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    Wyświetlanie 1-4 z 4
    Tytuł:
    A Child as a Flâneur and a Voyeur: The Imaginative Space of Streets and Museums
    Autorzy:
    Bukhina, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/450734.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    children’s literature
    city
    flâneur
    museum
    teens’ literature
    voyeur
    Opis:
    This article discusses a representation of the relationship between a child and a big city in American and European children’s and teens’ literature. In many books, a child or a teen is portrayed as a contemporary flâneur, an idle city walker. Following Eric Tribunella’s adaptation of Walter Benjamin’s definition of a flâneur to children, the article explores various book representations of the big cities as they are seen through the eyes of a child. The city dweller perceives her environment as an exciting, even though sometimes threatening, place. Acting as a flâneur and a voyeur, a child develops a complicated relationship with the streets and museums of the big city. Enormous walking (and transportation) possibilities of the city are very attractive for youngsters. The hidden wonders of the big city mesmerize the curious minds of children and teens, making them natural voyeurs. Children are capable of combining the aimless gaze of a flâneur with the precise attention of a voyeur. Often, a city becomes one of the very important characters in a book, and a child forms a partnership with the city. In spite of the notion of adults that the city is a dangerous place for children, children immensely enjoy the city spaces, streets, parks, and museums. Museums particularly work as symbolical places of safety and exploration. Contemporary children and teenagers enjoy even more freedom to be city flâneurs and voyeurs due to the newly acquired speed of movement, including the use of bikes, scooters, and public transportation. With the main focus on New York City as one of the most striking example of a big city in children’s books, the article also discusses the literary representations of other megalopolises and large cities, such as Moscow and Minsk.
    Źródło:
    Filoteknos; 2019, 9; 232-248
    2657-4810
    Pojawia się w:
    Filoteknos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    How Far From a 19th Century Flâneur? A Female Urban Walker in Paul Auster’s In the Country of Last Things Abstract
    Autorzy:
    Kula, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/601273.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Auster, flâneur, postmodernism, flâneuse, women, tradition, city walk
    Opis:
    The research paper is going to revolve around Paul Auster’s urban dystopia entitled In the Country of Last Things. Yet, my claim is that the novel may also be categorised as an American city novel in which flâneuristic account plays a significant role. The focal point of the paper is going to be the comparison between Austerian figure of the urban stroller with a traditional one as developed in the 19th century Paris. Although since then there have been numerous transformations and reformulations regarding literary representations of the city walker, I shall examine the protagonist Anna Blume in reference to features characteristic for a traditional 19th century urban stroller. Some theorists claim that women cannot be regarded as city walkers; yet, the aim of the research paper is to prove that Anna, although a female character, can be considered as a postmodern variation of a flâneur.  Auster’s fictional world might be compared to Lewis Mumford’s “theater of social action”[1] where the inhabitants’ quotidian drama is staged. This urban theater functions as fertile ground for the city walker’s observations, investigations, as well as subsequent artistic productions. A conventional flâneur is characterised as an aimless stroller for whom the very act of the ‘inspection’ of the crowd is a source of leisure. Yet, his desire is not only to experience the surroundings, but also to observe the physical construction of the city as well as its social dimension – the people around. Taking into consideration the very specificity of the flâneuristic figure, Anna Blume, despite representing the female part of society, can be regarded as a postmodern urban stroller since her only means of discovering and ‘learning’ the space is by walking along the city. Hence, the character created by Auster both diverges from the conventional image of the city walker in term of the characteristic features, and is consistent with it when the scope of the flâneur’s responsibilities is considered.[1] Mumford, Lewis. “What Is a City?” In LeGates Richard and Frederic Stout The City Reader. London: Routledge, 2011. 91-95.
    Źródło:
    New Horizons in English Studies; 2018, 3
    2543-8980
    Pojawia się w:
    New Horizons in English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
    Autorzy:
    Pantuchowicz, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/632512.pdf
    Data publikacji:
    2017
    Wydawca:
    Projekt Avant
    Tematy:
    haunting, Gothicism, Virginia Woolf, gender, flâneur, market, London
    Opis:
    Beginning with the theme of the location of haunting in Gothic interiors and the confusion of life and death and the “sub-central” positioning of the feminine as the hidden source of fearfulness, the paper analyzes Virginia Woolf’s “Street Haunting: A London Adventure” as an example of a narrative written from the position of the haunting in which the figure of fearful feminine is transformed into a “hauntess” participating in the public world on equal rights with others. Woolf’s text, though seemingly positing the protagonist in the position of flâneuse, in fact implicitly criticizes flâneuring as a masculine kind of looking and participating in the public space. Taking place away from home, Woolf’s strolling in the streets of London carnivalizes (in the Bakhtinian sense) the activity by way of a joyful blurring of the split between the home and the market. Transgressing what Kathryn Simpson calls “the male privilege of the flâneur” (2010: 47) and rendering the transgression as haunting, Woolf evades participation in the masculine world of traffic and exchange by way of bringing the space of the Gothic confinement, and also of entombment, to the public.
    Źródło:
    Avant; 2017, 8, 2
    2082-6710
    Pojawia się w:
    Avant
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Turn back the course of a river / the course of life / that is my mission.” On the poems by Wincenty Różański
    „Cofnąć bieg rzeki / bieg życia / oto moje posłanie”. O wierszach Wincentego Różańskiego
    Autorzy:
    Nalepa, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1041979.pdf
    Data publikacji:
    2019-12-31
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Wincenty Różański
    poezja
    Edward Stachura
    Grzegorz Ratajczyk
    matka
    religia
    flâneur
    Mosina
    Poznań
    poetry
    mother
    religion
    Opis:
    The article is an attempt at discussing the most important features of Wincenty Różański’s poetry written in the final years of his creative period. This poetry is strongly subjective, manifesting the poet’s Catholicism, and entrusting himself to the Blessed Virgin Mary, but it also tackled the subject of everyday life, routine behaviors and activities. In addition, the poet’s poems are characteristic in terms of their dialogical and stylistic relations compared to other cultural contexts, especially in the case of Grzegorz Ratajczyk’s paintings, as well as the prose and poems by Edward Stachura.
    Artykuł jest próbą omówienia najważniejszych cech poezji Wincentego Różańskiego z ostatnich lat jego aktywności twórczej. Jest to literatura silnie zsubiektywizowana, manifestująca katolickość poety, zawierzenie Najświętszej Marii Pannie, z drugiej strony podejmująca tematykę życia codziennego, rutynowych zachowań i czynności. Dokonano ponadto charakterystyki wierszy poety poznańskiego pod względem ich relacji dialogowych i stylizacyjnych w stosunku do innych tekstów kultury, szczególnie malarstwa Grzegorza Ratajczyka oraz prozy i poematów Edwarda Stachury.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2019, 55, 4; 99-130
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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