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Tytuł:
Maski Bakchantek
Autorzy:
Rybowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/52229504.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Bacchai
Greek tragedy
Opis:
In hoc opusculo quaestio tractatur quid verum de bacchatione dici possit; deinde in scriptis tragicis personas bacchantum quaerunt, quae ad demonstrandum dolorem atque furorem ab auctoribus creatae sunt.
Źródło:
Collectanea Philologica; 2004, 8; 43-58
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lorigine del culto dionisiaco e della tragedia
Unde Dionysi cultus in tragicorum opera pervenerit?
Autorzy:
Bologna, Orazio
Powiązania:
https://bibliotekanauki.pl/articles/52229501.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Greek tragedy
Dionysus' cult
Opis:
Tragoediis visis et lectis, litterarum Graecarum periti nec non philosophi, ut Aristoteles et Nietzsche, generis originen vestigaverunt, multos et doctos libros conscripserunt, multa et utilia ad genus comprehendendum posteritati tradiderunt.Sed remotam et longinquam originem nullus umquam attigit, quia mentes in litteras Graecas tantum verterunt.
Źródło:
Collectanea Philologica; 2004, 8; 3-20
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O pochodzeniu tragedii albo co zawdzięczamy Arystotelesowi
The origin of Greek tragedy or what we owe to the Aristotle
Autorzy:
Wachowski, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/1039651.pdf
Data publikacji:
2019-04-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Aristotle
origin of Greek tragedy
Opis:
Greek tragedy, as an expression shaped in the course of a performance, requires not only extending the field of investigation to include extra-philosophical interpretations, but also searching for its sources within the framework of the Greek thinking, described most profundly by Aristotle. The tradition of the Aristotle is inducing us to the reply to numerous questions, concerning Dionysus, as well as composition of the tragedy. Adopting his intellectual perspective provokes us to seek the genesis of tragedy in Greek logos. Apart of being a language (it referred to the notional structure of the Greek universe, defined the way of thinking, and provide a set or rules regarding presentation) it was also an order organizing the sense of action. It combined with doing, provokes action and constituted a reflection of the gestures made on stage.
Źródło:
Przestrzenie Teorii; 2018, 30; 49-61
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cagnazzo Daniela Immacolata, Alcune note su Eschilo (?), P.OXY. XX 2247
Some notes on Aeschylus (?), P.Oxy. XX 2247
Autorzy:
Cagnazzo, Daniela Immacolata
Powiązania:
https://bibliotekanauki.pl/articles/1045678.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Aeschylus
fragmenta dubia
Greek tragedy
Greek papyrology
Opis:
This paper analyzes P.Oxy. XX 2247, which is attributed to Aeschylus on the paleographic basis. After a general presentation of the papyrus, a linguistic commentary is proposed, suggesting, where it is possible, some remarks and overall reconstruction of the context; moreover, we discuss elements that confirm the attribution of this work to Aeschylus.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2020, 30; 47-52
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eurypidejska "Andromeda": stan zachowania i próba rekonstrukcji fabuły
Autorzy:
Piątkowski, Marcel
Powiązania:
https://bibliotekanauki.pl/articles/52229624.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Euripides
Andromeda
reconstruction
fragments
Greek tragedy
Opis:
Secundum mythologiam Graecam Andromeda filia Cephei e Cassiepeiae erat. A patre suo ad terram propriam a monstro marino conservandam sacrificata, a Perseo liberata est, qui Andromedae narrationem audivit, eam amavit et cum ea coniunctus est. Hic mythus Euripidem ad tragoediam scribendam hortatus est, Andromedam, quae tamen usque ad tempora nostra non conservata est - hodie solum fragmenta eius habemus. Probabiliter hoc in opere auctor opem affectuum spectatoribus demonstrare desiderabat; eo ipso de vi amoris ardentis disceptatur, qui homines improviso capere potest. Ad fabulam restituendam res ab Euripide exposita cum Aristophanis comoedia (Thesmophoriazusae) confertur, quae fabulam ab Euripide narratam continet. Hoc in modo Aristophanes fabulam propriam facilius ad finem adduxit.
Źródło:
Collectanea Philologica; 2011, 14; 79-90
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poliksena Sofoklesa – problemy rekonstrukcji
SOPHOCLES POLYXENA – CERTAIN PROBLEMS OF RECONSTRUCTION
Autorzy:
Pietruczuk, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/702717.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Sophocles
Greek tragedy
fragmentary plays
Polyxena
Opis:
Fragments of Sophocles’ Polyxena are analysed here in order to deduce information on the plot of the tragedy. Special attention is given to the apparition of Achilles’ ghost and to the question whether the hero’s tomb was erected on the stage.
Źródło:
Meander; 2008, 63, 1-4; 59-75
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część II: Scenografia
The Issue of Ancient Theatrical Ekphrasis. Part II: Scenography
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648688.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekfrasis
scenography
ancient Greek tragedy
Euripides
Opis:
One of the dramatic ekphrasis forms is the ekphrasis of stage design. It describes what is usually made visible, at least partially, to the public, drawing its attention to important elements of scenography that played a significant role in the performance. Therefore it was necessary to make the spectators aware of those elements. They were used by all three tragedians: Aeschylus, Sophocles and Euripides. The article focuses on selected ekphrases of scenography taken from three Euripidean tragedies: Iphigenia in Tauris, Ion, Alcestis, and on their role in the structure of drama.
Źródło:
Collectanea Philologica; 2018, 21; 59-74
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część I: Postać
The Issue of Ancient Theatrical Ekphrasis. Part I: The Character
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648682.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekphrasis
dramatis persona
ancient Greek tragedy
Euripides
Opis:
Ekphrasis is one of the forms that the Greek tragic dramatists used in their plays. From a dramaturgical point of view it was a very important element of play strictly connected with the conventions of the ancient theater. The examples taken from the Euripidean tragedy will be used to demonstrate the ways the ancient Greek tragedians applied ekphrasis in their works. Their review will start with descriptions, which can be conventionally called the ekphrasis of the theatrical “mask”. The term mask is understood here not sensu stricto as a part of actor’s costume, but as having a reference to what it hides. This type of ekphrasis may be found in visually inaccessible to the public of the Greek theater face of dramatis personae that is hidden behind the mask. It concealed facial expressions, so important to understand the action of the drama itself, as well as the role played by the actor. It is impossible to overestimate the importance of this dramaturgical element as a non-verbal means of communication which harmonizes with the text of play and its action and is crucial to perceive the intended meaning of the actors’ words.
Źródło:
Collectanea Philologica; 2018, 21; 39-57
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Change of Rhythm as a Compositional Technique
Autorzy:
Stępień, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1046565.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek metrics
metarhythmia
song structure
Greek tragedy
lyric metres
Opis:
The paper demonstrates rules and some of the basic applications of metarhythmia that is one of the compositional techniques used by Greek tragedians. The presentation of the examples is proceeded by discussion on the phenomenon of the so-called verbal rhythm, and distinction between metrical pattern and its syllabic realization. In the context of metarhythmia, verbal rhythm produces rhythmic ambiguity that reveals itself in specific syllabic realizations of metrical patterns. The result of the process is used by poets to generate consecutive rhythmic phrases (cola), and thus to shape artistically the structure of a song.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 13-27
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część II: Mneme w utworach Eurypidesa
From the Study on the Concept of Memory – Mneme in Greek Drama. Part II: Mneme in the Eurypides’ Plays
Autorzy:
Narecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/648684.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mneme – memory
semantics
ancient Greek tragedy
Euripides
Opis:
Study on the concept of mneme – “memory” in the plays of Euripides is a continuation of our research (based on the works of Greek tragedians), whose aim is not only to establish meanings, especially new ones, but also to define the role that this concept plays in the works of Euripides. Linguistic and literary analysis of 8 instances of a noun mneme shows that this concept reveals hitherto unknown semantic values and it also performs functions that are important for the plot. Among the meanings of mneme there are five new ones: (1) “testimony, proof” (Suppliant Women), whose role is a ‘media’ message to guarantee the preservation of memory about Theseus’ feats among descendants, (2) “account, balance” (Heracles), rational argument, which the hero must use in a critical situation caused by divine power, (3) specific “history”, which creates the plot (Ion), (4) “reason, rightness” (Iphigenia at Aulis), i.e. evidence of predominance of the woman over the man (in terms of character), (5) “image”, twice in this sense (Iphigenia at Aulis): 1. as a panorama, vivid memory of panegyric and cognitive nature (Greek expedition), 2. as scenes from Iphigenia’s childhood cited in order to change the decision of Agamemnon. In addition to the new ones, Euripides also uses known meanings: mneme with negation, i.e. the lack of “mentions, memories” (= concealment) becomes an important element of the plot of Helen, guaranteeing its happy ending; in turn mneme as Kreon’s “thought” is a tool for mastering feelings and influencing the development of stage events. All meanings defined by Euripides can be divided into two groups. The first group includes meanings that have rational value: (1) “account, balance”, (2) “thought”, (3) “reason, rightness”. In the other group there are expressive meanings: (1) “testimony, proof”, (2) “mention, memory”, (3) “history”, (4) “image”. Undoubtedly, Euripides not only broadened the semantic scope of the concept of mneme, introducing its new values, but creatively used them in his plays, whether to describe the main characters, or as an element influencing the action, or finally as a testimony of the past that is important for the plot.
Źródło:
Collectanea Philologica; 2018, 21; 25-38
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część I: Mneme w utworach Ajschylosa i Sofoklesa
From the Study on the Concept of Mneme – “Memory” in Greek Drama. Part I: Mneme in Aeschylus’ and Sophocles’ Plays
Autorzy:
Narecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/648690.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mneme – memory
semantics
ancient Greek tragedy
Aeschylus
Sophocles
Opis:
The aim of the study, which is a continuation of this type of research (based on Greek literary sources of the Presocratic era), is to determine the meanings of the concept of mneme – “memory” in the works of Aeschylus and Sophocles, as well as to determine the function it plays in a given place. Linguistic and literary analysis of 12 instances of a noun mneme in Aeschylus (3) and Sophocles (9) shows that this concept reveals hitherto unknown semantic shades. Aeschylus gives mneme a new meaning of “worship” (in Suppliants). He also uses the already known: intellectual “power of memory” and for the first time in the history of Greek literature identifies “memory” with the mother of all muses – Mnemosyne (in Prometheus Bound). More often mneme appears in the works of Sophocles, which results from the functions performed there. After all, the intellectual “power of memory” and “memories” as the effects of its actions allow the characters to: (1) do well (and thus keep the moral order), (2) get to know the truth about ourselves (to recognize our own identity) changing the course of dramatic action as part of the peripeteia (the case of Oedipus), (3) lead (as the driving force) to destruction of heroes (Jocasta, Oedipus), (4) drive the action (as “thought”), (5) serve as a moral compass (in a new semantic shade “attention”, in Oedipus at Colonuss), (6) store a resource (memories) as a deposit in collective memory as a warning for posterity. And finally, for the first time in history, the concept of mneme as a tool of mimesis is used in Oedipus Rex in the new sense: “the ability to (re)create” (inspired by Mnemosyne) or otherwise: “poetic art of reconstruction” of dramatic events. Defined meanings (semantic shades) of mneme can be divided into 2 groups. The first group includes those that take rational value: “power / ability to remember”, “thought”, “attention”), while the other holds the expressive meanings: “worship, honour, commemoration”, “(re)creative, poetic reconstruction”. It seems that the Greek tragedians were aware of the role that mneme can play in their works: whether in the depiction of the characters, or as an element that drives the action, or in recalling, in various ways, the past and its cultivation.
Źródło:
Collectanea Philologica; 2018, 21; 5-23
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bóstwa i demony kobiece w tragedii greckiej
Female Deities And Demons In Greek Tragedy
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648619.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Greek tragedy
female deities and demons
Athena
Erynies
Opis:
The article focuses on female deities and demons appearing in ancient Greek tragedy. At the beginning the classification of female deities and demons is made followed by description of its two categories. The first category consists of deus ex machina characters exemplified by Athena from Iphigenia in Tauris by Euripides. The second is depicted in the image of Erynies that appear both in the action (Aeschylus’ Eumenides) and in commentaries (Euripides’ Iphigenia in Tauris).
-
Źródło:
Collectanea Philologica; 2017, 20; 5-20
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Psychotic phenomena in Euripides’ Heracles
Autorzy:
Stróżyński, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1045948.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek tragedy
Euripides
Heracles
Kleinian psychoanalysis
madness
psychosis
Opis:
The article is an attempt at the psychoanalytic interpretation of the Euripidean Heracles. The theory used to explain psychological phenomena of the play is Melanie Klein’s concepts of the paranoid-schizoid and depressive position, as well as contributions to the understanding of psychotic thinking made by her followers: Hanna Segal, Wilfred Bion, Herbert Rosenfeld, and John Steiner. Characters in the play, in their speech and behaviour, as well as in the chorus’ songs, reveal a significant number of primitive psychological mechanisms, such as splitting, denial, idealisation and projective identification. The analysis of those mechanisms expressed in literary material allows to see the much argued continuity of Euripides’ extraordinary play.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 103-137
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fatum i absurd. Inspiracja tragedią grecką w twórczości Alberta Camusa
Autorzy:
Roś, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/667937.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
absurd
fate
Greek drama
Greek tragedy
Oedipus
Prometheus
Camus A.
Opis:
The purpose of this article is to show that the Greek drama for Albert Camus was an expression of the universal experience of the cruelty of fate. Dramatic stories of Oedipus and Prometheus were for him a kind of map of the world with space selected for the man and his denial of suffering. Camus knows that in the tragedy even a man who is a „plaything of the gods”, maintains strength and honor in his defeat, and that the hero embroiled in horror stories, preserves the dignity, which adds faith and courage. This is where Camus found the connotation between the concept of fate and absurd, because absurd can’t be defeated by force of human will, a munity directed against absurd does not save the Man from misfortune.
Źródło:
Racjonalia. Z punktu widzenia humanistyki; 2013, 3
2391-6540
2083-9952
Pojawia się w:
Racjonalia. Z punktu widzenia humanistyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opera – Oratorio Oedipus Rex by Stravinsky and the Greek Original (SPhP XI, 1996)
Opera – Oratorio Oedipus Rex by Stravinsky and the Greek Original
Autorzy:
Skwara, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1046566.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek tragedy
Sophocles
Oedipus Rex
ancient performances
Igor Stravinsky
opera
Opis:
This article is a voice in the discussion on the methods of stage implementation of Greek tragedy. The discussed staging of “Oedipus Rex” opera by Stravinsky (Tokyo ‚94) is dominated by non-verbal means of expression (music, set design, costume, stage movement), thus setting a supporting role for the libretto. Nevertheless, the performance arouses similar feelings and emotions as Sophocles’ drama.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 7-12
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
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