Temat: contrastive principle - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Kříž u potoka Karolíny Světlé
»Kříž u potoka « of the Karolína Svìtlá
Autorzy:: Všetièka, František
Powiązania:: https://bibliotekanauki.pl/articles/908833.pdf
Data publikacji:: 2018-09-11
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: superstitious time
Karolína Světlá
contrastive principle
vertical space
locus horridus
anticipant
mortal framing
local framing
Vorgeschichte
kontrastní princip
vertikální prostor
mortální zarámování
lokální zarámování
pověrečný čas
Opis:: In her novel Kříž u potoka (1868) Karolína Světlá applied a contrastive principle, which is seen mostly in the relationships between her characters. A part of this principle is represented by vertical space completed by a place of horror (locus horridus). The place of horror is twofold in this novel, the latter is related to the anticipant character (a holy old women). The novel is framed in two ways – in a mortal and a local way. The opening of the novel is represented by Vorgeschichte, while the rest of the story is covered in the superstitious time.
Źródło:: Bohemistyka; 2017, 3; 257-265
1642-9893
Pojawia się w:: Bohemistyka
Dostawca treści:: Biblioteka Nauki

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Tytuł:: When Do Nouns Control Sentence Stress Placement?
Autorzy:: Szwedek, Aleksander
Powiązania:: https://bibliotekanauki.pl/articles/1365403.pdf
Data publikacji:: 2017
Wydawca:: Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:: sentence stress placement
neutral intonation
end-focus principle
givenness
contextual informationvalue of nouns
emphasis
contrastive/corrective interpretation
Opis:: The relation between sentence stress and grammatical category is not a new problem, but largely ignored in recent research, in which such related topics as given/new information, focus and its scope and sentence stress have often been misdirected and misconstrued. Sentence stress placement has traditionally been described in terms of two conditions: (i) the stress must fall on a contextually new lexeme; (ii) it must fall as far towards the end of the utterance as possible. The main claim of the present paper is that in neutral intonation, the place of the “neutral” stress, as contrasted with the “emphatic”/“contrastive”/“corrective” stress, is controlled by the contextual information value of the noun. The analysis of simple transitive sentences in English, German and Polish, each with a different syntactic structure, allows for the following, specific claims: (a) sentence stress must fall on the contextually “new” noun if such is present; (b) sentence stress must not fall on a contextually “given” noun; (a) and (b) lead to the conclusion that other grammatical categories, regardless of whether they are “new” or “given,” get the stress only in the absence of a “new” noun. It is also suggested that in some cases the prosodic parameters may be irrelevant in distinguishing “neutral” from “emphatic” stress.
Źródło:: Academic Journal of Modern Philology; 2017, 6; 145-176
2299-7164
2353-3218
Pojawia się w:: Academic Journal of Modern Philology
Dostawca treści:: Biblioteka Nauki

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