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Wyszukujesz frazę "Futurism" wg kryterium: Temat


Tytuł:
La poetica del Futurismo. Oltre i confini dell’arte
Autorzy:
Campa, Riccardo
Powiązania:
https://bibliotekanauki.pl/articles/638370.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Italian Futurism, Futurism, art, poetics
Opis:
The article is devoted to the analysis of the relationship between the program and the actual achievements of Italian Futurism. The Futurists introduce in literature the themes of the new urban, industrial, dynamic, technological, and tumultuous civilization, through a poetic which, without inhibitions, breaks linguistic, pictorial, rhetorical, and metric rules. The “words-in-freedom” program leads to the “liberation” of various forms of energy and vitality, and opens the way for a revolution in the perception of reality. The principle of mimesis gives way to free creation, which breaks down the boundaries between the fine arts and engineering, between artistic disciplines and life experience. The futurists seek not only the natural sublime as their predecessors, but also produce and glorify the artificial sublime, made through science and technology
Źródło:
Romanica Cracoviensia; 2015, 15, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Manifesti del Futurismo polacco
Manifestos of Polish Futurism
Autorzy:
Ranocchi, Emiliano
Powiązania:
https://bibliotekanauki.pl/articles/28409117.pdf
Data publikacji:
2016
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Polish Futurism
Manifestos
Opis:
The Author presents the most significant Manifestos of Polish Futurism in Italian translation. They follow the original Polish text, also maintaining the graphic aspects.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 103-139
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paweł Graf, Automobil w pędzie. Studia o futuryzmie i futurystach, Wydawnictwo Naukowe UAM, Poznań 2018, pp. 522.
Autorzy:
Ranocchi, Emiliano
Powiązania:
https://bibliotekanauki.pl/articles/1195743.pdf
Data publikacji:
2020
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Book reviews
Futurism
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2020, 11; 215-219
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La storia chiusa del Futurismo polacco
Closed-down History of Polish Futurism
Autorzy:
Gazda, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/28409114.pdf
Data publikacji:
2016
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Polish Futurism
Literary criticism
Opis:
News of Italian futuristic manifestos reached Poland soon after the first publications by F.T. Marinetti and his group in Italy and France. On the verge of regaining their independence, the Poles recognized that futurism presented them with an opportunity to renew and modernize their literature. Thus futurism inspired Polish journalists, critics, artists and poets for a whole century. This process reached its peak between 1918 and 1939. Thereafter, and for decades, it became an object of analyses and interpretations by literary historians. Today — and this article is devoted precisely to this problem — a hundred years later, Polish literary scholars seem to be closing down this avant-garde movement — perhaps definitively? — and assessing its merits in the history of Polish literature.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 7-14
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przestrzeń n-wymiarowa i węch. Uwagi o futuryzmie
N-dimensional Space and Smell. Observations on Futurism
Autorzy:
Kokoszka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/951566.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
futurism
poetics
space
senses
smell
Opis:
The author’s subject of interest is olfactory experience and its effect on the form of the space presented by futurists. The futurists develop new sensitivity, open to “sharp” stimuli, and not avoiding dissonances. The smell becomes in this context a component of the constructed space, appertaining to the forms of intensity, dynamic forms. The scent appeals to intuition rather than reasonable calculation, encouraging the futurist “new opening”. Also a broader context of the considerations seems important: the pursuit, declared in program texts of the futurists, of going beyond the convention of three dimension towards an n-dimensional space experienced with all senses; in other words the will to differentiate the ways of perception in order to enrich special imagination.
Źródło:
Białostockie Studia Literaturoznawcze; 2014, 5
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Manifesty cyborgów: awangardowa wizja fuzji kobiety z maszyną (Hannah Höch — Giannina Censi — Mina Harker)
Cyborg Manifestos: Avant-garde Vision of Female and Machine Fusion (Hannah Höch — Giannina Censi — Mina Harker)
Autorzy:
Marcela, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/579193.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
cyborg
feminism
female
dadaism
futurism
Opis:
In Cyborg Manifesto Donna Haraway writes: “cyborgs (…) make very problematic the statuses of man or woman, human, artefact, member of a race, individual entity, or body”. This paper returns to the very beginning of thinking about this figure and examines the first protocyborg images created by Futurist and Dada female artists. I also look at Dracula’s Mina Harker as one of the first Western protocyborg figures. I ask to what extent such images anticipated the new forms of subjectivity and how they made the relation between human-nature and human-technology problematic as well as thinking in categories of gender.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 2(126); 63-73
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Polish Cyborg. A Reflection on the Relationship between Man and Machine in Early Polish Modernism
Autorzy:
Ranocchi, Emiliano
Powiązania:
https://bibliotekanauki.pl/articles/28409103.pdf
Data publikacji:
2016
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Machine
Futurism
Cyborg
Polska
Utopia
Opis:
Far from being enthusiastic “modernolatry” of Italian futurism, Polish futurism demonstrates an attitude of ambivalence toward modernity. This is particularly evident in the Polish approach to that very synecdoche of modernity which is the machine. In his essay of 1923, the leader of the group, Bruno Jasieński, compares the fetishistic cult of the machine, which characterizes the Italian approach, with the utilitarian one of the Russians, exemplified by a quote from Majakovskij. To these two propositions, as a sort of Hegelian synthesis, he adds a Polish one consisting in the conception of the machine as a prosthesis, a continuation of the human body. Thereby he introduces an idea later known as “cyborg”. The category of cyborg is also useful to understand the work of another today almost forgotten Polish writer of the Twenties, Jerzy Sosnkowski. He was the author of a short novel, A Car, You and Me (Love of Machines), in which a whole chapter concerns the chief character’s dystopian nightmare wherein machines take control over the world. The third section of the essay deals with the idea of man a machine – an old, 18th century conception, which became actual anew in the 20th century and whose traces we can findc among others in a well-known poem by Tytus Czyżewski. Thirty years before N. Wiener, Polish modernists seem to have sensed the social, political and anthropological implications of the mechanization of work.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 39-60
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O položaju organske neizgrađene prirode u poetici i ideologiji istočnojadranskog futurizma
On the Position of the Organic Unbuilt Nature in the Poetics and Ideology of Eastern Adriatic Futurism
Autorzy:
Pužar, Aljoša
Powiązania:
https://bibliotekanauki.pl/articles/15587060.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Futurism
techno-panism
nature
palingenesis
barbarian
Opis:
The article offers an overview of lesser-known aspects of the Eastern Adriatic futuristic avant-garde in a broader sense: both the futuristic movement itself and the phenomena that relied on it in conventional interpretations. Selected episodes relate to the examination of the futuristic relationship to the organic unbuilt nature. Emphasis is placed on the comparative image of this multicultural and multilingual literary region, beyond national historiographical conventions.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 271-288
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O talijanskom futurizmu u Rijeci 1919. godine
About Italian Futurism in Rijeka on 1919
Autorzy:
Lukežić, Irvin
Powiązania:
https://bibliotekanauki.pl/articles/636096.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Italian
literature
avangardism
futurism
DʼAnnunzio
Rijeka
Opis:
The article discusses the short-lived emergence of Italian futurism in Rijeka, just after the end of World War I, in the context of the political adventure of Gabrielle DʼAnnunzio, who, with the help of his supporters, an ardite, tried to annex the city to the Kingdom of Italy. At that moment, the avant-garde spirit of Italian futurism could manifest itself here in all its main features: activism, antagonism, nizilism and agonism. In addition to the founder of Italian futurism, Filippo Tommas Marinetti, Mario Carli, Guido Keller and Giovanni Comisso stayed and worked in Rijeka during 1919. The article seeks to describe their actions on the basis of newspaper reports in the Rijeka daily La Vedetta dʼItalia.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 225-233
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mafarka il futurista come romanzo italiano dell’avvenire. F.T. Marinetti e il grande concorso di Poesia
Mafarka il futurista as the Italian novel of the future. F.T. Marinetti and a contest by Poesia
Autorzy:
Pernice, Vincenzo
Powiązania:
https://bibliotekanauki.pl/articles/676229.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
futurismo
Mafarka
Marinetti
Poesia
romanzo
Futurism
novel
Opis:
This paper aims to link the writing of F.T. Marinetti’s Mafarka il futurista with the “great contest for an unpublished italian novel” proposed by the literary magazine Poesia. The negative ending of this competition raises several aesthetic issues, similar to the ones that may have guided the father of Futurism in writing his first novel. Therefore, it is possible to confirm the precocious interest of the Italian avant-garde in the novel genre.
Il presente contributo intende collegare la stesura di Mafarka il futurista di F.T. Marinetti al “grande concorso di Poesia per un romanzo italiano inedito”. L’esito negativo della competizione fa emergere una serie di considerazioni estetiche, paragonabili a quelle che avrebbero guidato il padre del futurismo nella scrittura del suo primo romanzo. Viene così confermata la precoce attenzione dell’avanguardia italiana nei confronti di questo genere letterario.
Źródło:
e-Scripta Romanica; 2019, 7; 52-59
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Awangarda płodna i bezpłodna
Autorzy:
Baron-Milian, Marta
Powiązania:
https://bibliotekanauki.pl/articles/579031.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Aleksander Wat
Futurism
avant-garde
gender
masculinity
Opis:
Productive and Unproductive Avant-garde
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 2(126); 37-50
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matoš i postmoderna, A.G.M. kao matrix hrvatske književnosti
Antun Gustav Matoš and Croatian Postmodernism
Autorzy:
Rem, Goran
Powiązania:
https://bibliotekanauki.pl/articles/635782.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernism
expressionism
dadaism
surrealism
futurism
constructivism
existentialism
Opis:
The article Matoš and Croatian Postmodernism shows that it was Boro Pavlović (1921–2001), the anticipator and „the father” of Croatian postmodernism, the author of fifty collections of poems and numerous media creations of Walter Benjaminʼs provenance in the 50ʼs (exhibition of poems We in 1942, collection News in 1954, the project-exhibition Encyclopedia poetica in 1957/1958, and computer poem MOrpheus in 1978), who figuratively, impressively, but accurately summed up the importance of the impressionist, symbolist and Art Nouveau author A.G.M. for the overall Croatian literature.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Najmłodsi futuryści warszawscy”, czyli o peryferiach polskiego futuryzmu – próba rekonesansu
“The youngest Warsaw futurists”. A Reconnaissance of the Periphery of Polish Futurism
Autorzy:
Jaworski, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/28409088.pdf
Data publikacji:
2016
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Polish Avant-garde
Futurism
Inter-war period
Opis:
The article discusses the so-called periphery of Polish Futurism, especially the activities of those known as the “Youngest Warsaw futurists”, who to this day are considered only as imitators or even plagiarists of writers such as Bruno Jasieński and Aleksander Wat, the artists who represent the mainstream of this literary movement. These groups (“Warsaw Katarynka”, “Homunkulus”) were active in literary field in the years 1921-1924, but most of their ephemera (“jednodniówki” – once-lived publications) have so far been considered missing. The article attempts for the first time to sort out the chronology of these publications and to show them in the broader context of “recognised” Futurist publications.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 15-25
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Anatol Stern e Bruno Jasieński
Anatol Stern and Bruno Jasieński
Autorzy:
Tomassucci, Giovanna
Powiązania:
https://bibliotekanauki.pl/articles/28409092.pdf
Data publikacji:
2016
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Futurism in Poland
Anatol Stern
Bruno Jasieński
Opis:
The Author presents her first Italian translation of Anatol Stern’s article (excerpted from his monograph on Polish Avantgarde Rebelled Poetry. Sketches on Interwar Period Poetry [1964, 2nd issue 1970]) about another prominent initiator and ideologist of Polish futurism, Bruno Jasieński. After the Thaw, Stern first contributed to Jasieński’s rehabilitation, publishing his poetry and the novel I burn Paris and writing several essays about his work. The article presented also offers a choice of translated fragments of Jasieński’s poetry, just a few known in Italy, and an artistic profile of Stern.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 141-154
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
YY. Kryptonimy Jerzego Jankowskiego
YY. The cryptonyms of Jerzy Jankowski
Autorzy:
Baron-Milian, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1038567.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jerzy Jankowski
futurism
avant-garde
modernism
tram
cryptonimie
Opis:
The article is an attempt to interpret the only book published by Jerzy Jankowski, a forerunner of Polish futurism who is often overlooked in literary history related to the beginnings of the avant-garde movement. Tram wpopszek ulicy (Tram crossways on the street), published in 1920, is presented in terms of innovative phenomena in Polish and European poetry. Such a point of view reveals its precursory character, despite its passeism repeatedly diagnosed by critics. The key word and the starting point of the analysis is the first word of the title – tram, whose ambiguity makes it not only a sign of a modern city but also a metaphor of the construction of the entire book and its historical location. Further analysis leads to conclusions that, on the one hand, reveal the complicated meaning of the vitalistic futurist concept of life and, on the other, indicate aporias and tensions between symbolism and avant-garde, originality and repetition, materiality and spirituality, as well as aesthetics and the social function of art. These seem to be a hidden dimension of Jankowski’s work.
Źródło:
Przestrzenie Teorii; 2020, 34; 35-74
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł

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