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Wyświetlanie 1-10 z 16
Tytuł:
Herb powiatu zduńskowolskiego
Zduńska Wola county coat of arms
Autorzy:
Adamczewski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/510330.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
coat of arms
county
Zduńska Wola
herb
powiat
Opis:
The County Council in Zduńska Wola made a resolution on 24 November 2000 to adopt a county coat of arms. It features St. Maksymilian M. Kolbe, a monk and martyr. The Saint’s ties with Zduńska Wola influenced the direction of search for a symbolic reference for Zduńska Wola county arms. St. Maksymilian M. Kolbe (born in Zduńska Wola in 1894) is the patron of Zduńska Wola, and October 10 – the day of his canonization – is the Feast of Zduńska Wola. Memory of the Saint’s links with his place of birth is cultivated by the Museum – home of St. Maksymilian M. Kolbe in Zduńska Wola, set up in 1994, on the centenary of his birth. In 2004 the church of the Assumption of Virgin Mary in Zduńska Wola was named the Sanctuary of the Birth and Baptism of St. Maksymilian M. Kolbe. Zduńska Wola county coat of arms received a positive opinion from the admini-stration minister. The only objection that could be raised by a heraldist may con-cern the too realistic (non-heraldic) presentation of the figure of St. Maksymilian M. Kolbe.
Źródło:
Biuletyn Szadkowski; 2014, 14; 85-96
1643-0700
Pojawia się w:
Biuletyn Szadkowski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pieczęć wojewódzka powiatów sieradzkiego i szadkowskiego z roku 1792
Provincial seal of districts of Sieradz and Szadek from 1792
Autorzy:
Adamczewski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/510422.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
seal
Sieradz
Szadek
Źródło:
Biuletyn Szadkowski; 2007, 7; 93-101
1643-0700
Pojawia się w:
Biuletyn Szadkowski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Znak miejski Zduńskiej Woli
Coat of arms of the city of Zduńska Wola
Autorzy:
Adamczewski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/510674.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
city coat of arms
Zduńska Wola
city rights
herb miasta
prawa miejskie
Opis:
The heraldic coat of arms of Zduńska Wola commemorates the possessors of the town (Stefan and Honorata Złotniccy) and the granting of city rights in 1825. The present sign of the city of Zduńska Wola was designed in 1915. Earlier, in 1847 and 1904, two proposals for coats of arms were prepared, which, however, were not accepted as city emblems. In XIX century, adoption of a coat of arms depicting three bees was considered, and in early XX century a city sign was created featuring a factory, a loom and a woman working on it. The 1847 version was popularized in the period of II Republic and then in the 1960s by Marian Gumowski. Up to 1976 it competed for the status of the city sign with the emblem designed in 1915. Resolution of the City Council of Zduńska Wola of 1976 put a stop to this dispute, although it comes up from time to time to this day.
Źródło:
Biuletyn Szadkowski; 2014, 14; 59-74
1643-0700
Pojawia się w:
Biuletyn Szadkowski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pieczęcie instytucji sądowych miast Wielkopolski do końca XVIII w. a heraldyka miejska
The Judical Seals of Wielkopolska to the End of the XVIIIth Century and Town Heraldry
Autorzy:
Adamczewski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/18055631.pdf
Data publikacji:
1999
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
Authors of ideas and creators of judical seals in Old Poland (to 1791) were completely free in creating of seal pictures. However we can observe a connection between judical and municipal iconography of seals. Rules for creating of seal pictures were established by decisions of the Great Sejm in June and October 1791. Using of judical seals for studies on town heraldry may give us unexpected results. For example we are able to revise previous settlements concerning origins of some town arms as well as heraldic symbols. We would be able to use judical seals more effectively for scientific studies, when we had at our disposal complete histories of cities and towns, lists of municipal officials as well as a knowledge of municipal judicature in old small towns.
Źródło:
Acta Universitatis Lodziensis. Folia Historica; 1999, 64; 49-63
0208-6050
2450-6990
Pojawia się w:
Acta Universitatis Lodziensis. Folia Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lipscy herbu Grabie w świetle źródeł epigraficznych w kolegiacie w Choczu
Lipscy (of Grabie shield) in the light of epigraphical sources in the collegiate church in Chocz
Autorzy:
Adamczewski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/16729147.pdf
Data publikacji:
1994
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
The bishop of Cracow Andrew Lipski bought a little town Chocz in 1620. In 1629 he started to build a church, there. This church was promoted to the collegiate church rank. The walls of collegiate church adjoined to the master of Chocz residence - the mitred prelate’s palace (now there is a presbytery). Bishop Andrew Lipski provided in the fundation's act (with approval of king Zygmunt III Vasa and pope Urban VIII) that in the future only the members of the Lipski of Grabie arms family or people close related to them will be parish-priests. The epigraphical relics brought together in the church and old mitred - prelates's palace indirectly testify to ancestral character of this church institution. This above-mentioned institution functioned in the private possesions and it never has been the possesion of Catholic church. The gallery of pictures in Low relief of fundator and following Chocz provosts deserves special notice. These portraits were made to parish-priest Kazimierz Lipski's order (in the palace's guest-hall). The busts and after-mentioned inscriptions we should treat as a manifestation of the ancestral programme - the artistic exposition of ancestral fundation's history. The effigies and comanurent inscriptions were probably made after the example of the mitred-prelates’s portraits still ex tan ted in the 18th century. Now, only in the instance of Stanislaw Lipski's bust, we can its prototype - the oil-painting picture from 1711 which is preserved in the mitred-prelates old palace. These inscriptions informed about the past of peoples connected with the collegiate church. The activity of bishop A. Lipski is commemorated by two inscriptions from the 17th century. They tell us about fundator and the one them informed of the likely date of the church building’s end. Stanisław Lipski presented all of his cash to the collegiate church in Chocz and his own ornaments. The chalice, with inscription which indicated its original owner and date of production is the trace of that distant donation. The donation of John Alexander Liptki waa the monstrance. Apart from the information about donor we find informations about goldsmith and date of its origin. The most of inscriptions were made during the reconstruction of church and palace when Kazimierz Lipski was the parish-priest in Chocz. These inscriptions commemorate personage of that resourceful administrator. Apart from the remembrances of prorosts from Chocz there are preserved two portraits of Polish noblemen: - the portrait of Andrew Lipeki - the elder brother of bishop John Alexander Lipeki and the portrait of Thomas Lipeki - father of parish-priest Kazimierz. The collection of epigraphical relics, portraits and Low - reliefs and the little belonging to the Chocz's provosts — „prepositus hereditarius in Chocz Lipscensis” convinced us of serious treatment of fundation's resolutions. This collection calls our attention to the exceptional ancestral character of that church institution.
Źródło:
Acta Universitatis Lodziensis. Folia Historica; 1994, 50; 107-129
0208-6050
2450-6990
Pojawia się w:
Acta Universitatis Lodziensis. Folia Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ze studiów nad symboliką samorządową województwa łódzkiego. Herb gminy wiejskiej ze stolicą w Kutnie
From studies on the symbolism of self-government of Lodz province: the coat of arms of the rural community with its capital in Kutno
Autorzy:
Adamczewski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1341773.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
In December 2015, after one year of debate on the version of coat of arms, Kutno Municipal Council passed a resolution to establish a coat of arms. Councilors accepted that the coat of arms of Kutno would be a shield on a blue background, with an emblem composed of a red defensive wall, the golden lion with a mirror and a silver lily flower. The image of the coat of arms contains information about Bohdan Zaleski, a poet associated with the municipality of Kutno and the Blessed Virgin Mary, the patron of the church in Głogowiec (near Kutno). The coat of arms of Kutno has been positively evaluated by the Heraldic Commission. Drafts of municipal emblems were prepared by Kinga Łuczak. Coat of arms of Kutno rural commune informs about important facts from the history of the community and its form it refers to the symbols of the city of Kutno and Kutno district.
Źródło:
Zeszyty Wiejskie; 2016, 22; 779-788
1506-6541
Pojawia się w:
Zeszyty Wiejskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O pieczęci miejskiej Uniejowa z pierwszej połowy XVI wieku
The seal of the town of Uniejów from the first half of XVI century
Autorzy:
Adamczewski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/487481.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
pieczęć miejska
Uniejów
Opis:
The heraldic arms of Uniejów have been the subject of intensive studies and monographic publicatins, and review works on town seals from Greater Poland contain extensive sections on the cross and three lilies of Uniejów. A key issue in the research on Uniejów’s identifying logo is the origin of the town seal. In the first half of the 16th century, five towns in the Gniezno Chapter within the historical area of Greater Poland (Grocholice, Grzegorzew, Piątek, Turek and Uniejów) had identical seals made, in which the graphic element – a Latin cross and three double lilie, which is the emblem of the Gniezno Chapter coat of arms – was combined with a pious motto and the name of the respective town. The uniform design for the seals was authored by cathedral canons from Gniezno. The style of the seal as well as preserved documents containing stamps of the seal indicate that it was made in the 1st half of the 16th century.
Źródło:
Biuletyn Uniejowski; 2012, 1; 157-175
2299-8403
Pojawia się w:
Biuletyn Uniejowski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W sprawie nowego herbu gminy i miasta Szadek
On the new coat of arms for the town and commune of Szadek
Autorzy:
Adamczewski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/510342.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
coat of arms
Szadek
herb
Opis:
The coat of arms for the town and commune of Szadek was designed and approved in 1990, in accordance with law in force at that time. It was, however, done without consulting heraldists and historians specializing in municipal coats of arms from the period of I Republic of Poland, or persons professionally designing emblems for contemporary municipalities. Consequently, a number of mistakes were made, the most important being that it only partly resembles the town’s heraldic arms from the mid-16th century or the coat of arms from the 17th century, which was incorporated in the altar of Szadek’s parish church to commemorate the citizens who donated funds for its equipment and decoration. According to current quidelines for re-creating coats of arms of urban communes, a municipality should have as its heraldic symbol the historic coat of arms of its capital town or city. Relevant sources indicate that the new emblem of the town and commune of Szadek should contain a city wall with an open gate and three battlemented towers, the exact shape depending on which tradition – 16th or 17th century – is recalled. As regards the heraldic colours, the new coat of arms should have red walls on a golden shield (like that from the 17th century), although a white background is also found for Szadek in publications on heraldic arms of Polish towns and cities.
Źródło:
Biuletyn Szadkowski; 2012, 12; 5-21
1643-0700
Pojawia się w:
Biuletyn Szadkowski
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 16

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