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    Wyświetlanie 1-6 z 6
    Tytuł:
    Symbolika wybranych elementów ornamentu ukraińskich druków Iwana Fiodorowa
    Autorzy:
    Wierucka, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/681248.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Fiodorov Ivan   
    Symbolika
    Ornamentyka
    Drukarstwo
    Symbolism
    Ornamentation
    Printing
    Źródło:
    Folia Bibliologica; 2011-2012, 53-54; 11-23
    2449-8246
    1230-2376
    Pojawia się w:
    Folia Bibliologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O kaflach z Modliszewic czyli o piecach elity czasów wazowskich
    ON TILES FROM MODLISZEWICE, THAT IS ON STOVES OF ELITES OF THE VASA TIMES
    Autorzy:
    Kajzer, Leszek
    Powiązania:
    https://bibliotekanauki.pl/articles/941960.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    dwór w Modliszewicach
    piec wazowski
    polskie kaflarstwo
    ornamentyka kafli
    piece kaflowe
    Opis:
    The contents of the present paper are considerations concerning specicity of tiles and image (and possibilities of reconstruction) of stoves coming from the 1st half of the 17th century. The author begins with general observations using views of Maria D¹browska, and then comes to, published by the same author, stove of so-called Vasa castle in Warsaw. Next, he concentrates on discussing a stove from a manor-house in Modliszewice near Koñskie. This stove in white-navy blue colouring, was built at suggestion of Jan Lipski (†1641)in the 30’s of the 17th century. Subsequently, the author discusses other similar stoves from the 1st half of the 17th century, relics of which or only collections of tiles were found during archaeological excavations of castles and other residences in: Nowe Miasto on Warta, Lubawa, Ujazd, Piñczów and Brudzew near Turek. Most of these stoves were built as a result of foundation actions of narrowly understood social elite of the Vasa times, concretely late phases of the reign of Sigismund III (†1632) and the rule of Vladislav IV (1632 – 1648). The author submits a proposition that in the times of the rst ruler mostly white – navy blue stoves with green and yellow elements were built, and since the half of the 30’s of the 17th century only stoves with tiles with blue (navy blue) background and white relief. They represent typical of the early Baroque in Poland ornamentation. Probably therefore they should be treated as artifacts created in a circle of widely understood (in respect of time and space) court of Vladislav IV, or dened as “stoves of the Vasa times elite”.
    Źródło:
    Acta Universitatis Lodziensis. Folia Archaeologica; 2010, 27
    0208-6034
    2449-8300
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Archaeologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kafle z zamku radomskiego
    STOVE TILES FROM THE CASTLE OF RADOM
    Autorzy:
    Olejnik, Jarosław
    Powiązania:
    https://bibliotekanauki.pl/articles/941959.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    kafle piecowe
    zespół zamkowy w Radomiu
    kafle naczyniowe
    kafle płytowe
    ornamentyka kafli płytowych
    Opis:
    The article includes an analysis of a collection of tiles obtained in the course of numerous excavations and archaeological-architectonic supervisions within the old castle complex in Radom built on foundation of Casimir the Great, together with the city walls, in the years 1340-1350. The complex was extended in the end of the 14th century, and in the rst half of the 16th century modernization of the object in the Renaissance style was conducted. Repairs, among others after the burning by the Swedish army, fall to the 17th century, while in 1787 the object was subjected to radical modernization by Alexander Potkañski, the last starost of Radom. During archaeological excavations within the buildings of the old castle 1516 fragments of tiles were obtained, from among which 40 are remains of vessel tiles with round or quadrangular holes, rarely in form of four- or ve-leaved shamrock. The tiles came entirely from mixed rubble layers, therefore the chronology was established on the grounds of stylistics and technological analysis. Finds of plate tiles were divided into chronological groups covering the period from the 16th to the end of the 18th century. The rst is constituted by Renaissance specimens from the 16th century. Here, specimens decorated with a rosette motif, an image of a peacock, fragments of niche and surmounting tiles, in shape of lilies were distinguished. The second group comprises late Renaissance specimens with a motif of a whirling rosette in frame, and shelf tiles among others with ornament of sh scale. A separate subgroup of late Renaissance tiles was formed by specimens with green glaze, on which a tournament scene (g. 13), a whirling rosette, a motif of so-called convex mirror (g. 15) are represented as well as a surmounting element with an upturned inscription “INRI”, in which the letters were divided by Xs. The third period, falling to the turn of the 16th and 17th centuries, included specimens with continuous ornament, composed of vegetal-geometric motifs with characteristic heart motif in the central part, and fragments of ller tiles with motifs of rosettes placed in meshes of plaitwork. Among the specimens from the first half of the 17th century fragments decorated with motifs of vegetal twigs and vegetal-geometric ornament were distinguished, whereas specimens with image of an eagle wearing a crown, sometimes placed in a medallion as well as specimens decorated with strongly stylized oral ornament, which probably came from the same stove, are dated to a period about the half of the 17th century. An attempt at reconstruction of heating installation was made, which was built of two boxes in shape of cuboid. To the last period tiles in Rococo style were ascribed, unglazed or covered with white glaze. They were decorated with oral motifs or a motif of grape-vine. The research on the castle brought a discovery of an interesting tile collection with a very rich set of ornamental motifs, characteristic of high quality of realization. The material, however, is not fully representative because from among most of heating installations only fragments of tiles preserved, which do not the full picture of the stove’s splendor.
    Źródło:
    Acta Universitatis Lodziensis. Folia Archaeologica; 2010, 27
    0208-6034
    2449-8300
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Archaeologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wstępna informacja o kaflach z Piotrkowa Trybunalskiego ze szczególnym uwzględnieniem zespołu pozyskanego w trakcie badań archeologicznych przeprowadzonych w 2005 roku
    PRELIMINARY INFORMATION ABOUT TILES FROM PIOTRKÓW TRYBUNALSKI WITH SPECIAL REGARD TO A COLLECTION OBTAINED IN THE COURSE OF ARCHAEOLOGICAL EXCAVATIONS CONDUCTED IN 2005
    Autorzy:
    Długoszewska, Wiktoria
    Pietrzak, Janusz
    Powiązania:
    https://bibliotekanauki.pl/articles/941956.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Piotrków Trybunalski
    wykopaliska archeologiczne
    kafle piecowe
    ornamentyka kafli płytowych
    badania archeologiczne w Piotrkowie Trybunalskim w 2005 roku
    Opis:
    The present text contains essential information about a collection of stove tiles obtained during archaeological excavations conducted in the area of historical town of Piotrków Trybunalski and its suburbs. It consists of four parts. In the rst the authors present the range of research works – both stationary ones and supervisions undertaken on the occasion of various earthworks – carried out in the area since 1962. The second part of the text is devoted to a concise presentation of research results in the area of the Jesuit church and monastery built on the turn of the 17th and 18th centuries. Whereas, the third part discusses collections of stove tiles found in Piotrków Trybunalski during older research works, and in the last, fourth part a preliminary characteristics of the collection obtained in the course of the works conducted in 2005, including nearly 13 000 tile fragments, mainly formed in matrixes was presented. However, it is very varied material, which presents technological and stylistic features commonly known and spread in tile-making in Poland, especially in the area of widely understood Great Poland province, covering proper Great Poland, Kuyavia and central Poland. In the collection tiles with Renaissance-mannerism and early Baroque stylistics prevail, however, there are also artifacts both older and younger, therefore the whole may be considered representative for the period from 15th/16th centuries to the 20th century.
    Źródło:
    Acta Universitatis Lodziensis. Folia Archaeologica; 2010, 27
    0208-6034
    2449-8300
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Archaeologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przedstawienia figuralne w ikonografii ceramiki kultury Mimbres
    Figurative representations on the Mimbres painted pottery
    Autorzy:
    Ciomek, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/167836.pdf
    Data publikacji:
    2019
    Wydawca:
    Sieć Badawcza Łukasiewicz - Instytut Ceramiki i Materiałów Budowlanych
    Tematy:
    ceramika Mimbres
    kultura Mimbres
    Nowy Meksyk
    ornamentyka ceramiki
    Południowy Zachód
    Mimbres pottery
    Mimbres culture
    New Mexico
    pottery ornamentation
    Southwest
    Opis:
    Artykuł opisuje zdobnictwo ceramiczne w kulturze Mimbres, która w czasach prekolumbijskich rozwijała się na terenie Południowego Zachodu Stanów Zjednoczonych. Do najbardziej charakterystycznych motywów ornamentacyjnych w tym regionie należą malowane na powierzchniach naczyń figury ludzi i zwierząt. W tekście przybliżona została symboliczna rola naczynia i jego kolorystyki, a także interpretacje najbardziej charakterystycznych przedstawień figuralnych w kontekście społeczności ją wykonującej, jak i obszarów będących w tym czasie miejscem kształtowania się odmiennych tradycji kulturowych rozwijających się na terenach Południowego Zachodu Ameryki Północnej (Pueblo i Hohokam) oraz Mezoameryki.
    The Mimbres culture developed in the preColumbian era in the southwestern part of the United States and has been viewed as a branch of the greater Mogollon cultural tradition. Its specific features are well known ceramic production and distinctive black-on-white ornamentation motifs finely executed on the inner surfaces of hemispherical bowls. They consist of complex geometric designs and occasionally include representations of humans and animals. Their realistic appearance and narrative character suggest a relationship to everyday and ceremonial life of the Mimbres people. Ceramic ornamentation is also considered in the context of other cultural traditions of the Southwestern (like Pueblo and Hohokam) and Mesoamerican societies. In addition, the bowl-shaped vessels and their coloring which entail connections to the symbolic thinking of the southwestern peoples is also characterized in the further text.
    Źródło:
    Szkło i Ceramika; 2019, R. 70, nr 2, 2; 8-12
    0039-8144
    Pojawia się w:
    Szkło i Ceramika
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ozdoby celtyckie na ziemiach polskich
    Celtic Ornaments in the Polish Territories
    Autorzy:
    Szpindowska, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/1954298.pdf
    Data publikacji:
    2003
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    sztuka celtycka
    Celtowie na ziemiach polskich
    zdobnictwo epoki żelaza
    ornamentyka celtycka
    Celtic art
    Celts in Polish territories
    ornaments in the epoch of iron
    Celtic ornamentation
    Opis:
    The author has presented and classified various types of ornaments used by Celts who inhabited the present territories of Poland from the beginning of the fourth century B.C. until the first decades of A.D. The ornaments have been divided according to the material from which they were made (metal, glass, sapropel, bone, and amber), for it was a material that imposed the form of an ornament and its decoration. The techniques that were applied then have been discussed, decorative motifs characters of various kinds of ornaments (clasps, bracelets, epaulettes, shin-guards, necklaces, buckles, rings, and pendants).
    Źródło:
    Roczniki Humanistyczne; 2003, 51, 4; 79-118
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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