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Wyszukujesz frazę "eco-anthropology" wg kryterium: Temat


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Tytuł:
Ekoantropologia antyhumanistyczna. Przypadek Johna Nicholasa Graya
Antihumanistic eco-anthropology: The case of John Nicholas Gray
Autorzy:
Domeracki, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/470408.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
John N. Gray
ekoantropologia
antyhumanizm
posthumanizm
podmiot
moralność
etyka
naturalizm
biocentryzm
nihilizm
ateizm
eco-anthropology
antihumanism
posthumanism
subject
morality
ethics
naturalism
biocentrism
nihilism
atheism
Opis:
This article presents an outline of John Nicholas Gray’s position on the humanistic paradigm in the philosophical anthropology and ethics taken from a radically environmental perspective. It is rather hard to say that he proposes any systematized, comprehensive, coherent and, conclusive eco-philosophical theory for two reasons: firstly, his thoughts look like they were intentionally or accidentally chaotic, expressed sharply and resolutely, at times even openly provocative, far from philosophical refinement, flair, and seriousness. Secondly, his concept resembles a personal manifesto and is kept in a journalistic style. Regardless of that I try to reconstruct, systematize, and present Gray’s view on environmental protection, human nature, the subjectivity of humans, the moral status of animals in comparison to humans, the most probable future of humankind and our planet, the issue of the validity of ethical discourse and moral practices arising from it, and finally a mistrust towards the moral progress of humanity. The central point of my essay around which the whole critical reconstruction is organized is Gray’s concept of “straw” subject. It is defined by Gray, referring to ancient Chinese ceremony, as an equivalent of the actual state of human subjectivity that, according to the English philosopher, in reality there is no difference between people and other animals. Consequently, Gray concludes that we are the same animals as others and, what directly results from it, that human morality is nothing more than a useful fiction, while ethics can be compared only to the ordinary bourgeois novel and hence treated as “an art of hypocrisy.” Gray recommends as the only acceptable form of ethics an animal virtue (because there is nothing similar to any human virtue). This approach consists of the following principal assumptions, main aspects, provided solutions, and suggested directions of constantly practice-oriented thinking: radical anti-metaphysicism, anti-anthropocetrism, anti-humanism, naturalism, atheism, counter-progressivism, anti-scientism, biocentrism (gaism), animalism, and finally environmentalism. Gray’s anti-humanistic eco-anthropology leads us in the end to a sombre, pessimistic vision of the post-humankind that a highly probable destiny is mass destruction if human beings do not come to their senses in time becoming the straw subjects.
Źródło:
Studia Ecologiae et Bioethicae; 2015, 13, 4; 9-38
1733-1218
Pojawia się w:
Studia Ecologiae et Bioethicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W parku z Raymondem Rousselem – anamorfoza i ornament
In the Park with Raymond Roussel: Anamorphosis and Ornament
Autorzy:
Gołąb, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/534500.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
eco-aesthetics
visual anthropology
anthropology of space
metaphor
narration
cultural allusion
imaginary structure
anamorphosis
ornament
Opis:
The article is devoted to the semantic and composition functions of the figure of a park/garden in Raymond Roussel’s novel Locus Solus. The issue discussed in this paper concerns a pretextual function of fictional space for the narration mode and sequential order of the novel. An attempt is made to supplement the dominant structuralist tradition of interpreting Roussel’s work, for example, with the concepts appearing in Maria Gołaszewska’s eco-aesthetic approach and Arnold Berleant’s environmental aesthetics. The proposed direction of reflections allows us to see in the rhetorical aspects of Roussel’s style, among which numerous hyperboles particularly attract the reader’s attention, a narrative method of anthropologically understood imaginary structures. These structures were based on the systems of objects, whose task, apart from rhetorical and cultural deluding, governed by the poetics of absurd, is to determine an anthropological point of observation in the very problem of visual experience connected with the walk in the park, intended by Roussel as an integral element of the plot. The article points out that the main problem of the novel is garden space seen from the perspective of visual anthropology, with the cultural pattern of an imaginary structure determined by the space. This space is given the function of disinterested narrating. According to the author of the proposed analyses, the meaning of such an understood visual metaphor is carried by two primary figures inscribed in the space of the garden: anamorphosis and ornament.
Źródło:
Śląskie Studia Polonistyczne; 2018, 11, 1; 71-88
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
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