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Tytuł:
Bieszczadzki skansen cerkiewny
SKANSEN D’ÉGLISES ORTHODOXES DANS LA RÉGION DES BIESZCZADY
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/535910.pdf
Data publikacji:
1969
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
skansen cerkiewny
drewniana architektura zabytkowa
Smolnik
skansen w rozproszeniu
Opis:
Un intéressant ensemble historique de l ’architecture orthodoxe en bois, composé de 350 objectifs s ’est conservé en Pologne. Il est situé le long de la frontière polonaise à l’est et au sud-est. Le plus grand nombre d ’églises orthodoxes est localisé su r le te rrito ire de la voïvodie de Rzeszów (env. 250). La p lupa rt des objectifs ce sont des anciennes églises greco-catholiques, qui, après 1947, ont été affectées au Trésor de l ’Etat. Leur utilisation actuelle est diverse. Une g ran de partie des objectifs est affectée au culte, d ’autres sont exploités comme magasins, par contre un certain nombre ne possède ju sq u ’à présent aucun usager. Le skansen d ’églises orthodoxes projeté, qui a obtenu en 1966 l ’approbation du Groupe Consultatif pour les Questions des Parcs ethnographiques et de la Construction en bois, agissant près la Direction des Musées et de la Protection des Monuments, doit réaliser Tune des formes de la sauvegarde de ces monuments. Le p ro je t prévoit la construction du skansen en contrefo rt des Bieszczady su r le te rra in de l ’ancien village Smolnik, n ’ex istan t plus au jo u rd ’hui (district de Ustrzyca, voïvodie de Rzeszów). Selon les principes initiaux, le skansen deva it comprendre 25 à 30 églises orthodoxes. Dernièrement, ce nombre a é té limité à 14 monuments et le coût de cette entreprise se chiffre à plus de 20 millions de zlotys. Après l ’analyse critique des principes préliminaires du projet du fu tu r skansen {élaborés au Musée de Łańcut), à p a rtir du choix de l ’emplacement même, de l’aménagement fu tu r du terrain, et ensuite des questions organisationnelles et juridiques, financières ainsi que des problèmes didactiques et de présentation, la contreproposition suivante a été avancée. Au lieu du p ro je t d’un skansen d’églises orthodoxes à carac tère traditionnel, localisé dans un endroit, sur un te rra in fermé strictement délimité, un skansen homogène (objectifs sacraux), et de ce fa it présen tan t une exposition assez monotone et même ennuyeuse pour le visiteur — créer un skansen „en dispersion”. Il se composerait de nombreux musées individuels, éloignés l ’un de l ’au tre de quelques kilomètres (voir la carte). Il serait formé d’objectifs existant jusqu’à présent dans la région (cercles noirs) ainsi que des objectifs transférés dans les localités, où se trouvaient jadis des églises orthodoxes (cercles blancs), à Remplacement desquelles existent des terrains libres, p a rfa ite ment harmonisés avec le paysage. Avec le temps, le skansen p o u rra it étendre sa protection su r les autres églises, utilisées su rto u t comme objectifs de culte (cercles blanc-noir). De cette manière, le long de la voie touristique dite „Obwodnica Bieszczadzka”, serait créée une chaîne de skansens d ’églises orthodoxes, experimentation à l ’échelle inte rnationa le dans le domaine des musées en plein air.
Źródło:
Ochrona Zabytków; 1969, 2; 134-143
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogólnopolska konferencja poświęcona muzeom na wolnym powietrzu
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/537222.pdf
Data publikacji:
1970
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
konferencja Sanok 1969
muzea na wolnym powietrzu
Muzeum Budownictwa Ludowego w Sanoku
parki etnograficzne
Źródło:
Ochrona Zabytków; 1970, 1; 61-64
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ochrona zabytków w Rumunii
THE PRESERVATION OF HISTORICAL MONUMENTS IN ROUMANIA
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/537143.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
ochrona zabytków w Rumunii
Komisja Zabytków Historycznych
konserwatorstwo rumuńskie
drewniana architektura cerkiewna Rumunii
Opis:
The article presents some aspects connected with organisation of preservation of historical monuments in Roumania. The preservation work is strictly separated from museum work. The highest and also the only preserving authority, called under the new post-war act of 1960, is the Direction of Historical Monuments; whereas museum work is subordinate to the Ministry of Culture and Art. Activities, such as studying and designing of preservation work as well as survey and supervision, are concentrated in the Direction of Historical Monuments. Moreover The Commitee for Culture and The Building Commitee of each district are concerned with the problems of historical monuments. Quite a boom may be observed now in the way of restoration, because of recent including of those problems into the sphere of touristics development programme. Hence most objects being restored at the moment lie in Bukovina, in Central Transylvania, in Bucureçti and its proximity, as well as in Dobruja. The preservation of historical monuments enjoys in Roumania the status of cultural, national, almost patriotic action, although it finally yields a return. „Green light for preservation problems” and the state is consequently financing that undertaking. Some methods and final effects of preservating certain buildings may be objectionable, but the grand style in which the works are conducted rends one absolutely jealous. The reconstruction of the old dwellingshopping center in Bucureçti sets a good example, as well as the building of Vlach Skansen in Curtiçoara, Oltenia.
Źródło:
Ochrona Zabytków; 1972, 2; 108-116
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drewniany dwór w Rogóźnie przestał istnieć
THE WOODEN MANOIt-HOUSE OF ROGOŹNO EXISTS NO MORE
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/535470.pdf
Data publikacji:
1976
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
dwór w Rogóźnie
rozbiórka dworu w Rogóźnie
rozbiórka zabytku z rejestru zabytków
Opis:
The author presents a manor-house dating from 1788 which, regardless of warning signals appearing now and again in mass media, was demolished in 1975 by its user, i.e. the Gardening and Apicultural Co-operative. From the description of the manor- house it appears th a t originally it was a one-storcy building, enlarged in the 19th century. It was surrounded by an ancient park. The author comes to the conclusion th a t the Gardening and Apicultural Co-operative must have known since 1967 th a t the building was under protection. Demolition of the manor-house was о conscious violation of the law concerning cultural property protection.
Źródło:
Ochrona Zabytków; 1976, 3; 229-232
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z prac Instytutu Sztuki PAN nad dokumentacją drewnianej architektury sakralnej w Polsce (I)
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/535325.pdf
Data publikacji:
1968
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
dokumentacja drewnianej architektury sakralnej
ochrona przez przenoszenie zabytków do skansenów
inwentaryzacja budownictwa drewnianego w Polsce
Źródło:
Ochrona Zabytków; 1968, 4; 51-58
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Projekty pieczęci Towarzystwa Opieki nad Zabytkami Przeszłości
DESIGNS OF THE SEAL OF THE SOCIETY FOR PROTECTION OF HISTORICAL MONUMENTS
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/535681.pdf
Data publikacji:
1978
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Towarzystwo Opieki nad Zabytkami Przeszłości
TOnZP
pieczęcie Inwentarza Zamku Królewskiego
odznaka TOnZP
Opis:
Among the partly preserved records o f the Society for Protection o f Historical Monuments there are to be found five designs of an Inventory Seal o f the art collection at the Royal Castle in Warsaw. The designs, dating from 1916, are the work of W. Żyliński, a rather unknown architect. The author of the report does not plunge into a detailed description o f the said projects, his attention being focussed on their symbolic meaning which reflected the then political situation o f the Polish nation, its mood and striving for the recovery o f independence. In four designs the date 1915 had been inserted. It was meant to memorize the moment of the Society — a Polish institution set up in the Russian sector o f parti tioned Poland, 1906, upon the initiative of the Society'— having taken over the care o f the Royal Castle in Warsaw after 85 years o f the country’s servitude. The key-note of two designs is the crown o f King Sigismund III, bearing the inscription: „The Royal Castle” to remind it was during his reign that the Warsaw Castle became the residence o f the King o f Poland. In one of the projects of the seal there is an image o f a white eagle — referring to that being Poland’s emblem in the times of King Stanisław August Poniatowski, in another one, a bi-partite shield with the white eagle of the Jagiellonian dynasty, and the arms of Lithuania — to remind the idea of the Commonwealth o f Two Nations which survived throughout the period o f partitions. The only design of the Society’s seal put into effect represents a stylized fourleaf clover inscribed into a circle and with the Society’s initials in its arms and centre. It was that seal that was used for stamping archival records o f the Society for Protection of Historical Monuments.
Źródło:
Ochrona Zabytków; 1978, 1; 72-73
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drewniana cerkiew w Kulasznem : z materiałów IS PAN do inwentarza drewnianej architektury sakralnej w Polsce
THE WOOD-CONSTRUCTED ORTHODOX CHURCH AT KULASZNE, RZESZÓW VOIVODSHIP
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/537934.pdf
Data publikacji:
1975
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniana cerkiew w Kulasznem
wschodni typ cerkwi łemkowskich
Kulaszne
Opis:
The orthodox church of St. Nicolas the Bishop at Kulaszne that is being dealt with in the present report was totally destroyed by fire in 1974. In view of a wide range of research problems associated with it the author considered it necessary to publish a set of materials concerning the above object. Within the first part of publication the archival, bibliographic and illustrative sources are presented then a full description of the object itself and the state of investigations is reported from which it follows that this church has been erected in 1883—1912 on a site occupied previously by another, earlier built church. The newly built church was erected with the use of carcass construction based on a stone sill. It was covered with gabled roofs provided with turrets and a lantern. The plan was divided into three clearly separated bodies with a porch and sanctuary enclosed at three sides. The ceiling was covered with figurai paintings dating from the time of erection. It was the most lately erected church within the space of the Osława Valley at the same time representing one of the last links in a chain of the so-called eastern-type orthodox churches on the territory of an ancient Lemki culture. As its prototype may, among others, be considered the orthodox church at Komańcza (1802—1836). That type of orthodox churches has developed in the first Quarter of the 19th century.
Źródło:
Ochrona Zabytków; 1975, 2; 132-136
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niektóre problemy konserwacji kościoła w Haczowie
SOME PROBLEMS CONNECTED WITH CONSERVATION OF THE PARISH CHURCH AT HACZOW
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/537445.pdf
Data publikacji:
1973
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
kościół w Haczowie
konserwacja kościoła w Haczowie
konserwacja drewna
dokumentacja konserwatorska obiektów drewnianych
późnogotyckie polichromie w kościele w Haczowie
Opis:
The subject of considerations by the author is formed by the lasting several years conservation of the woodconstructed parish church at Haczów, Brzozów district, Rzeszów Voivodship. This late-Gothic edifice belonging to architectural monuments of „О” group and dating as far back as to the mid-fifteenth century is considered to be one of the most valuable objects of wood-built architecture in this country. In 1958—68 the church was subjected to conservation which was carried out by the carpenters’ teams sent by the Museum of Folk Building Art, Sanok. From 1969 forward the conservation that has been ordered by the Voivodship Conservator in Rzeszów is being carried out by the Lublin Branch of the state-owned company known as Ateliers for Conservation of Cultural Property, Jarosław Division. While analysing the main and most urgent needs of the object under conservation the author proposes that the most recent achievements be applied from the field of wood preservation and that the full design documentation be based on that prepared by conservators. As a point of utmost importance must be regarded the measures aimed at inhibiting the decay processes in wood exposed to weather and in consequence to destructive action of fungi and insects. Another important point consists in the need to have an appropriate historical, descriptive and photographic documentation which should be prepared prior to starting any conservating treatments, during their course and on their completion. Only such an exhaustive documentation can furnish a guarantee that the restoration will be carried out in a proper way. The lack of such documentation for the church in question caused that some errors occurred in works already done. To have preserved this specimen of the wood-constructed sacred building it is — according to the author’s suggestions — inevitable to extend the range and the kind of works as well as to accelerate their course, at the same time heightening the quality level of ex e cution. Taking into account the above requirements it seems also necessary to organize a special laboratory that would be entrusted with working out of methods of application of chemicals in conservation and at the same time with supervision over the works carried out. It is the author’s opinion that it is already the highest time to have solved the problem of the so called „timber bank” from which the required quantities of the well-seasoned, say during the three-year period, timber would be available to meet the needs of conservation.
Źródło:
Ochrona Zabytków; 1973, 3; 190-200
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konserwacja trzech obrazów z pojezuickiego kościoła w Łucku
Conservation of Three Paintings From the Post-Jesuit Church in Łuck
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/1954619.pdf
Data publikacji:
2002
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
After 1945 the Polish population left the lands taken over by the Soviet Union. This was the result of the aggression committed against Poland on 17 September 1939, which was sanctioned in the provisions of the conferences in Yalta (February 1945) and Potsdam (July- August 1945). After that the Roman-Catholic cathedral in Łuck (until 1773 a Jesuit church) was closed in 1948 for cult activities by the Bolshevik authorities, similar to most Catholic churches in the Soviet Ukraine. Soon the cathedral was turned into a storehouse, then to a mechanic workshop, and from 1980 the History of Religion and Atheism Museum was opened in it. The cathedral was regained by the Catholic Church in June 1991. During the past 43 years a lot of unfavourable changes took place in its furnishings. Especially many paintings were lost from the numerous collection enriched in the 19th century by paintings taken from other Łuck churches that belonged to religious orders, closed by the Russian invader authorities. In 1996 the then cathedral parish priest, Canon Ludwik Kamilewski, applied to the Board of the Polish Association „Wspólnota Polska” („Polish Commonwealth”) in Warsaw to make an inspection and conservation of two paintings rolled on a drum. Conservation works were organized by the Centre for Polish Cultural Heritage Abroad of the Association „Wspólnota Polska” and they were funded by the Senate of the Polish Republic and the Office of the Government Plenipotentiary for Polish Cultural Heritage Abroad. They were done in the years 1997-1999 by the Conservation Team including Krystyna Kokociń ska, Izabela Malczewska (manager) and Halina Rudniewska. After the works were started it turned out that on the drum there were not two but three paintings from the side altars of the cathedral: Assumption of the Virgin Mary, Apotheosis of St Michael the Archangel (both about 430 x 205 cm) and St Francis of Sales (about 260 x 137 cm). The state of preservation of the paintings was bad; the losses of paint in Assumption of the Virgin Mary reached about 40% and in the remaining paintings ranged from 10% (Apotheosis of St Michael the Archangel) to 15% (St Francis of Sales). There were also considerable losses of the original canvas, especially on the edges; and the size of the paintings and a lack of a properly equipped room formed hard working conditions for the conservators. After cleaning their back sides all the three paintings were doubled on a new canvas (‘on wax’); next their faces were cleaned with ammonia soap and turpentine; new canvas was inserted in the places where the original canvas was missing and it was ironed; all the losses of the undercoat were complemented with chalk and glue filler and retouched with water-colours and varnished, and when the varnish was dry pointing and reconstruction of bigger paint losses were done in oil and resin; and the paintings were varnished again. For all the three paintings also new frames were made. On 17 September 1999 the last of the three paintings – Assumption of the Virgin Mary – returned to its original place. Two of the pictures – Apotheosis of St Michael the Archangel and Assumption of the Virgin Mary – like the painting The Holy Trinity from the high altar (the painting was burnt in 1924) in the first decade of the 20th century were connected with the name of Tadeusz Kuntze, the Polish painter educated in Rome and known there as Taddeo Polacco. Earlier all the three paintings had been attributed to the Polish painter Marceli Bacciarelli. During the conservation on the painting Apotheosis of St Michael the Archangel a hardly legible signature ‘Tadeusz Kuntze 1786’ was found. Finding it allows us to transfer the picture from the group of paintings attributed to that painter to the group of ones that are documented; at the same time it makes probable the information that when during Bishop Karol Niedziałkowski’s rule (1901-1911) in the Łuck diocese the three paintings were taken out of the altars inscriptions were found on them proving that they were painted by T. Kuntze; the above mentioned signature could be one of them. Tadeusz Kuntze, born in 1733, left Poland for good in 1759 and in 1763 or 1765 he settled down in Rome where he died in 1793. Making the three paintings for the Łuck cathedral was an important order; hence answering the question if the artist executed it in Rome or during a stay in Poland we don not know about would be interesting. May be an answer to this question can be found in the future. Who painted St Francis of Sales is still unknown. May be this will be changed by research in the archives or by comparative-style studies. During the reported conservation works it was pointed that the painting was initially a little bigger and at a certain moment it was adjusted to the smaller altar niche, which is proven by the painted candlesticks in the upper part of the painting that are cut. This could happen in the 19th century, after possible taking over the painting from one of the Łuck monasteries, closed by the Russian authorities. The conservation works on the paintings from the Łuck cathedral helped save three precious monuments of the Polish national heritage that are abroad, in the lands that used to be part of the Polish State; now they are common cultural heritage of Poland and the Ukraine.
Źródło:
Roczniki Humanistyczne; 2002, 50, 4 Special Issue; 543-566
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W sprawie architektury cerkiewnej województwa rzeszowskiego
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/538707.pdf
Data publikacji:
1957
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
budownictwo cerkiewne woj. rzeszowskiego
inwentaryzacja zabytków na Rzeszowszczyźnie
rozbiórki cerkwi
zniszczone zabytkowe obiekty cerkiewne
Źródło:
Ochrona Zabytków; 1957, 2; 99-112
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 37

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