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Tytuł:
Egzemplifikacja przemian w budownictwie organowym I połowy XX wieku na podstawie wybranych instrumentów z terenu obecnego województwa lubuskiego
Examples of changes in organ building in the 1st half of the 20th century as shown by the selected instruments preserved in the present Lubuskie Voivodship
Autorzy:
Gawiejnowicz, Waldemar
Powiązania:
https://bibliotekanauki.pl/articles/522006.pdf
Data publikacji:
2017
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Lubuskie Voivideship
1st half of the 20th century
organ building
Organ Revival
Sauer
Grüneberg
Berschdorf
Kemper
Seifert
Opis:
Lubuskie Voivodship is a varied and valuable area in terms of sacred architecture and church organs. The development of sacred building industry, industrialization of organ-building, and the use of the steam engine in the 19th century enabled organ manufacturers to expand their production in that area. That process reached its peak at the turn of the 19th and 20th centuries and caused major changes in organ instruments as such, that have been preserved in differing degrees to this day. The first half of the 19th century was the time of significant development in organ-building in terms of technology and sound aesthetics. It affected such aspects as specification, pipe scaling, voicing, system of action, and windchest construction. In the first two decades, apart from taking advantage of the previously worked out solutions, organ companies focused on the “moderniz-ation” of their instruments. It was, however, still carried out basing on tubular-pneumatic action and cone valve chests. The following decade brought some new ideas in the field of organ spe-cifications. Attempts to make electrical action more common were followed by turning back to the tracker action and slider chests. The Organ Revival Movement (Orgelbewegung) helped to break the monopoly of large organ companies focused on series production. However, these new trends in organ-building could not spread immediately due to the upcoming economic crises and the two world wars. The instruments preserved in the Lubuskie region document the most important transition in German organ-building in the first half of the 20th century and provide interesting research mate-rial. The instruments discussed in this article, selected from different locations (Drezdenko, Strzelce Krajeńskie, Gorzów Wlkp., Międzyrzecz, Iłowa, Słonów), present a clear development line over the years. Their choice was dictated by the accessibility of source materials, complemented by the author’s own research.
Źródło:
Aspekty Muzyki; 2017, 7; 225-256
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
REGULAMIN BUDOWY, REMONTU I SPROWADZANIA Z ZAGRANICY INSTRUMENTÓW W ARCHIDIECEZJI KRAKOWSKIEJ Z 2007 ROKU
THE 2007 CRACOW ARCHDIOCESE GUIDELINES FOR CONSTRUCTION, RENOVATION AND IMPORT OF PIPE ORGANS
Autorzy:
Tyrała, Robert
Powiązania:
https://bibliotekanauki.pl/articles/946883.pdf
Data publikacji:
2016
Wydawca:
Stowarzyszenie Polskich Muzyków Kościelnych
Tematy:
Organy
soborowa odnowa muzyki kościelnej
regulamin budowy remontu i sprowadzania z zagranicy organów z 2007 roku
archidiecezja krakowska
Pipe organ
the Revival of sacred music after Vatican Council II
The 2007 Cracow Archdiocese Guidelines for Construction Renovation and Import of Pipe Organs
Opis:
Drawing on the musical tradition of the Church, the Vatican Council II stated that: “In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things” (CSL 120). The instruction Musicam Sacram specified this even more explicitly: “Musical instruments can be very useful in sacred celebrations, whether they accompany the singing or whether they are played as solo instruments” (MS 62). The instruction of 1987, regarding concerts in churches, reaffirmed the conciliar stipulation that the proper church instrument is a pipe organ: “It is of considerable importance that in all churches, and especially those of some importance, there should be trained musicians and instruments of good quality. Care should be given to the maintenance of organs and respect shown towards their historical character both in form and tone” (no. 7). Thereby the Church’s stance on the matter of sacred music is rigid. On 18 March 2007 Cardinal Stanisław Dziwisz signed The Cracow Archdiocese Guidelines for Construction, Renovation and Import of Instruments of 2007. The document is divided into the following chapters: General rules, Construction of new organs, Reconstruction and renovation of existing organs, Transfer of organs, Post-renovation quality acceptance, Final stipulations. In the years 1997-2015, in the Cracow Archdiocese there were constructed 15 new pipe organs, 40 instruments were imported from abroad, 70 were renovated and restored. Currently, we are carrying out the renovation and reconstruction of pipe organs in 17 churches of the Archdiocese34, including the two new instruments in two leading sanctuaries: of the Divine Mercy and of John Paul II. It is possible thanks to the dedicated work of the members of the Archdiocesan Commission for Church Music and to the approbation of the Church Administrators.
Źródło:
Musica Ecclesiastica; 2016, 11; 77-83
2353-6985
Pojawia się w:
Musica Ecclesiastica
Dostawca treści:
Biblioteka Nauki
Artykuł
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