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Wyświetlanie 1-5 z 5
Tytuł:
THE CITYSCAPE: FROM GARDEN CITY TO PARK CITY
Autorzy:
Frydryczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/630936.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
When considering the relationship of the city and nature, I analyse the ways in which nature appears in urbanised space. It may be  tentatively presumed that nature appears in the city in three forms. Being an integral decorative and structural element, nature has its “socialized” aspect, subordinated to the urban structure, and “privatised”, for instance in the home gardens.  The third form is the live, sometimes even wayward nature, which manifests itself in the forgotten wastelands as well as climatic conditions and elements. Those three forms are confronted with the concept of Gernot Böhme who, giving a short historical outline of the process in which nature penetrated and entered the city tissue, points to two mechanisms he denoted as „bringing nature into the city” and „transferring the city into nature”.  Drawing on that proposition, I deliberate how nature exists and manifests itself in the city, especially with respect to the concept of public parks and their rapid development in the 19th century. The “green islands” of city parks, although they seem a space liberated from the city and its processes, are city’s utterly subordinated  surrogate of what is natural in the place of residence. In the context of the nature-city relationship, similar observations can be made with regard to E. Howard’s concept of garden cities, based on social eugenics and lifestyle hygiene, which was concerned with lucid structure and functionality of the city rather than building a harmonious relationship between the human settled in the urban space and nature, which ensured its harmonious development.    The analysis of city parks and the concept of the garden city permits me to move on to another idea suggested by Böhme – the park city.  This is a component of a utopian vision of a new relationship between the city and nature, devised upon the idea of “extended ecological vision of the city” where the city is construed as part of nature. Although Böhme’s suggestion is apparently a compromise, it still does not yield the conditions, in which one would find interpenetration of the city and nature as equal entities. It seems impossible without a limitation or degradation of either sphere.  
Źródło:
Studia Europaea Gnesnensia; 2013, 7; 327-342
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Is the city a cultural landscape? An attempt to analyze the city from the perspective of landscape aesthetics
Autorzy:
Frydryczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/437191.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
the picturesque; the sublime; nature; the city landscape; experience; engagement; the sur‑
roundings; landscape park
Opis:
This paper sets out to interpret the phrase ‘the city landscape’. Beginning with landscape aesthetics based on two categories — the picturesque and the sublime — the author attempts to demonstrate that a city can be interpreted in terms of a cultural landscape. This necessitates a re‑interpretation of the category of the sublime, whereby, through references to Edmund Burke, Theodor W. Adorno and Arnold Berleant, the sublime assumes the nature of a category which determines the existential situation of a person in the world. Here, the sublime provides people with an impulse to undertake efforts to fashion their surroundings and forge the essence of the living world. As such, the sublime also becomes a category that promotes social activities aimed at improving the quality of life in a city, such as the activities of ‘urban gardeners’.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2015, 5, 2; 359-371
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ruins: Between Past and Present, Between Culture and Nature
Autorzy:
Frydryczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/19322609.pdf
Data publikacji:
2023-09-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
ruins
ruination
nature
culture
Simmel
hope
ontological significance
Opis:
The main question of the essay is: do ruins need a new definition? Ruins are not only destroyed architecture, but also everything that has been associated with it in the process of life. From the perspective of the question, the concept of ruins should be understood much broader than just architecturally, and they should be assigned not to the past but to the present, or rather between past and present. If we consider ruins from the standpoint which situates them between culture and nature, there opens up another opportunity: here ruins are found on the juncture of nature and culture, becoming a natureculture hybrid. Here, degradation encompasses the cultural sense in the first place and the expectations it involves, but not from the perspective of nature. The order of nature translates into a new “life” of the ruin, which is attributed a new functionality, subordinated to other – non-anthropocentric – goals and values. Concluding, ruins require a new approach and a new definition that does not condemn them to degradation, but sees hope in the revitalizing forces of nature that ensure for them a new status and a different ontological significance.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2023, 7, 2; 9-16
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Landscape art – a new definition and new look
Sztuka krajobrazu. Nowa definicja, nowe spojrzenie
Autorzy:
Frydryczak, Beata
Salwa, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/2041832.pdf
Data publikacji:
2021-11-25
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
art
art theory
landscape
krajobraz
sztuka
teoria sztuki
Opis:
The aim of this article is to propose a new definition of landscape art. By landscape art we mean all forms of art which refer to any landscape and problematize it, i.e. subject it to artistic analysis, interpretation and intervention, both in a formal and aesthetic, as well as critical sense. Landscape art understood in this way would not be a separate direction or trend in art and would not form a coherent artistic concept. In the article we indicate the current understanding of landscape functioning in the field of art and the reasons why the new definition is useful
Celem artykułu jest zaproponowanie nowej definicji sztuki krajobrazowej. Przez sztukę krajobrazową rozumiemy wszelkie formy sztuki, które odnoszą się do wszelkich krajobrazów, problematyzując je, czyli poddając je artystycznej analizie, interpretacji i interwencji, zarówno w sensie formalnym i estetycznym, jak i krytycznym. Tak rozumiana sztuka krajobrazowa nie byłaby więc wyodrębnionym kierunkiem czy nurtem w sztuce i nie tworzyłaby zwartej koncepcji artystycznej. W artykule wskazujemy dotychczasowe rozumienie krajobrazu funkcjonujące na gruncie sztuki oraz powody, dla których nowa definicja jest przydatna
Źródło:
Art Inquiry. Recherches sur les arts; 2021, 23; 113-123
1641-9278
Pojawia się w:
Art Inquiry. Recherches sur les arts
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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