Temat: Sorokin - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Futurystyczna uczta literacka (Władimir Sorokin, „Манарага”)
Autorzy:: Zywert, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/1022680.pdf
Data publikacji:: 2019-08-08
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Vladimir Sorokin
Manaraga
book
feast
future
Opis:: In his latest novel Manaraga (2017) Sorokin comments on one of the most significant problems of modern times – the results of the anticipated death of the printed book as well as the related opposition between the original and the copy. The biggest problem, as the author suggests, is not the form of the already published literary classics but the absence of new classics, which can embrace ideas capable of awaking the humankind from its zest for comfort and motivating people for constructive progress.
Źródło:: Studia Rossica Posnaniensia; 2019, 44, 1; 233-244
0081-6884
Pojawia się w:: Studia Rossica Posnaniensia
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Moskiewska „czernucha”. Wstydliwa strona miasta?
The Moscow noir. The shameful side of the city?
Autorzy:: Zywert, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/915295.pdf
Data publikacji:: 2018-09-22
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: czernucha
Wiktor Astafiew
Moskwa
Władimir Sorokin
Roman Senczyn
Sergiej Kuzniecow
noir
Moscow
Viktor Astafiev
Roman Senchin
Sergei Kuznetsov
Opis:: The article is an attempt to answer the question of the way noir functions in the contemporary prose devoted to Moscow and the extent to which it affects the city’s literary image. The paper interprets selected works by Vladimir Sorokin, Roman Senchin and Sergei Kuznetsov. The analysis conducted by the author of the paper leads to the conclusion that the presence of the so-called “black naturalism” in the Moscow texts does not spoil the image of Russia’s capital, but complements it with new elements (previously hidden, but present since the old days). Therefore, Moscow becomes more real, tangible, flesh and blood as well as suitable for the worldwide tendency to create megapolises.
Źródło:: Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2016, 6; 259-272
2391-470X
Pojawia się w:: Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:: Biblioteka Nauki

Artykuł

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