičkalnytė, Aistė
Powiązania:
https://bibliotekanauki.pl/articles/1186568.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Lithuanian furniture
Lithuanian national style
interwar
modernism
art déco
Opis:
This article analyses the furniture created in Lithuania during the interwar period. Today, from a time perspective, we can shed light on the development of furniture making, with the aim to reveal the furniture designers and the particular interiors where this kind of furniture became popular, as well as the styles that influenced them. In this paper, the author mostly describes artistic designs for secular interiors. The selection was based on the fact that this furniture best reflects the prevailing tendencies when it comes to design during a particular period. After independence was restored to Lithuania, the design of produced furniture became more modern and similar to that of Western Europe. This was caused by the educative propaganda in the media and the new generation of architects and artists who had graduated from universities in western countries. The new, rational construction of houses where all the free rooms were usually rented during the crisis caused demand of space-saving furniture. The architects usually designed both buildings and the built-in furniture with that concept in mind. Architects attempted to tailor built-in furniture to the user’s needs and financial capabilities in the most optimal way. Built-in modular storage systems, kitchen cupboards, and bookshelves were conceived as architectural components. They were used to divide and to model the space. The small living space required the number of furniture pieces to be reduced. That is why unit furniture became the second-most trending innovation during the interwar period. The combination of wardrobes, bookcases, and sideboards into one piece was the most popular modular unit furniture. Tables with shelves and couches with consoles were also popular examples of space-saving furniture. These modern innovations of furniture were made in art déco style since the late 1920s. The search for Lithuanian national style was particularly relevant in the interwar period and design was used as an instrument for political purpose. This is obviously prevalent in the furniture of representation interiors. Leading architects like Vytautas Landsbergis-Zemkalnis, Bronius Elsbergas, and Arnas Funkas, and also some popular artists such as Jonas Prapuolenis, Antanas Gudaitis, and Gerardas Bagdonavicius, designed not only furniture innovations but also furniture in the Lithuanian national style as part of their representative-interior projects. Country-wide Lithuanian exhibitions and presentations abroad were also dominated by the Lithuanian national style, propagated by the authorities. Interpretations of ethnic furniture decor and forms, as well as national symbols became dominant in all Lithuanian-national-style furniture.
Źródło:
Załącznik Kulturoznawczy; 2019, 6; 171-187
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
National Tendencies In Lithuanian Interwar Interior Design (1918–1940)
Autorzy:
Preišegalavičienė, Lina
Powiązania:
https://bibliotekanauki.pl/articles/1186510.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
interwar Lithuania
interior design
national identity
National
Style
multiculturalism
Opis:
After proclaiming independence in 1918, one of the most important tasks was creation of new visual-architectural and design identity which was called ‘Lithuanian Style’ or ‘National Style’. That search for a new image had to be established by an intentional, wilful act which could be able to create a desired object in accordance with the pre-planned model. Because of the multi-national origin of the artists, their distinct education in various countries (Germany, Italy, Poland, Russia, etc.), and the multiculturalism of customers, the same idea of countries’ identity was realised in very different visual forms. This variety of Lithuanian interior design approaches was strived to be untangled for the first time in the scientific monograph Lithuanian Interwar Interiors 1918–1940. Meanwhile, the current article (due to the space limit) presents the idea of national tendencies in the interior design. The latter prompts the understanding that theoretical formulation of Lithuanian National Style was ultrarational, attractive, and suitable for different aesthetic tastes – above all, it truly represented various social strata and nations living in Lithuania at that time.
Źródło:
Załącznik Kulturoznawczy; 2019, 6; 189-213
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The development of Lviv hotel business in the interwar period (1919–1939)
Autorzy:
Zavadovsky, Taras
Kadnichansky, Dmytro
Powiązania:
https://bibliotekanauki.pl/articles/1201797.pdf
Data publikacji:
2016-12-07
Wydawca:
Uniwersytet Gdański. Instytut Geografii
Tematy:
hotel
Lviv
interwar period
tourism
guidebooks to Lviv
categorization
Opis:
The current paper researches and analyses the start and development of the hotel business in Lviv of the interwar period. The main focus is set on the division of accommodation establishments into categories, their structure and location. Much attention is also paid to the description of hotels and their pricing policy depending on their status and venue. Numerous tables help to structure the statistical data, especially their client capacity, number of rooms, location etc.
Źródło:
Journal of Geography, Politics and Society; 2016, 6, 4; 77-83
2084-0497
2451-2249
Pojawia się w:
Journal of Geography, Politics and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The tenancy tax in interwar Poland until 1936
Autorzy:
Witkowski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/618397.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Opis:
Tenancy tax, payable to municipal communes was imposed in 1921, initially in the areas formerly administered by Russian and Austrian authorities. From 1923 regulations on municipal tenancy tax were also in force in the former Prussian territory. In 1925, besides the municipal tenancy tax, the authorities instituted the national tenancy tax (benefitting the National Fund for Urban Expansion) as well as the housing tax contributing to the Military Housing Fund. As a result, in accordance with these rules, the same places and the same individuals were subject to three taxes (whose total value was up to 15% of the rent). The situation changed in 1926, when one tenancy tax was introduced; the relevant proceeds were designated for municipal communes, the National Fund for Urban Expansion and the Military Housing Fund. This change resulted in decreased obligatory charges.
Brak abstraktu w języku polskim
Źródło:
Studia Iuridica Lublinensia; 2013, 19
1731-6375
Pojawia się w:
Studia Iuridica Lublinensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Di Ufgabn Fun Yidishizm". Debates on Modern Yiddish Culture in Interwar Poland
Autorzy:
Geller, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/508910.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Yiddishism
Yiddish culture
Yiddishland
Yiddish press
interwar Poland
Literarishe Bleter
Nakhmen Mayzil
Avrom Golomb
Opis:
“Di Ufgabn Fun Yidishizm”. Debates on Modern Yiddish Culture in Interwar PolandModern secular Yiddish culture reached the peak of its development during the 1920s and Poland was at that time one of the main centres where Yiddish literature, theatre, press, scholarship and schools flourished. This paper outlines the basic principles of Yiddishism, a Diaspora-based national movement that saw language and culture as the cornerstones of a secular Jewish identity. It also presents some of the major theoretical questions faced by its supporters. What were the goals of Yiddishism? How Jewish should Yiddish culture be? Should it simply be a culture in Yiddish or should it incorporate elements of the Jewish religious heritage? If so, which ones? Who exactly were the so-called “Jewish masses” so often referred to as the target readership/audience of the modern Yiddish cultural project? How could the challenges of geographical dispersion be overcome? The arguments presented in this paper are based mostly on material found in the weekly Literarishe Bleter , where these and other questions surfaced time and again. Founded in Warsaw in 1924 by a group of Yiddish writers, it was the longest lasting and probably the most influential Yiddish literary journal of the its time. Throughout the interwar period it was a place where all supporters of the Yiddish language movement crossed intellectual paths, either as collaborators or adversaries. Today, Literarishe Bleter enable its modern reader to see the complexity of what it meant to strive towards cultural autonomy in interwar Poland. Czym jest jidyszyzm? Debaty o nowoczesnej kulturze jidysz w międzywojennej Polsce Jidyszyzm, czyli projekt budowania nowoczesnej tożsamości narodowej w oparciu o kulturę jidysz, rozkwitł najpełniej w latach dwudziestych XX wieku. W tym okresie Polska była jednym z najważniejszych, o ile nie najważniejszym ośrodkiem ruchu jidyszystycznego. To tutaj rozwijała się literatura jidysz, prasa, teatr, nauka oraz szkolnictwo w tym języku. Niniejszy artykuł przedstawia podstawowe teoretyczne założenia jidyszyzmu oraz pytania, z którymi musieli zmierzyć się jego zwolennicy. Jak żydowska winna być kultura jidysz? Czy wystarczy, by była kulturą w jidysz, czy też powinna opierać się na elementach tradycji religijnej, a jeśli tak, to jakich? O kim myślano, pisząc o tzw. „masach żydowskich”, odbiorcach kultury jidysz? Czy mimo geograficznego rozproszenia mówców jidysz na pięciu kontynentach możliwe było stworzenie jednej spójnej, ponadpaństwowej kultury narodowej? Przedstawione w tym artykule rozważania międzywojennych jidyszystów pochodzą przede wszystkim z tygodnika "Literarisze Bleter", jidyszowego czasopisma literackiego założonego w Warszawie w 1924 roku przez grupę młodych pisarzy. Tygodnik ten był najdłużej wychodzącym jidyszowym czasopismem literackim w okresie międzywojennym, z czasem stał się też jednym z najbardziej opiniotwórczych periodyków. Na jego łamach spotykali się wszyscy pisarze, publicyści, działacze społeczni zaangażowani w rozwój języka oraz instytucji kultury jidysz – jedni w roli współpracowników, inni adwersarzy. Współczesnemu czytelnikowi i badaczowi polemiki z "Literarisze Bleter" odsłaniają teoretyczne i praktyczne problemy, z którymi musieli mierzyć się zwolennicy żydowskiej autonomii kulturalnej w międzywojennej Polsce.
Źródło:
Colloquia Humanistica; 2013, 2
2081-6774
2392-2419
Pojawia się w:
Colloquia Humanistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Romanian Orthodox Church in Hungary and the Kingdom of Yugoslavia in the Interwar Period
Autorzy:
Scridon, Alin Cristian
Powiązania:
https://bibliotekanauki.pl/articles/628698.pdf
Data publikacji:
2018
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
The Romanian Orthodox Church
the interwar period
Hungary
Yugoslavia
Opis:
Aim. The Romanian Orthodox Church in Hungary and Yugoslavia encountered a series of shortcomings between the two world wars.  Conclusion. Regardless of the political realities of the times, the Romanians coalesced around the Romanian Orthodox Church. That is why, not by chance, the great poet Mihai Eminescu identifies the Romanian Orthodox Church with the institution that preserved the Latin element near the Danube. The activity of the Romanian Orthodox Church in Hungary and Yugoslavia in the interwar period was mainly performed by priests.  
Źródło:
Journal of Education Culture and Society; 2018, 9, 1; 190-195
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Image of Educated Women in Two Interwar Austrian Novels by Female Authors
Autorzy:
Górny, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/601589.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Grete von Urbanitzky
Vicki Baum
Austrian interwar fiction
female student in literature (prose fiction)
Opis:
The article sketches a portrayal of educated women in literature of the interwar period. The ways are shown in which typical experiences of women students are reflected in prose works describing the consecutive stages of scholarly career – from the beginning of one’s university studies to successful independent work. The figure of female student and scientist is shown in the novels concerned as a model example of emancipation, while the influence of a conservative concept of femininity is apparent. The model protagonist is a utopian figure as it harmoniously merges emancipative and conservative elements.
Źródło:
Acta Poloniae Historica; 2018, 117
0001-6829
Pojawia się w:
Acta Poloniae Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Impact of Major Natural Disasters on the System and the Insurance Market of the Interwar Poland
Autorzy:
Kasperski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1804681.pdf
Data publikacji:
2019-11-16
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
natural disasters
interwar period
insurance market
history of insurance
Opis:
The article is an attempt to present the problem of natural disasters and their influence on the economy and the functioning of the insurance market during the interwar period in Poland. The Author reveals the picture of Poland grappling with a number of challenges such as the unification of the legislation or rebuilding of the economy deteriorated by the war. The country had to increase its expenditure in the aftermath of natural disasters. Poland is presented as a state that had to cope with disasters and various economic turbulences every three years on average. As early as in 1921, the whole territory of Poland was struck by scorching heats resulting in huge loses in its economy, especially in agriculture. Mid 1920s was a period of raging inflation but also a struggle with the flood, which had been the greatest natural disaster in the territory of Poland in over three centuries. The years 1926–1929 were the heyday for the Polish economy, yet Poland suffered the first signs of an economic breakdown in 1929. In the summer of 1928, it had faced a tornado that destroyed houses, obliterated forests and claimed the lives of many. A similar occurrence was recorded in 1931 in the area of Lublin, where a hurricane of unprecedented force ravaged the land. The turn of the year 1929 went down in the history of our nation as the winter of the century. Another flood ravaged Poland in 1934, when the country had not yet fully recovered after the economic collapse caused by the Great Depression. The flood caused losses exceeding 84 million zloty. The Author also presents changes in the legislation of that time forced by the disasters and, above all, the law concerning prevention of fire and other natural disasters. It was a law which owing to the support of insurers enabled fire brigades and fire fighter units to develop so that the general public and its property could be safeguarded against disasters in the future.
Źródło:
Roczniki Nauk Prawnych; 2017, 27, 2; 29-46
1507-7896
2544-5227
Pojawia się w:
Roczniki Nauk Prawnych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The face of sport in the Polish State Police in the interwar period
Autorzy:
Nowak, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1374846.pdf
Data publikacji:
2019
Wydawca:
Wyższa Szkoła Policji w Szczytnie
Tematy:
Polish State Police
interwar period
sport
police sports clubs
sports competitions of the State Police
Opis:
Sport has accompanied mankind since ancient times. It is thanks to sport that we are healthier and can enjoy life. The smallest sporting effort causes the body to produce endorphins that make us feel happy. Not without significance is the fact that sport, but in its professional dimension, prepares people who practice it to a great effort. In the face of threats, unforeseen events, people who practice sports can find their way around the situation and take appropriate actions. Therefore, just as police officers face difficult service in the present day, police officers had to face up to the challenges posed in the interwar period. In 1918 Poland regained its independence, and the authorities were responsible for ensuring the security of the country. Therefore, on 24 July 1919, the State Police was established by law. Due to the nature of the tasks performed, the police officers were required to be physically fit. In order to meet this challenge, pro-sports organizations were established, which by their actions were to raise the level of sports skills of both the society and the officers. The factor which was to motivate uniformed officers to work on their physical fitness was the introduction of the National Police Sports Competitions, which were nationwide in scope. Undoubtedly, this form of competition, as well as mobilization, led to the fact that on the basis of Police Sports Clubs, physical culture in the State Police significantly developed. The article presents the face of sport in the interwar period in the Polish State Police, its development and influence on the officers themselves, as well as its further importance in the history of sport in Poland.
Źródło:
Internal Security; 2019, Special Issue; 91-100
2080-5268
Pojawia się w:
Internal Security
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Visual symbols of new identity in cities of modern Ukraine during the interwar period
Autorzy:
Linda, S.
Mykhaylyshyn, O.
Powiązania:
https://bibliotekanauki.pl/articles/390342.pdf
Data publikacji:
2017
Wydawca:
Politechnika Lubelska. Wydawnictwo Politechniki Lubelskiej
Tematy:
architecture
identity
Second Polish Republic
Soviet Ukraine
Lviv
Kyiv
Kharkov
interwar period
Opis:
In the interwar period western and eastern parts of the modern-day Ukraine were included into two countries – the Second Polish Republic and the Soviet Union. The development of cities of modern-day Ukraine during 1920-30th took place according to various ideological and cultural models. Changes in “cultural models” and ideological guidelines, as well as the departure from forms of traditional society during that period can be viewed as associated but semantically inconsistent targets; those carried out in each region in different sociopolitical conditions and with different directions of socio-cultural transformations; those that can be seen most clearly in the spatial planning of the cities. Approaches to the planning of Western Ukrainian cities, based on the synthesis of historically formed traditional environment, identified urban environment as European integral element of globalization process and were interpreted as an idea, alternative to socialistic internationalism that was consistently implemented in the Soviet Ukraine at that time. The process of formation of national and collective identity was visualized by “blending” and modernization of architectural environment layers, entry or expulsion of architectural sites of different ages, which symbolized the socio-cultural changes, both were part of the interaction of social and cultural systems.
Źródło:
Budownictwo i Architektura; 2017, 16, 3; 63-76
1899-0665
Pojawia się w:
Budownictwo i Architektura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Collective emotional biography of selected Polish female parliamentarians of the interwar period
Autorzy:
Jóźwik, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2034880.pdf
Data publikacji:
2021-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
interwar period
Second Polish Republic
parliament
emocions
women
okres międzywojenny
II Rzeczpospolita
parlament
emocje
kobiety
Opis:
The main purpose of this article is to attempt to show the collective biography of Polish women parliamentarians of the interwar period through an insight into their emotions and feelings, to show the “emotional communities” presented by Barbara Rosenwein. In this text I will focus on the main problems of the political activity of Polish women parliamentarians in the interwar period. Source materials produced by women, mainly ego-documents and public documents created by them, will be used to develop this topic. The study will analyze the individual experiences of women parliamentarians. Their emotions, opinions and reflections on parliamentary work will be taken into account. The paper will also discuss selected biographical aspects of the women parliamentarians, such as their age, education and political views, which undoubtedly had an impact on their opinions and emotions. Polish women parliamentarians of that time had to struggle with many problems. Reluctance to place women on candidate lists was a common occurrence. Moreover, women had to meet numerous social expectations. First of all, they were required to be mothers and wives who were responsible for family life, that is, the private sphere. Furthermore, women were seen more as social activists than as politicians. At the same time, men considered women’s issues less important, which was evident in parliamentary discussions. The main research questions were: How did women perceive their own political activity? political activity? What problems did politically active women face?
Głównym celem tego artykułu jest próba pokazania zbiorowej biografii polskich parlamentarzystek okresu międzywojennego poprzez wgląd w ich emocje i uczucia, pokazanie prezentowanych przez Barbarę Rosenwein „wspólnot emocjonalnych”. W niniejszym tekście koncentruję się na głównych problemach działalności politycznej polskich parlamentarzystek w okresie międzywojennym. Materiały źródłowe wytworzone przez kobiety, głównie ego dokumenty i tworzone przez nie dokumenty publiczne, posłużą do rozwinięcia tego tematu. W pracy zostały przeanalizowane indywidualne doświadczenia parlamentarzystek. Uwzględnione zostały ich emocje, opinie i refleksje dotyczące pracy parlamentarnej. W artykule zostały omówione także wybrane aspekty biograficzne parlamentarzystek, takie jak wiek, wykształcenie i poglądy polityczne, które to cechy miały niewątpliwie wypływ na ich opinie i emocje. Ówczesne Polki musiały zmagać się z wieloma problemami. Niechęć do umieszczania kobiet na listach kandydatów była częstym zjawiskiem. Ponadto kobiety musiały sprostać licznym oczekiwaniom społecznym. Wymagano od nich przede wszystkim, aby były matkami i żonami odpowiedzialnymi za życie rodzinne, czyli sferę prywatną. Ponadto kobiety były postrzegane bardziej jako działaczki społeczne niż jako polityczki. Jednocześnie mężczyźni uważali sprawy kobiet za mniej ważne, co było widoczne w dyskusjach parlamentarnych. Główne pytania badawcze to: Jak kobiety postrzegały swoją własną aktywność polityczną? Z jakimi problemami borykały się kobiety aktywne politycznie?
Źródło:
Polish Biographical Studies; 2021, 9; 47-67
2353-9291
Pojawia się w:
Polish Biographical Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Conservative Progression”. The influence of the Modern Movement on Hungarian architectural education during the interwar period
Autorzy:
Karácsony, Rita
Vukoszávlyev, Zorán
Powiązania:
https://bibliotekanauki.pl/articles/398571.pdf
Data publikacji:
2019
Wydawca:
Politechnika Białostocka. Oficyna Wydawnicza Politechniki Białostockiej
Tematy:
edukacja architektoniczna
okres międzywojenny
modernizm
architectural education
other modern
Interwar period
Opis:
The influence of the Modern Movement was increasingly felt in Hungary from the end of the 1920s. As time passed, architectural education also needed to respond to these changes. How did the professors, who designed in historical styles, react to the new situation, and how did the students respond? Who were the people who first stimulated interest in modern architecture, and who did they inspire? What kind of institutional or structural modifications did all these initiatives bring about at the Architectural Faculty of Budapest Technical University? There are three noteworthy episodes in the history of introducing modern approaches at the Faculty. The first event of great significance was the establishment of the Department of General Building Design in 1922 besides the three long-standing historical departments: the Departments of Ancient, Middle and Modern Ages. This began a disengagement with the era of historicism. However, students in the older years continued to receive their design assignments from the historical departments, and were expected to design in historical styles taught by the professors. Thus architectural education could be considered conservative even by the end of the 1920s. On the other hand, some students were able to bring progressive modernism directly to the University. At the student exhibition held in 1927, a few “brave” drawings independent of any department appeared among the designs in historical styles. These included a design by György Rácz inspired by Le Corbusier that was showcased thanks to the curator, a student named György Masirevich. Farkas Molnár – who returned from the Bauhaus school – submitted a design influenced by modern German architecture. Within a few years Masirevich, Rácz and Molnár joined CIAM, and then its subgroup: CIRPAC. It was not only students, but also some professors who played an indisputable role in ushering in modern architecture, even if their work and teaching methods could generally be regarded as examples of “conservative progression”. The third and most important date of the investigated period was 1930, when architectural education began to be given high priority. That year another student exhibition was organised by a professor, Iván Kotsis, which was linked to the 12th International Congress of Architects held in Budapest. Plans designed by students in the modern spirit constituted the majority at that exhibition. It was in the same year that professor Hültl as the Rector of the University voiced his opinion on modern architecture: according to him, modernism should not be used for certain types of buildings; however, he did not want to oppose all new directions in architecture. This duality of approach can well be detected in his private practice. Therefore it was the so-called “other modern” rather than progressive modernism that became institutionalized at the Faculty due to the influence of some professors whose aim was to comply better with local circumstances and materials. To achieve this it was indispensable to get the knowledge of the past, so teaching history of architecture remained a significant part of the curriculum. It was Professor Kotsis and his colleagues who laid out this path and their heritage was still prevalent after WWII.
Źródło:
Architecturae et Artibus; 2019, 11, 3; 42-53
2080-9638
Pojawia się w:
Architecturae et Artibus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Romanian Art Historiography in the Interwar Period. Between the Search for Scholarship and Commitment to a Cause
Autorzy:
Ţoca, Vlad
Powiązania:
https://bibliotekanauki.pl/articles/909535.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Romanian art historiography
interwar period
Romanian art
Transylvanian art
Romanian culture
Opis:
At the end of World War I, Romania emerged as a much stronger nation, with a greatly enlarged territory. During the two world wars, the Romanian state was permanently looking for the best way to preserve the newly created national state and defend its frontiers. This was the only matter all Romanian parties seemed to agree on. The threat of territorial revisionism coming from Hungary, the Soviet Union and, to a lesser extent, Bulgaria united all the political actors in defending the peace system of Versailles and supporting the League of Nations as the guarantor of this peace and stability. The interwar period was a remarkable time for Romania’s cultural history. Between the two world wars, the Romanian cultural scene was dominated by what Keith Hitchins calls the ‘Great Debate’ about national identity and development. The opponents were those advocating synchronism with the West, on the one hand, and those pleading for tradition, on the other, with many others looking for a third way. In Romanian interwar culture, the country’s modernity was emphasized in order to place the country within the larger family of European nations. An opposing, and at the same time, complementary line of thought was that of presenting the long and noble Romanian history, tradition and ancestral roots. These two themes have been present in Romanian culture since the mid-19th century. They were used by various authors, sometimes in a complementary fashion, while at others, in a conflicting manner in literature, historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing did not exist as such until the end of the 19th century. It was only in the first years of the next century that the number of scholarly works produced following western standards steadily increased. As part of a general tendency of aligning Romanian academic practices with those in the West, art historiography established itself as a respectable academic discipline, a process which went hand in hand with the establishment of new institutions such as museums, university departments, research institutions and the Commission for historical monuments. All these institutions were founded and financed by the Romanian state, and most scholars were involved with these institutions in one way or another. Although Romanian art historiography of the period is dominated by the desire to produce academic works to the highest standards, the ideas of the Great Debate are present in the works of that time. At the same time, in several texts, the most prominent art historians of the day strongly affirm the necessity of putting their work in the service of the national cause. In this paper, we will be looking at the general histories of Romanian art written between the two world wars. The choice of these texts is motivated by the fact that these works are the result of larger research projects and have a broader scope and as such better summarise the trends of the interwar period.
Źródło:
Artium Quaestiones; 2019, 30; 93-122
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Agrarian reforms in Interwar Europe
Autorzy:
Morawski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/630211.pdf
Data publikacji:
2019
Wydawca:
Szkoła Główna Handlowa w Warszawie
Tematy:
agricultural reform
land ownership
parceling
Opis:
The agricultural reforms of the first half of the twentieth century were a side effect of the industrial revolution and demographic explosion. The variety of solutions used in individual countries reflected the complexity of local problems. In comparison, the communist reforms implemented after 1945 were dictated mainly by ideological considerations, and their aim was not so much to solve real problems as to break the will to resist and incapacitate entire societies.
Źródło:
Kwartalnik Kolegium Ekonomiczno-Społecznego Studia i Prace; 2019, 2(38); 11-27
2082-0976
Pojawia się w:
Kwartalnik Kolegium Ekonomiczno-Społecznego Studia i Prace
Dostawca treści:
Biblioteka Nauki
Artykuł

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